Wordsworth expostulation and reply. Expostulation and Reply 2022-10-23
Wordsworth expostulation and reply
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Sambians are a group of people living on the island of Sambia in Papua New Guinea. Their culture is known for its highly structured and ritualized system of manhood. These rituals are an important part of Sambian society and play a significant role in the lives of young men as they transition from boys to men.
One of the most important rituals in Sambian culture is the initiation rite of passage. This rite occurs when a boy reaches puberty and is considered a crucial moment in his journey to manhood. The initiation rite is a series of ceremonies and rituals that are designed to test the physical and mental endurance of the young men as they undergo a process of transformation.
During the initiation rite, young men are separated from the rest of the community and are required to undergo a series of physical challenges and tests. These challenges may include fasting, long periods of isolation, and physical endurance tasks such as carrying heavy weights or running long distances. The young men are also required to undergo various forms of body modification, such as scarification and tattooing, as a way of marking their passage into manhood.
The initiation rite is a deeply spiritual experience for the young men, and it is believed to be essential for their spiritual and emotional development. It is also a time when the young men are expected to learn about the values and traditions of their culture, including the importance of family, community, and respect for elders.
In addition to the initiation rite, there are other rituals and ceremonies that are important for Sambian men as they navigate their way through the different stages of manhood. For example, young men may participate in hunting and warfare rituals as a way of demonstrating their strength and courage. These rituals serve as a way for men to prove themselves and earn the respect of their community.
Overall, the rituals of manhood in Sambian culture play a vital role in the lives of young men as they transition from boys to men. These rituals serve as a way for young men to learn about the values and traditions of their culture, to demonstrate their strength and courage, and to connect with their spiritual selves. They are a crucial part of Sambian society and are deeply revered and respected by the community.
A Short Analysis of William Wordsworth’s ‘Expostulation and Reply’
Wordsworth was a child of nature, he grew up in a rustic environment, in which he spent much time playing outside, in touch with his surroundings. In turn, the revolution gave great influence to several key social poets of the time such as William Wordsworth and Samuel Coleridge. The First Volume of these Poems has already been submitted to general perusal. If in this opinion I am mistaken I can have little right to the name of a Poet. Can no one hear? And so the babe grew up a pretty boy, A pretty boy, but most unteachable— And never learnt a prayer, nor told a bead.
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Expostulation And Reply Poem by William Wordsworth
In this poem, Wordsworth stages a conversation between his boyhood self and his schoolmaster, who believes that books provide the only means of gaining philosophical wisdom. Something I must have gained by this practice, as it is friendly to one property of all good poetry, namely good sense; but it has necessarily cut me off from a large portion of phrases and figures of speech which from father to son have long been regarded as the common inheritance of Poets. I have also thought it expedient to restrict myself still further, having abstained from the use of many expressions, in themselves proper and beautiful, but which have been foolishly repeated by bad Poets till such feelings of disgust are connected with them as it is scarcely possible by any art of association to overpower. Why take pains to prove that an Ape is not a Newton when it is self-evident that he is not a man. I am sensible that my associations must have sometimes been particular instead of general, and that, consequently, giving to things a false importance, sometimes from diseased impulses I may have written upon unworthy subject; but I am less apprehensive on this account, than that my language may frequently have suffered from those arbitrary connections of feelings and ideas with particular words, from which no man can altogether protect himself. We also get to know where this incident happened.
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Expostulation and Reply
This person asks Wordsworth why he acts like he does not know what to do. The result has differed from my expectation in this only, that I have pleased a greater number, than I ventured to hope I should please. His cheeks were red as ruddy clover, His voice was like the voice of three. He is informed of the track which his companions intend to pursue, and if he is unable to follow, or overtake them, he perishes alone in the Desart; unless he should have the good fortune to fall in with some other Tribes of Indians. But when the ice our streams did fetter, Oh! In this deep vale He died, this seat his only monument. Both illustrate how Journeys extend and help shape ones understanding of the world, enable individuals to alter their lives through the understanding of reality and provide challenges that force them to accept knowledge.
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Expostulation and Reply by William Wordsworth: Detailed Analysis
Through both poems, Wordsworth personifies nature repetitively to inform readers on his contextual ideas that nature has the ability to allow us to feel and it is this theme of feeling and emotion that lies at the heart of romanticism. But that entrance, Mother! We are absorbing influences and responding to stimuli all the time, receiving impressions from the Earth, from nature, from the sky and the birds and everything else. Their spirits are in heaven! Now, by the supposition, excitement is an unusual and irregular state of the mind; ideas and feelings do not in that state succeed each other in accustomed order. All, all was seized, and weeping, side by side, We sought a home where we uninjured might abide. Leoni doted on the youth, and now His love grew desperate; and defying death, He made that cunning entrance I described: And the young man escaped. I might perhaps include all which it is necessary to say upon this subject by affirming what few persons will deny, that of two descriptions either of passions, manners, or characters, each of them equally well executed, the one in prose and the other in verse, the verse will be read a hundred times where the prose is read once. But if the words by which this excitement is produced are in themselves powerful, or the images and feelings have an undue proportion of pain connected with them, there is some danger that the excitement may be carried beyond its proper bounds.
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“Expostulation and Reply” by Wordsworth illustrates a conflict between book learning and experiential knowledge. Which form of learning does the...
William Wordsworth has always been an admirer of nature. Of waistcoats Harry has no lack, Good duffle grey, and flannel fine; He has a blanket on his back, And coats enough to smother nine. Someone is asking Wordsworth why he spends half of his day sitting alone on a gray doing nothing but just wasting his time. Among the chief of these causes is to be reckoned a principle which must be well known to those who have made any of the Arts the object of accurate reflection; I mean the pleasure which the mind derives from the perception of similitude in dissimilitude. In this mood successful composition generally begins, and in a mood similar to this it is carried on; but the emotion, of whatever kind and in whatever degree, from various causes is qualified by various pleasures, so that in describing any passions whatsoever, which are voluntarily described, the mind will upon the whole be in a state of enjoyment. He went on ship-board With those bold voyagers, who made discovery Of golden lands.
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Expostulation And Reply By William Wordsworth
This principle is the great spring of the activity of our minds and their chief feeder. My meaning will be rendered perfectly intelligible by referring my Reader to the Poems entitled POOR SUSAN and the CHILDLESS FATHER, particularly to the last Stanza of the latter Poem. A Friar, who gathered simples in the wood, A grey-haired man—he loved this little boy, The boy loved him—and, when the Friar taught him, He soon could write with the pen: and from that time, Lived chiefly at the Convent or the Castle. I cannot tell how this may be, But plain it is, the thorn is bound With heavy tufts of moss, that strive To drag it to the ground. But then the beauteous bill of moss Before their eyes began to stir; And for full fifty yards around, The grass it shook upon the ground; But all do still aver The little babe is buried there. I have said that each of these poems has a purpose.
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William Wordsworth
Quam nihil ad genium, Papiniane, tuum! This form, often associated with simplicity, was useful in conveying the ideologies that were portrayed by the romantic poets. Now when the frost was past enduring, And made her poor old bones to ache, Could any thing be more alluring, Than an old hedge to Goody Blake? The speaker beginning the poem is Matthew, who asks why WHY, William, on that old grey stone, Thus for the length of half a day, Why, William, sit you thus alone, And dream your time away? From what has been said, and from a perusal of the Poems, the Reader will be able clearly to perceive the object which I have proposed to myself: he will determine how far I have attained this object; and, what is a much more important question, whether it be worth attaining; and upon the decision of these two questions will rest my claim to the approbation of the public. Now we get to the answer that Matthew received. But this part of my subject I have been obliged altogether to omit: as it has been less my present aim to prove that the interest excited by some other kinds of poetry is less vivid, and less worthy of the nobler powers of the mind, than to offer reasons for presuming, that, if the object which I have proposed to myself were adequately attained, a species of poetry would be produced, which is genuine poetry; in its nature well adapted to interest mankind permanently, and likewise important in the multiplicity and quality of its moral relations. . THE LAST OF THE FLOCK. There is a host of arguments in these feelings; and I should be the less able to combat them successfully, as I am willing to allow, that, in order entirely to enjoy the Poetry which I am recommending, it would be necessary to give up much of what is ordinarily enjoyed.
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Expostulation and Reply by William Wordsworth
Enough of science and of art; Close up these barren leaves; Come forth, and bring with you a heart That watches and receives. The subject is indeed important! I should not, however, have requested this assistance, had I not believed that the poems of my Friend would in a great measure have the same tendency as my own, and that, though there would be found a difference, there would be found no discordance in the colours of our style; as our opinions on the subject of poetry do almost entirely coincide. So what does Wordsworth have to say about his sedentary daydreaming session? Now the co-presence of something regular, something to which the mind has been accustomed when in an unexcited or a less excited state, cannot but have great efficacy in tempering and restraining the passion by an intertexture of ordinary feeling. Instead of sitting and doing nothing, this person asks Wordsworth where his books are and then tells him the importance of books. Besides, as I have said, the Reader is himself conscious of the pleasure which he has received from such composition, composition to which he has peculiarly attached the endearing name of Poetry; and all men feel an habitual gratitude, and something of an honorable bigotry for the objects which have long continued to please them: we not only wish to be pleased, but to be pleased in that particular way in which we have been accustomed to be pleased.
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