Fragonard young woman reading. A Young Girl Reading, c.1776 2022-10-05
Fragonard young woman reading
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Jean-Honoré Fragonard's painting "Young Woman Reading" is a beautifully crafted work that captures the intimacy and quiet contemplation of a young woman lost in the pages of a book. The painting, which was completed in the late 18th century, depicts a woman seated at a table, with a book open in front of her. She is surrounded by a warm, cozy atmosphere, with the soft glow of a candle providing the only source of light.
One of the first things that stands out about this painting is the young woman's posture and expression. She is seated in a relaxed position, with her feet tucked under her chair and her head tilted slightly to one side as she reads. Her expression is one of focused concentration, as she seems completely engrossed in the book. This sense of calm and concentration is further enhanced by the quiet, peaceful setting in which the young woman is depicted.
The composition of the painting is also noteworthy, as Fragonard has skillfully used the elements of the scene to create a sense of depth and dimension. The young woman is seated at the foreground, with the table and book occupying the middle ground. The background is slightly blurred, giving the impression that the room extends far beyond the frame of the painting. This use of perspective adds to the sense of intimacy and solitude that the young woman seems to be enjoying as she reads.
The use of color in "Young Woman Reading" is also noteworthy. Fragonard has used a palette of soft, muted colors to create a sense of tranquility and calm. The young woman's dress is a pale blue, while the table and chair are a warm, rich brown. The light from the candle casts a soft golden glow on the scene, adding to the sense of warmth and comfort.
In conclusion, "Young Woman Reading" is a beautifully crafted work that captures the intimacy and quiet contemplation of a young woman lost in the pages of a book. Fragonard's use of composition, color, and the elements of the scene create a sense of depth and dimension, while the young woman's posture and expression convey a sense of focused concentration and peaceful solitude. It is a painting that invites the viewer to sit down and join the young woman in her quiet contemplation, lost in the pages of a book.
Young Girl Reading — Google Искусство и культура
The color selections reinforce the composition and give an illusion of soft warmth that permeates the painting. Perhaps, in other words, she is becoming something other than a bird swinging in a cage. An allegory of arrogance! Particularly with the girl's fingers curled in a pleasing interplay of motion around her book, one can see the swift fluidity of Fragonard's brushwork, so typical of his Rococo style. The subject is depicted in profile, reading from a small book held in her right hand, sitting with her left arm on a wooden rail and her back supported by a large lilac cushion resting against a wall. In this way the viewer is drawn into the scene, and the portrait becomes a meditation on beauty and the act of reading. The Science of Paintings.
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A Young Girl Reading
In Young Girl Reading, color helps convey emotion and mood. Nineteenth-century European art 3rded. This painting was one of a series of paintings featuring young girls. Peter Paul Rubens: Always a fan of the Dutch Masters, the Neoclassicism: By this time period, the frivolity and lighthearted nature of Rococo works were no longer fashionable, replaced by a more serious return to painterly technique typical of Neoclassicism. The female figure in Young Girl Reading was meant to represent the natural essence of femininity. The painting is anti-rococo.
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Fragonard's 'Young Girl Reading,' Female Agency, and Rococo Perversion
Use of space: There is a marked contrast between the solid mass of the girl and the chair in the center and right of the painting and the bare wall behind her that defines and frames the shot. But the painting also hints at the past, at unobtainable dreams, at a cesspool of ideologies and antiquated notions of gallantry and romance. University of Chicago Press; 2nd edition, 1990. National Gallery of Art, Washington, 2017: 52. We Think You'll Love Your Prints and Paintings Ordered From Us.
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Young Girl Reading
National Gallery of Art, Washington, 2017: 52. And while the pages of this book only reveal gray horizontal lines imitating the look of text on a page, we are not shown any actual words, nor does the spine give us an author or title. This swordplay technique of painting yields the highly textured results. In the meantime, here are feedback posts from our past customers sharing their shopping experience. A smiling older man, presumably her husband perhaps a cuck , stands behind her, dutifully maneuvering the swing. His frothier works brought Fragonard harsh criticism from philosophers such as Denis Diderot, one of the foremost designers of the French Enlightenment.
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A Young Girl Reading by Jean
Fragonard: Life and Work. For Unframed Canvas Art, We Leave a 2" Border to Allow for Framing or Stretching of the Artwork. The fluidity of her contours is typical of Rococo painting. This gives a Color palette: The subject's saffron dress stands out and pulls the composition together, though it is supported by other tones of gold which is typical of Rococo painting. These bright colors present a strong contrast to the dark background and help the viewer home in on the curves and contours of the female form. Brushstroke: To achieve the precise detail of the girl's collar Fragonard utilized a wooden brush to carve into the paint.
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A Young Girl Reading, c.1776
A sharp pain convulsed me. This may be why, further along in the tradition of the French novel by the year 1856 , writers like Flaubert had contrived a gallery of rebels like Emma Bovary to serve both as catalysts and cautionary tales. Even the most famous and respected artists, over the last few centuries, have had to struggle with the balance of being financially comfortable, whilst also retaining an element of independence on their own creativity. The Actor is Gabriel Auguste Godefroy, the son of a wealthy Parisian banker, jeweler, and art dealer, and The Warrior is the miniaturist Peter Adolphe Hall, who owned some 20 works by Fragonard. Although the painting appears to have sold at the marquis' 1845 estate sale, it possibly remained in the family and came to Pierre de Kergorlay through his second marriage in 1880.
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Young Woman Reading By Jean Honore Fragonard Reproduction
But another kind of Fragonard was Young Girl Reading, painted only three years after The Swing, in 1770. Young Girl Reading, or The Reader French: La Liseuse , is an 18th-century Jean-Honoré Fragonard had an extensive career. Her fantasy is to transform into a new kind of humanized woman. Reputations could be significantly boosted by a charming portrait and so the richer members of French society would often seek out the most respected portrait painters of their era. And yet, the adolescent is not a vanity piece.
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Young Girl Reading — Google Arts & Culture
The brown wall behind the girl provides a strong vertical structure, which combined with the horizontal bar of the armrest gives solidity to the composition. Correspondence between the Paris and New York offices of Duveen Brothers, Inc. Both remain a pretty exciting mystery. Indeed, for those who commissioned Fragonard to produce portraits of themselves, it would make absolute sense to ask to be portrayed in a pose such as this. Grace and wit were prized in social interactions. It makes one wonder if Fragonard intended to embarrass his courtly sitters, exposing their atrocious self-regard. Or perhaps he too is in denial of the rising third estate.
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All it takes is a quick glance to see how much she contrasts with the ensemble of cartoony gallants of the French aristocracy. Mood Elicited: The mood is one of reflection, beauty and calm. The tone created is one of elegant domesticity. What message is being transferred across this gulf of time and place from her reading of a book to our reading of a work of art? For six months, then, Emma, at 15 years of age, made her hands dirty with books from old lending libraries. My heart was crushed. Fragonard used a typical Rococo color scheme, which consisted of soft, delicate colors and hues of gold. Comte Denis de Kergorlay kindly provided a copy of the 2006 book about his family, enabling the identification of the "Comte de Kergorlay" named as the painting's owner in 1889.
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