At the cadian ball. "At the 'Cadian Ball" by Kate Chopin 2022-11-01
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Manifest Destiny was a belief held by many Americans in the 19th century that it was the God-given right and duty of the United States to expand its territory from the Atlantic coast to the Pacific Ocean. This belief was reflected in many ways, including in art and imagery. One such example is the painting "Westward the Course of Empire Takes Its Way," which was created in the mid-19th century by artist Emmanuel Leutze.
This painting depicts a scene of European settlers pushing westward on horseback, with the Rocky Mountains in the background. The message of the painting is clear: the settlers are moving westward with a sense of purpose and determination, guided by a divine force. The painting suggests that the expansion of the United States is not just a practical or political decision, but a moral one as well.
The painting also reflects the cultural biases of the time. The settlers are depicted as strong, brave, and heroic, while the Native Americans and other indigenous peoples who already lived in the West are nowhere to be seen. This reflects the dominant narrative of the time, which saw the expansion of the United States as a civilizing mission rather than as a form of colonization and displacement.
Overall, "Westward the Course of Empire Takes Its Way" is a powerful visual representation of the belief in Manifest Destiny that shaped American expansion in the 19th century. It reflects the sense of purpose and determination that motivated many Americans to push westward, as well as the cultural biases and assumptions of the time. Despite its historical significance, it is important to remember that Manifest Destiny had significant consequences for indigenous peoples and that this belief has been criticized for promoting a sense of entitlement and superiority over others.
At the 'Cadian Ball by Kate Chopin
And when she told him, he thought the face of the Universe was changedjust like Bobint. He did not see them, and went slowly back. He had attempted to take a little gold ring from her finger; just for the fun of it, for there was nothing he could have done with the ring but replace it again. Her eyes, Bobint thought of her eyes, and weakened, the bluest, the drowsiest, most tantalizing that ever looked into a man's, he thought of her flaxen hair that kinked worse than a mulatto's close to her head; that broad, smiling mouth and tip-tilted nose, that full figure; that voice like a rich contralto song, with cadences in it that must have been taught by Satan, for there was no one else to teach her tricks on that 'Cadian prairie. Bobinôt recalls a time when the community gossiped about Calixta doing something scandalous at Assumption mass, though what she did he leaves unsaid. But her impatience and anxiety would not be held in check. She was sitting upon a bench out in the shadow, with Alcée beside her.
Kate Chopin: A Critical Biography Baton Rouge: Louisiana State UP, 1969. You know that makes me crazy, w'at you sayin'. And had it not been for the telltale saddle-bags, she would only have crept to bed, to wonder, to fret and dream unpleasant dreams. Then wild horses could not have kept him away. Den he go to de chimbly an' jerk up de quinine bottle an po' a gre't hoss-dose on to he han'. Dainty as a lily; hardy as a sunflower; slim, tall, graceful, like one of the reeds that grew in the marsh. Clarisse, her goddaughter helped her a little, and together they built more air-castles than enough.
In the distance they heard the rapid discharge of pistol-shots; but it did not disturb them. But she clinched her hand tight. Bobinôt thought of them all as he plowed his rows of cane. Bobino and Calixta are Acadian descendants of the Americans exiled French from Acadia. As is typical of "local color" stories of the period, the conflict in this story is primarily internal to the characters. But Clarisse whispered something to him, and he turned back to say "Good-night, Calixta," and offer his hand to press through the railing. Therefore, the two storybooks are related in the sense that one is the continuation of the other.
A night or two later, when Clarisse went to her window to kneel there in the moonlight and say her prayers before retiring, she saw that Bruce, Alcée's negro servant, had led his master's saddle-horse noiselessly along the edge of the sward that bordered the gravel-path, and stood holding him near by. Kate Chopin in the Twenty-First Century: New Critical Essays Newcastle upon Tyne, England: Cambridge Scholars, 2008. And when she told him, he thought the face of the Universe was changedjust like Bobint. The story then switches to Alcée and Clarisse. There were often guests: young men and women who came up from the city, which was but a few hours away, to visit his beautiful kinswoman. The women did not always approve of Calixta. You mean that, Calixta? Chopin is trying to tell women to take control of their lives, just like Clarisse does and Calixta fails to do she resigns herself to marrying Bobinot, instead of following her heart and fighting for Alcee.
He say, 'I kin mak out to stan' up an' gi' an' take wid any man I knows, lessen hit 's John L. I want to go home, me. Bobint, that big, brown, good-natured Bobint, had no intention of going to the ball, even though he knew Calixta would be there. Is dat Mista Alcée? That he had more panache than Boulanger. Bobint thought of them all as he plowed his rows of cane. If such a thing had happened to Alphonse, the Laballière planting cotton up in Natchitoches, he would have raved and stormed like a second cyclone, and made his surroundings unbearable for a day or two.
At the 'Cadian Ball, Kate Chopin, characters, setting
Alcée reached the ball very late, of course — too late for the chicken gumbo which had been served at midnight. They seemed to forget about it. But the young women were very beautiful. He then lost no time in mounting, and after a brief exchange of words with Bruce, went cantering away, taking no precaution to avoid the noisy gravel as the negro had done. Why could he not love Ozina, who would marry him to-morrow; or Fronie, or any one of a dozen others, rather than that little Spanish vixen? For that reason the prairie people forgave her much that they would not have overlooked in their own daughters or sisters. Learn More The Storm explains what happens after these two couples marry and what comes from their rushed decisions to marry each other. He did not mind if there were visitors; he left them to his mother and Clarisse.
He then lost no time in mounting, and after a brief exchange of words with Bruce, went cantering away, taking no precaution to avoid the noisy gravel as the negro had done. Bobinôt grew bold with happiness and asked Calixta to kiss him. Go yonda in the parc aux petits an' ask Aunt Olisse fu' my hat. Bobinôt thought of them all as he plowed his rows of cane. Clarisse, her goddaughter helped her a little, and together they built more air-castles than enough. Den he go to de chimbly an' jerk up de quinine bottle an po' a gre't hoss-dose on to he han'.
Bobinot thought of them all as he plowed his rows of cane. I want to go home, me. The women did not always approve of Calixta. No man had ever spoken love to her like that. The cyclone seemed a huge joke, now.
He jis' gone a-caperin' yonda to de Cajun ball. When they temporarily make a stop, she replies that she was afraid he might go to Assumption, where he would be with Calixta. But I 'm goin' now. But they felt it took a brave homme to stand a blow like that philosophically. You mus' dreamt that. And when she told him, he thought the face of the Universe was changed — just like Bobinôt. Including snippets of multiple of her short stories.
Written as a prequel for The Storm, At the 'Cadian Ball showed Alcée and Calixta before they were married to Clarisse and Bobinôt respectively. But it was nice—hein, Calixta? He said you had gone to the ball, an' wouldn' be home for weeks an' weeks. He looked ill and gray after it, and said nothing. The big, low-ceiled roomthey called it a hallwas packed with men and women dancing to the music of three fiddles. She had now recognized the girl sitting back on the bench. He pretended that it was a very difficult matter to open it. To be sure, they knew the Laballires were richthat there were resources East, and more again in the city.