To his coy mistress marvell. To His Coy Mistress 2022-10-24
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"My Life had stood - a Loaded Gun" is a poem written by Emily Dickinson that explores themes of femininity, power, and the complexities of identity. Through the metaphor of a loaded gun, Dickinson delves into the idea that women are often expected to conform to societal expectations and roles, and that they may feel trapped and silenced by these expectations.
At the same as the speaker in the poem, the loaded gun represents the potential for power and agency, but also the burden and danger that comes with it. The gun is "loaded" with the expectations and roles that society has placed on the speaker, and she is constantly "cocked" and "ready" to perform and fulfill these expectations. The speaker is aware of the power she holds, but also recognizes that she is at the mercy of those who would "finger" and "handle" her, suggesting that she does not have complete control over her own body or identity.
The poem also touches on the theme of femininity, as the speaker is described as being "tender" and "gentle," traits that are often associated with traditional ideas of femininity. However, the speaker also asserts her strength and power, stating that she is "deadly," and that she "could" and "would" act if necessary. This tension between traditional femininity and the power and agency that comes with it is a common theme in feminist literature, and it highlights the complexities and contradictions that many women face in their lives.
In terms of a feminist analysis, "My Life had stood - a Loaded Gun" can be seen as a commentary on the ways in which society tries to control and define women's roles and identities. The metaphor of the loaded gun suggests that women are expected to be ready and willing to fulfill the expectations placed upon them, but that they may also feel trapped and silenced by these expectations. The poem also highlights the power and agency that women have, even if it is often suppressed or ignored by those around them. Overall, "My Life had stood - a Loaded Gun" is a powerful and thought-provoking poem that explores themes of femininity, power, and identity in a unique and compelling way.
The Logic of Metaphor in Marvell’s "To His Coy Mistress": [Essay Example], 1564 words GradesFixer
This juxtaposition of love with a vegetable should demonstrate lethargy, emotionlessness which ultimately expresses passion if not given realization. To His Coy Mistress Had we but world enough, and time, This coyness, lady, were no crime. As for time the speaker muses that he might have loved her "ten years before the flood," or the world's beginning, and she could love him after "the conversion of the Jews," an action predicted to occur at the end of the world. See, here are a few lines we love: It's a good thing that I have my library card. Its wit is underpinned by an almost-Darwinian awareness of the struggle for survival, and its tenuousness and brevity when achieved. Thus, though we cannot make our sun Stand still, yet we will make him run. If so, then is free choice non-existent? Harvard University Press, 21—22.
In this respect, his art seems comparable to that of his great friend and colleague, John Milton. Repetition: The phrase "Let us" is repeated throughout the poem, emphasizing the speaker's urgency and creating a sense of momentum as the poem progresses. Alliteration: "But at my back I always hear" 4. However, he continues to imagine, playing with this fantasy to place both him and his love at specific points of geography during specific eras. There is humour, wit and variety. Detroit: Gale, Cengage Learning, 2008. The poem is written in rhymed couplets of iambic tetrameter and is divided into three stanzas, indicated by indentations.
The Grave's a fine and private place, But none I think do there embrace. Buy Study Guide Summary: The poem is spoken by a male lover to his female beloved as an attempt to convince her to sleep with him. Time is personified in the poem—meaning it is given human attributes such as the ability to drive a chariot or to purposely pursue us to our deaths. Once life is over, the speaker contends, the opportunity to enjoy one another is gone, as no one embraces in death. . GradeSaver, 3 January 2014 Web. Let us roll all our strength, and all Our sweetness, up into one ball, And tear our pleasure with rough strife Through the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.
Andrew Marvell: Poems “To His Coy Mistress” Summary and Analysis
The poetry often mixed ordinary speech with intellectual paradoxes and puns. To his Coy Mistress The poem deals with several themes; of time, the fragility of life, and the constant looming of death. In reality he reveals its value to him, noting that once she dies and is "in thy marble vault" her beauty will disappear, and she will no longer hear his "echoing song. Hence Marvell can be seen to use metaphor to criticise the seducer. Irony: Marvell uses irony when he suggests that time would be meaningless if they had all the time in the world in lines 13-14.
The male poet strides through European literature, eloquently pleading with his mistress to seize the day, ie come to bed. Books World Enough and Time: The Life of Andrew Marvell A biography. Two hundred to adore each breast: But thirty thousand to the rest. It also helps to create an atmosphere of romance and intensity. To His Coy Mistress Introduction Marvell belongs to a group commonly known as the "Metaphysical Poets. Let us roll all our Strength, and all Our sweetness, up into one Ball: And tear our Pleasures with rough strife, Thorough the Iron gates of Life. Videos A video of a reading from the BBC Cheesy! In this particular poem, time is exaggerated in order to express the real insignificance of man in the face of the eternal.
What figurative language does Andrew Marvell use in "To His Coy Mistress"?
The speaker conveys his urgency through unusual and slightly morbid images of death and the grave, and through his personification of Time as a predator. As the detailed analysis will show, he employs imaginative and inventive imagery. Ultimately, the use of figurative and ironic devices in the poem conveys the speaker's frustration and desperation in trying to persuade his coy mistress. The resulting tone is clever and humorous, with a satirical edge. He noted how the poets shared many common characteristics, especially wit and elaborate style. Hyperbole: Marvell exaggerates the amount of time he would spend courting his beloved if they had an eternity together in lines 5-8. This creates a sense of urgency and builds up the tension in the poem.
He wants them to take control of time by enjoying one another now. However, he continues to imagine, playing with this fantasy to place both him and his love at specific points of geography during specific eras. I would Love you ten years before the Flood; And you should, if you please, refuse Till the conversion of the Jews. Personification: The poet personifies Time, referring to it as an "alarming" and "unresting" entity that is relentlessly pursuing the speaker and the mistress. This formulation of the problem with its focus on eternity is a feature of the metaphysical poetic language and imagery. The citation above will include either 2 or 3 dates.
However, Marvell belongs to the classical art school of metaphysical poets, which is the fact that gives the appeal in this poem an exceptional color. The speaker makes note of his would-be lover's "youthful glow," comparing its effect on her skin to that of "morning dew. As Louis MacNeice would imagine centuries later, "Time was away, and somewhere else. On the one hand, this poem is written as an appeal to a mistress in an attempt to gain favor from her, as evidenced by the title of the poem. We would sit down, and think which way To walk, and pass our long love's day. I would Love you ten years before the Flood: And you should if you please refuse Till the Conversion of the Jews. The Metaphysicals tend to poke fun at the super-serious way that other poets write about love and God, preferring a more light-hearted approach to weighty matters.
