West side story script writer. Arthur Laurents — West Side Story 2022-10-23
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West Side Story is a classic musical that has captured the hearts of audiences for decades. The script for this iconic production was written by Arthur Laurents, a playwright, screenwriter, and director who was known for his work in theater, film, and television.
Born in 1917 in Brooklyn, New York, Laurents was a prolific writer who began his career in the 1940s. He gained recognition for his work on Broadway in the 1950s and 1960s, with hits such as "The Time of the Cuckoo," "Home of the Brave," and "West Side Story."
West Side Story was Laurents' most famous and enduring work. Inspired by Shakespeare's Romeo and Juliet, the story follows the forbidden romance between Tony, a member of the Jets gang, and Maria, the sister of Bernardo, the leader of the Sharks gang. Set against the backdrop of New York City's West Side in the 1950s, the musical explores themes of love, loss, and the destructive power of gang violence.
Laurents' script for West Side Story was groundbreaking in its use of music, dance, and lyrics to tell a story. He worked closely with Leonard Bernstein, the composer, and Stephen Sondheim, the lyricist, to create a unique and memorable score that blended elements of jazz, classical, and Latin music.
In addition to writing the script for West Side Story, Laurents also directed the original Broadway production, which opened in 1957 and ran for 732 performances. The musical was a critical and commercial success, and it spawned numerous revivals, film adaptations, and international productions.
In addition to his work on West Side Story, Laurents was also known for his activism and social commentary. He was a strong advocate for LGBTQ rights and used his work in theater to explore and challenge societal norms and prejudices.
Arthur Laurents passed away in 2011, but his legacy lives on through his enduring contributions to the world of theater and his commitment to social justice. West Side Story remains a beloved classic that continues to captivate and inspire audiences around the world.
West Side Story Writer Explains The Key Difference in Spielberg’s Reboot
RIFF Riga tiga tum tum. Who could resist that music?! ANITA I didn't quite hear. Today The minutes seem like hours, The hours go so slowly, And still the sky is light. The Michael Jackson Story, New York, Dell Publishing, 1984, p. ROSALIA We have many names at home. When we kiss, stars will stop where they are. Natalie Wood Turner Classic Movies : Reflections on a Legendary Life.
Steven Spielberg’s West Side Story Hits All the Right Notes
The bedroom as a window opening onto the fire escape, a bed on a wall, a small shrine to the Virgin, and a curtained doorway, rear. West Side Story Wraps, New Photos From Set Shared". A dynamite blend of old-school musical showmanship and modern sensibilities. Then a distant police siren: the kids waver, run one way, another, in panic, confusion. Retrieved December 16, 2021. Tony arrives; he and Maria fall in love instantly, but Bernardo angrily demands that Tony stay away from her. .
TONY Of course, I have you. DOC War councils- ACTION Don't start, Doc. Together, they must try to diffuse the tension created by their relationship before someone gets hurt. Retrieved December 3, 2021. BERNARDO You said call weapons. The lovers arrange to meet at Doc's, where they will pick up getaway money to elope.
BABY JOHN We're gonna have a ware council here, Doc. With a book by Arthur Laurents, West Side Story first made its debut as a Broadway musical in 1957 and was turned into a film in 1961 starring Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, and more. Retrieved November 12, 2021. TONY I'm not afraid. The Film The Academy Award for Best Picture of 1961 went to the movie version of West Side Story, earning a total of ten Oscars. Bernardo starts the first line with her.
Buddy boy, I am a victim of disappointment in you. Retrieved January 11, 2022. However, when she read the script and saw Kushner and Spielberg's intent to modernize and expand on the original story, she became enamored with the idea and very quickly signed on to play Valentina. TONY To love and to honor. Their clothes are soft and pastel versions of what they have worn before. Baby John is reading a comic book; A-rab is playing solitaire; Anybodys is huddled by the jukebox: Action is watching the street door.
ANITA You have your big, important war council. The Sharks arrive, and the gangs agree to a showdown the following evening under the highway, with a one-on-one fistfight. Only, please-make it not be true. Did we even think of going back? GRAZIELLA I and Velma ain't dumb! The most beautiful sound I ever heard. You remember how we were when we first came! Here we go, Riff: Womb to Tomb! The atmosphere is tense, jumpy. Oh moon, grow bright, And make this endless day endless night, Tonight! Let's get at it. It turned out in the middle of the development of the script, things widened, which I think in a sense, sadly, made the story of those racial divides — not just territorial divides — more relevant to today's audience than perhaps it even was in 1957".
A playground located at East 110th Street, now Tito Puente Way, between 2nd and 3rd Avenues, served as the backdrop for introducing the two gangs. Oh, Riff, Riff, I was murder! MARIA You must go and stop it. He gives him a pleading let-me-stay look, but he gestures for her to go. He yanks off the robe, revealing that she is dressed to go out. Tony sneaks onto Maria's fire escape where they reaffirm their love. Spider-Man: No Way Home, all factors that could have hurt its ability to fare well at the box office.