Sentimental comedy is a genre of theater, film, and television that focuses on eliciting strong emotions, particularly feelings of sentimentality and sentimentality, from its audience. This type of comedy often centers around themes of love, family, and relationships, and often involves characters who are kind, empathetic, and generally good-natured.
One of the key features of sentimental comedy is its focus on creating a sense of nostalgia and longing in the audience. This is often achieved through the use of setting and costumes, as well as through the use of music and other sensory elements that evoke feelings of nostalgia and longing.
Another important feature of sentimental comedy is its emphasis on character development. Unlike many other types of comedy, which often rely on caricatures and stereotypes for their humor, sentimental comedy tends to feature well-rounded and fully realized characters who are allowed to grow and change over the course of the story. These characters are often depicted as likable and relatable, and the audience is often asked to invest emotionally in their struggles and triumphs.
Another hallmark of sentimental comedy is its use of romantic and familial relationships as a source of conflict and resolution. Love and family are often depicted as powerful forces that can bring people together and help them overcome adversity. In sentimental comedy, characters often struggle with issues related to love and family, such as misunderstandings, communication problems, and conflicts of interest, and these issues are typically resolved through the power of love and the bonds of family.
Finally, sentimental comedy often features a strong moral message or lesson, which is often woven into the plot and themes of the story. This message may be related to themes of forgiveness, understanding, or acceptance, and is often delivered through the actions and choices of the characters.
Overall, sentimental comedy is a genre that seeks to evoke strong emotions in its audience, often through the use of nostalgia, character development, romantic and familial relationships, and a strong moral message. Through its focus on creating a sense of warmth and emotional connection with its audience, sentimental comedy has the power to bring people together and encourage feelings of hope and optimism.
Sentimental Comedy
Comedy of the sort that ridicules the follies and vices of society to the end of laughing them out of Joseph Andrews concerning the function of satire is squarely in the Neoclassic tradition of comedy as a corrective of manners and mores: the satirist holds the glass to thousands in their closets, that they may contemplate their deformity, and endeavour to reduce it, and thus by suffering private mortification may avoid public shame. Not only the hero and heroine but almost all characters fall in love. Everyone deals with tough times in different ways, and that can translate to the kind of entertainment you're craving. These plays are comedies, only in name and form, but not in essence. It announces the beginning of middle class drama. In writing these, Steele avowed a moral purpose, and tried to prove that morality was not synonymous with dullness. The lack of emotion and passion in these plays gives them polished, crystal hardness which saves them from licentiousness.
Shakespearean Comedy: Main features of Shakespeare comic plays
A preponderance of one or another of the humours in a temperament was supposed to produce four types of disposition sanguine, phlegmatic, choleric and melancholy. Here most of the characters are good and generous. The first attack on the sentimental comedy was made by Goldsmith in Essay on the I heater or A Comparison between Laughing and sentimental comedy. In other words, a comedy of humours, has all the characteristics of a regular comedy, with the exception of the exaggerated traits or humours of its characters. The aim of the writers of sentimental comedies was to condemn human vices and flatter or applaud human virtues, and that is why, should better be regarded as moral priests and as a matter of fact, all sentimental comedies are more or less nothing but moral comedies, because 16 throughout the play, we can feel the moral purpose and the aim and consequently, all such plays were intended to edify the moral sense of the readers and the audience. But we rarely find any element of satire in a sentimental comedy.
10 Sentimental Movies That Will Give You All The Feels
Shakespeare mingled happy and sad theme, mixed comic elements with tragic elements. Shakespearean Comedy is essentially a Romantic Comedy. This sentimental trend may be traced back as far as the early eighties of the seventeenth century, and it seems probable that the political interest which was aroused during the last days of Charles II, the reign of James II, and the Rebellion had something to do with the shifting of focus from gray intrigues to more serious scenes. De la Poesie dramatique VIIed. An honest, optimistic magistrate has unshakeable faith in the virtues of a cup of sack and Babadil a blusterer of a new kind, takes away everyone in, by his decorous manners and the calm voice, in which he utters his improbable goals. Or, The Dangers of Sentimentalism in the Comic Reform Scene".
Sentimental comedy
Under its silent influence sentimental comedy comes into existence before the end of the seventeenth century. The actual results, on the contrary, were poor. If sentimentalism brought something new to the theatre, it at the same time proved fatally easy of execution. His book A Short View of the Immorality and Profaneness of the English Stage 1698 attacked the vices of the stage with great vigour and this gave rise to a new form of comedy. The general lines separating the tragic and comic genres began to break down, and that which is high, serious, and capable of arousing The Conscious Lovers continued to represent the affairs of private life, as comedy had always done, but with a seriousness hitherto unknown; and the traditionally low personages of comedy now had a capacity for feeling that bestowed on them a dignity previously reserved for the personages of tragedy.
