The tempest script. The Tempest Original Text: Act 4, Scene 1 2022-10-24
The tempest script Rating:
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1881
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The Tempest is a play by William Shakespeare that was first performed in 1611. It is one of Shakespeare's later plays, and is considered by many to be one of his greatest works. The play is set on a remote island, where the main character, Prospero, is the rightful Duke of Milan. However, he has been overthrown and banished to the island by his brother Antonio, who now holds the position of Duke.
The play opens with a violent storm, which serves as a metaphor for the tumultuous events that have led to Prospero's exile. On the island, Prospero is accompanied by his daughter Miranda, and a spirit named Ariel, who he has control over due to a previous agreement.
As the play progresses, a number of other characters arrive on the island, including Antonio, who has come to the island with a group of conspirators. They include Sebastian, the King of Naples, and Alonso, the King of Naples' brother. Also present on the island are Alonso's son Ferdinand, and Gonzalo, an honest and good-hearted counselor to the King.
As the characters interact and their relationships are revealed, it becomes clear that the tempest was not a natural occurrence, but rather a result of Prospero's magical powers. He has been manipulating events on the island in order to bring about a resolution to the conflict between himself and his brother.
Through the course of the play, Prospero confronts his brother and the other conspirators, ultimately leading to their repentance and reconciliation. He also helps to facilitate the relationship between Miranda and Ferdinand, which ultimately leads to their marriage.
In the end, Prospero decides to give up his magical powers and return to Milan, where he is reconciled with his brother and restored to his rightful position as Duke. The play ends with Prospero reflecting on the events that have taken place and the lessons he has learned from them.
Overall, The Tempest is a play that explores themes of power, forgiveness, and the importance of understanding and reconciling with one's past. It is a poignant and thought-provoking work that continues to be enjoyed by audiences around the world.
The Tempest, Entire Play
But for the miracle— I mean our preservation—few in millions Can speak like us. TRINCULO O, ho, monster! I find 210 They are inclined to do so. PROSPERO Thou most lying slave, Whom stripes may move, not kindness, I have used thee, 415 Filth as thou art, with humane care, and lodged thee In mine own cell, till thou didst seek to violate The honor of my child. May I be bold To think these spirits? ANTONIO We are merely cheated of our lives by drunkards. Poor souls, they perished.
As all except Caliban and Ariel prepare to leave the island, Prospero, who has given up his magic, bids farewell to the island and the audience. All the illusions used there are aimed to manipulate the characters. Believe me, sir, 490 It carries a brave form. Learn More However, one technique should be discussed separately. MIRANDA 180 Alack, what trouble Was I then to you! BOATSWAIN None that I more love than myself. What makes it more remarkable is that it is Shakespeare went on to highlight the historical context in The Tempest. Lend thy hand And pluck my magic garment from me.
The Tempest Script: Shakespeare's The Tempest Full Text
GONZALO Good, yet remember whom thou hast 20 aboard. ANTONIO 245 I am more serious than my custom. ANTONIO Draw together, And when I rear my hand, do you the like To fall it on Gonzalo. ANTONIO Hang, cur, hang, you whoreson, insolent 45 noisemaker! I mean, in a sort. Scene 1 Enter Alonso, Sebastian, Antonio, Gonzalo, Adrian, Francisco, and others. MIRANDA How came we ashore? What shall I do? Wherefore this ghastly looking? They sing: JUNO Honour, riches, marriage-blessing, Long continuance, and increasing, Hourly joys be still upon you! Scene 2 Enter Prospero and Miranda.
The Tempest Analysis: Literary Devices, Symbols, Setting, & Genre
They are louder than the weather or our office. ANTONIO The latter end of his commonwealth forgets the beginning. SEBASTIAN Prithee, say on. ANTONIO Ay, sir, where lies that? You are a counsellor; if you can command these elements to silence, and work the peace of the present, we will not hand a rope more; use your authority: if you cannot, give thanks you have lived so long, and make yourself ready in your cabin for the mischance of the hour, if it so hap. On a ship at sea: a tempestuous noise of thunder and lightning heard.
It contains all the. ALONSO 10 Prithee, peace. A plague upon this howling! CALIBAN 395 I must eat my dinner. MIRANDA Sir, have pity. Enter PROSPERO in his magic robes, and ARIEL PROSPERO ARIEL PROSPERO ARIEL PROSPERO ARIEL PROSPERO ARIEL Exit PROSPERO Solemn music Re-enter ARIEL before: then ALONSO, with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO they all enter the circle which PROSPERO had made, and there stand charmed; which PROSPERO observing, speaks: ARIEL sings and helps to attire him PROSPERO ARIEL Exit GONZALO PROSPERO ALONSO PROSPERO GONZALO PROSPERO Aside to SEBASTIAN and ANTONIO SEBASTIAN PROSPERO ALONSO PROSPERO ALONSO PROSPERO ALONSO PROSPERO ALONSO PROSPERO Here PROSPERO discovers FERDINAND and MIRANDA playing at chess MIRANDA FERDINAND MIRANDA ALONSO SEBASTIAN FERDINAND Kneels ALONSO MIRANDA PROSPERO ALONSO FERDINAND ALONSO PROSPERO GONZALO ALONSO GONZALO ALONSO GONZALO Re-enter ARIEL, with the Master and Boatswain amazedly following Boatswain ARIEL PROSPERO ALONSO Boatswain ARIEL PROSPERO ALONSO PROSPERO Aside to ARIEL Exit ARIEL Re-enter ARIEL, driving in CALIBAN, STEPHANO and TRINCULO, in their stolen apparel STEPHANO TRINCULO CALIBAN SEBASTIAN ANTONIO PROSPERO CALIBAN ALONSO SEBASTIAN ALONSO TRINCULO SEBASTIAN STEPHANO PROSPERO STEPHANO ALONSO Pointing to Caliban PROSPERO CALIBAN PROSPERO ALONSO SEBASTIAN Exeunt CALIBAN, STEPHANO, and TRINCULO PROSPERO ALONSO PROSPERO Aside to ARIEL Exeunt.
ANTONIO O, out of that no hope What great hope have you! GONZALO Well, I have done. Thou did promise To bate me a full year. Enter CALIBAN, STEPHANO, and TRINCULO, all wet CALIBAN Pray you, tread softly, that the blind mole may not Hear a foot fall: we now are near his cell. Exit PROSPERO A devil, a born devil, on whose nature Nurture can never stick; on whom my pains, Humanely taken, all, all lost, quite lost; And as with age his body uglier grows, So his mind cankers. Where was she born? But how is it That this lives in thy mind? At this hour Lie at my mercy all mine enemies: Shortly shall all my labours end, and thou Shalt have the air at freedom: for a little Follow, and do me service. PROSPERO Dearly my delicate Ariel. GONZALO Who in this kind of merry fooling am 195 nothing to you.
PROSPERO Know thus far forth: By accident most strange, bountiful Fortune, Now my dear lady, hath mine enemies 215 Brought to this shore; and by my prescience I find my zenith doth depend upon A most auspicious star, whose influence If now I court not, but omit, my fortunes Will ever after droop. ARIEL Full fathom five thy father lies. I know thou canst not choose. This obsession with books and magic even made him believe that raising Miranda in isolation would be the best choice. What cares these roarers for the name of king? SEBASTIAN 310 I remember You did supplant your brother Prospero. MIRANDA Alack, for mercy! Juno and Ceres whisper, and send Iris on employment PROSPERO Sweet, now, silence! MIRANDA 575 Beseech you, father— PROSPERO Hence! Hence, his ambition growing— Dost thou hear? We are less afraid to be drowned than thou art.
Most likely, the play was written around 1611 and first presented on the stage at Court the same year. FERDINAND 525 Yes, faith, and all his lords, the Duke of Milan And his brave son being twain. PROSPERO 290 How now? Since thou dost give me pains, Let me remember thee what thou hast promised, Which is not yet performed me. Who was so firm, so constant, that this coil 245 Would not infect his reason? PROSPERO Both, both, my girl. You rub the sore 150 When you should bring the plaster.
Enter a Master and a Boatswain Master Boatswain! Off to sea again! If 25 you cannot, give thanks you have lived so long, and make yourself ready in your cabin for the mischance of the hour, if it so hap. O Ferdinand, Do not smile at me that I boast her off, For thou shalt find she will outstrip all praise And make it halt behind her. My spirits, as in a dream, are all bound up. ADRIAN Tunis was never graced before with such a paragon to their queen. No hope that way is Another way so high a hope that even 275 Ambition cannot pierce a wink beyond, But doubt discovery there.
ANTONIO And most chirurgeonly. There is another interesting device that the author involves in the play. PROSPERO 190 By providence divine. Therefore, Prospero is shown as a skillful chess player by thinking through every step, beginning with the shipwreck. Thou earth, thou, speak! The fire and cracks 240 Of sulfurous roaring the most mighty Neptune Seem to besiege and make his bold waves tremble, Yea, his dread trident shake.
