On Seeing the Elgin Marbles
The Elgin Marbles, also known as the Parthenon Marbles, are a collection of classical Greek sculptures and architectural details that were removed from the Parthenon temple in Athens by Thomas Bruce, 7th Earl of Elgin, in the early 19th century. These marbles have been the subject of much debate and controversy, with some arguing that they were taken illegally and should be returned to Greece, while others maintain that they are an important part of British cultural heritage.
As I stood in the British Museum, gazing up at the Elgin Marbles, I couldn't help but be struck by the beauty and craftsmanship of these ancient works of art. The sculptures depict scenes from Greek mythology, including the battle between the gods and the giants and the procession of the Panathenaic Festival. The attention to detail and the fluidity of the figures' poses are truly breathtaking.
However, as I admired the Elgin Marbles, I couldn't help but think about the complicated history behind their acquisition. Lord Elgin claimed that he was acting with the permission of the Ottoman authorities, who controlled Athens at the time, but many have questioned the validity of this claim. In addition, the removal of the marbles has been criticized as an act of cultural looting, as the sculptures were taken from their original context and placed in a foreign museum.
Despite these controversies, the Elgin Marbles have undoubtedly had a significant impact on our understanding of classical Greek art and culture. They have provided scholars with valuable insights into the history and beliefs of the ancient Greeks, and have served as an inspiration for countless artists and architects over the years.
Ultimately, the question of whether the Elgin Marbles should be returned to Greece is a complex one, with valid arguments on both sides. However, as I stood in front of these magnificent sculptures, I couldn't help but feel grateful for the opportunity to experience the beauty and genius of classical Greek art firsthand. Regardless of their controversial past, the Elgin Marbles remain an integral part of our cultural heritage and a testament to the enduring power of art.
On Seeing the Elgin Marbles Poem Summary and Analysis
Retrieved 25 June 2009. . In addition to the Rosetta Stone, I also saw many statues, limestone reliefs, sarcophagi, mummies and jewelry in the Egyptian gallery, some of which — as I discovered when I realized how familiar they looked — I had seen This poster was designed to reflect traditional Japanese art while also incorporating the psychedelic color scheme of the 1970s. Curst be the hour when from their isle they roved, And once again thy hapless bosom gored, And snatch'd thy shrinking gods to northern climes abhorred! Retrieved 17 April 2010. Why we should not return the Elgin marbles? New information is presented about this lamentable episode.
Elgin Marbles
However, after reading your analysis, the sublime is clear. For example, the last lines of the portion that you have chosen, do create a sense of overwhelmingness. . However, in John Keats' poem, To Autumn, he urges us not to take this view, but to see old age as a beautiful and enviable state of life, rather than something to be feared. . A parliamentary committee investigating the situation concluded that the monuments were best given "asylum" under a "free government" such as the British one. .
What is on seeing the Elgin Marbles about?
Le Parthénon, Un monument dans l'Histoire. Report from the Select Committee of the House of Commons on the Earl of Elgin's collection of sculptured marbles. With merely the title, Keats already sets up a scenario for the reader to clearly picture. I used this page to write about my time abroad in London, England, as part of a study abroad through the Honors College at Oregon State University! Greek Ministry of Culture. London: Imperial College Press. The poem contains three quatrains that interlock his primary fears together, leading to a couplet that expresses his remedy and final thoughts. Cultural Law: International, Comparative, and Indigenous.
Read the passage from "On Seeing the Elgin Marbles." My spirit is too weak—mortality Weighs heavily
The Return of Cultural Treasures 3rded. These deviations from standard meter help to draw attention to the unorganized, complex, and imperfect nature of memories. Time and death hold the ultimate power, here and everywhere. Mommsen, The Venetians in Athens and the Destruction of the Parthenon in 1687, American Journal of Archaeology, Vol. Retrieved 25 December 2018.
