Myron ancient greece. Discobolus (after Myron), c.460 2022-10-21
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Myron was an ancient Greek sculptor who lived during the 5th century BCE. He was born in Eleutherae, a town located near Athens, and is known for his bronze sculptures which were highly prized in ancient Greece.
Myron is considered to be one of the greatest sculptors of the classical period in ancient Greece, along with his contemporaries Phidias and Polyclitus. He is most famous for his bronze sculptures of athletes and animals, which were known for their realism and attention to detail. One of his most famous works is the "Discus Thrower," a bronze sculpture of a man preparing to throw a discus. This work is considered a masterpiece of classical Greek art and has been widely copied and imitated throughout the centuries.
In addition to his sculptures of athletes and animals, Myron also created a number of other works, including statues of gods and goddesses, portraits of important people, and reliefs for temples and other public buildings. His style was characterized by his ability to capture the essence of movement and action in his figures, and his works were admired for their sense of balance and harmony.
Despite his fame and success as a sculptor, very little is known about Myron's life and career. It is believed that he was active in the mid-5th century BCE, and that he worked in the workshop of Ageladas, another famous Greek sculptor. However, beyond this, little is known about his personal life or the specifics of his career.
Despite the lack of information about Myron, his works have continued to be admired and studied throughout the centuries. His sculptures are considered some of the finest examples of classical Greek art, and his influence can still be seen in the works of modern sculptors. Myron's legacy as one of the greatest sculptors in the history of ancient Greece is sure to continue for many centuries to come.
Who is myron?
Miron or Myron is a male Greek name, commonly found in the ancient years. His range of subjects included divinities, heroes, men, and animals. Of Myron's recorded works, there are two for which little or no doubt remains for identification through copies. These indications, such as they are, point to the "Transitional period. His period of major activity seems to have been during the quarter century following the decisive Greek victories over the Persians in 480-479.
It may be, as Quintilian says, labored and contorted, but the result is not, as might have been expected, restless in effect or tiring to the eye, because every part is in harmony with the whole, and the eye is carried on by an easy and pleasing succession of outlines round the whole contour of the figure. It was instantly famous, though the Massimo jealously guarded access to it Haskell and Penny 1981:200. He was accounted a master of anatomy and action, but weak in the rendering of the face. National Roman Museum, Rome. He is recorded, however, to have been a pupil of the Argive sculptor Ageladas, who was for a long time the acknowledged leader of the Peloponnesian School of athletic sculpture; and it is said that his fellow-pupils were Phidias and Polyclitus.
The Diskobolos is widely admired for its particular resolution of the exertion and instability of an instant of motion into a composition of unified balance and harmony. Numerous scholarly efforts to attribute male heads of early classical style to Myron must remain tentative. We must, therefore, assign the artistic activity of Myron himself to the first half of the fifth century. No information or copies remain, so we have no idea as to the animal's pose, but we do know that it stood in the marketplace in Athens. One fragmentary copy was completely misunderstood by the sculptor to whom it was handed over and restored as a fleeing Niobid! He was famed for his sculptures of powerful athletes and life-like animals. He is very calm and warm hearted and is very reliable.
It was no new departure in art for Myron to represent an athlete practicing the exercise in which he excelled. It is the name of Myron of Athens, who ranks among the six most illustrious sculptors of Greece. He produced mainly Discobolus c. Myron is often credited with being the first sculptor to master this style. In 1937, This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3. Most modern scholars consider him to be the great experimental innovator of the early classical period "Severe style".
Discobolus By Myron (Ancient Greek Art) Analysis And Research Example
Only one of the transitional sculptors who are mentioned by ancient writers, Myron, has a definite personality. The first is the famous Diskobolos, or Discus Thrower. In this period Sicyon was damaged by two disastrous earthquakes in 153 BC and 141 BC. This rotation could well have been a deliberate handicap to make the sport more difficult. Anyone who moves around to the side of this piece can see that it is all on a flat plane. Such an inference is borne out by some other works of the master, such as his group of Athena and Marsyas, and especially his Ladas, a statue of a runner poised on tiptoe just as he reached the goal, a work of which only literary accounts are preserved. GREATEST GREEK STATUE For analysis of an important work of Hellenism, see: Myron active 480-440 BCE Myron was one of the Greek sculpture.
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General Information on Agios Myron The postal code of Agios Myron is 70013 and its telephone access code is +302810. Nicknames deriving from name Miron Miron does not have many nicknames or diminutives, as most ancient names. Myron was a Greek sculptor. The Discobolus Palombara, the first copy of this famous sculpture to have been discovered, was found in 1781. The discus thrower is depicted as about to release his throw: "by sheer intelligence", The Nude, "Myron has created the enduring pattern of athletic energy.
. Myron was born at Eleutherai on the Attic side of Mt. He also mentions a dog that was cast in bronze. We can only infer that his genius was widely recognized in his lifetime, seeing that commissions came to him, not from Athens only, but also from other cities of Greece proper, as well as from distant Samos and Ephesus. Sculpting in bronze, he was noted for his animals of which no examples have survived and for his athletes in action.
The muscles appear about as natural as those in the contemporary Olympian pediment sculpture, and yet this is a single figure. He is supposed to have been a pupil of Ageladas of Argos, but he worked largely in Athens. It was not a very popular name for many decades but towards the end of the 80s, when naming children with ancient Greek names became popular again in Greece, Miron also became more common in male boys, mostly in urban centers. We do not know his father's name; his teacher is said by Pliny the Elder to have been Hageladas, the principal caster of monumental bronze statues at Argos about 500. Myron established no school, his only known pupil being his son Lykios.