Coleridge definition of poem and poetry. Coleridge as a Poet: Major Characteristics of His Poetry 2022-10-04
Coleridge definition of poem and poetry
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In his Biographia Literaria, Samuel Taylor Coleridge defines poetry as "the best words in the best order." This simple yet profound statement captures the essence of Coleridge's understanding of the art form. For him, poetry was not just about stringing together a series of words or rhymes, but about finding the perfect combination of language and structure to convey a specific emotion or idea.
According to Coleridge, the key to good poetry lies in the way that it is able to evoke emotion in the reader. He believed that the best poems were those that were able to tap into the reader's deepest feelings and emotions, and that this was achieved through the use of carefully chosen words and the arrangement of those words in a particular order.
Coleridge also believed that poetry should be characterized by a sense of unity and coherence. He argued that a poem should be like a single, unified whole, with all of its parts working together to create a cohesive and harmonious whole. This meant that the poet needed to carefully consider the structure of their work, as well as the way in which individual words and phrases were arranged in relation to one another.
In addition to these formal qualities, Coleridge believed that good poetry should also be characterized by a sense of imagination and creativity. For him, poetry was not just about reproducing the world as it was, but about exploring new ideas and creating new worlds through the power of language. This meant that poets had to be willing to take risks and push the boundaries of what was considered acceptable or conventional in their work.
Overall, Coleridge's definition of poetry and the poem highlights the importance of emotion, unity, coherence, and imagination in the art form. By emphasizing the role of language and structure in creating powerful and meaningful works, Coleridge laid the foundations for a rich and enduring tradition of poetry that continues to thrive to this day.
Literary Criticism of S.T. Coleridge
Previous critics like Dr. Or that that the exercise is pointless, given the ease of simply taking a photograph today. As Coleridge has already shown, metre is not mere superficial decoration, but an essential, organic part of a poem. But the aesthetic handling is maladroit. Literary Criticism of S. His career as a lyrical poet frequently focused on supernatural themes, including perhaps his most famous work, The Rime of the Ancient Mariner. Coleridge was a pioneer in making the supernatural a psychic phenomena.
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What Is a Poem? Coleridge on Science vs. Romance, 1817
Here, the purely physical marvels are in the background, and merely presented rather through suggestion than direct assertion. Though lowly kneeling" 1810 1817 Sibylline Leaves Epitaph on an Infant. Let's examine a piece of poorly constructed but meter supported part of a poem: "Thirty days hath September, April, June, and November, etc" Here, the metrical form would not be appropriate to its language and content and, in the next, owing to its length all its parts, not requiring an equal attention, would not equally conduce the total pleasure. For exquisite metrical movement and imaginative fantasy, there is nothing in our language to be compared with Christabel and Kubla Khan. He saw much modern philosophy as beset by a dualism between the self and the world, a dualism introduced into modern philosophy by BL, 129. In this critical disquisition, Coleridge concerns himself not only with the practice of criticism, but also, with its theory.
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S. T. Coleridge: Function of Poetry
Then, in awe of his inspired look, his listeners would form a magical circle around him to keep him from reaching them in that condition of magnificent frenzy. The night is chilly, but not dark. If he means the vocabulary, then we can agree with him but there is definite difference between position of the words in prose and poetry. The subtle suggestion thrown in apparently at random in Christabel and in The Rime of the Ancient Mariner deserve special notice. Here Coleridge names the general and the concrete, idea and image, and individual and representative. Coleridge asks what this form is, how it comes to be there, and what relation it bears to its content.
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Coleridge’s Supernaturalism: Definition, Analysis & Characteristics
He was the first English writer to insist that every work of art is, by its very nature, an organic whole. Hence, just as imagination combines sense with understanding, so reason, placed at a higher vantage point, unites the knowledge derived from all three of these. The rhymes are heavy and inappropriate. Rhyme and metre are appropriate to a poem considered in the larger sense of poetry, because they are means of achieving harmonization, reconciliation of opposites, and so forth, which, as we have seen, are objects of poetry in its widest imaginative meaning. Kant had attempted to display a necessary connection between our mental faculties and the world of phenomena or the world as it appears to us: our minds have an active and necessary role in constructing this world.
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Coleridge’s Criticism of Wordsworth’s Theory of Poetry And Poetic Diction
He cannot connect with facts and express himself logically, as an educated man can. A contemporary free verse piece is not an Elizabethan sonnet, for example, and we would judge them differently, on their own terms — when matters of tradition, influences, schools of poetry, significance, etc. Poem is nature function as Coleridge explaining his idea and view towards it by saying that poem is a heart of reality work that poetry convey the feeling by rhyme and that took place as golden shield. His eyes rolled from earth to heaven and heaven to earth. While his wife lies untroubled, the speaker agonizes over his spiritual conflict, caught between Christianity and a unique, individual spirituality that equates nature with God.
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An introduction to the poetry of Samuel Taylor Coleridge
Metrical Experiments The Proper Unmodified Dochmius i. La Fayette "As when far off the warbled strains are heard" 1794 1794, December 15 Sonnets on Eminent Characters: Contributed to the Morning Chronicle, in Dec. If one wants to give the name of poem to a composition of this kind, there is no reason why one should not. This is a distinction resulting from the poetic genius itself, which sustains and modifies the images, thoughts, and emotions of the poet's own mind. At first it is necessary to know how Coleridge distinguishes a poem from prose composition.
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The Best Coleridge Poems Everyone Should Read
Lugete, O Veneres, Cupidinesque - Catullus "Pity! I said and sigh'd—" 1794? They end with the first ever — and truly terrifying — poem of drug withdrawal, The Pains of Sleep, dated 1803. The Interplay of Philosophy, Piety, and Poetry Coleridge used his poetry to explore conflicting issues in philosophy and religious piety. It appears in his writings, not in the conventional bloodcurdling and hair-raising form, but as an ordinary human personality. So, here it represents ambrosia of the celestial inspiration: For he on honey-dew hath fed, And drunk the milk of Paradise. Vix ea nostra voco "Lunatic Witch-fires! Reason is the supreme faculty or power which embraces the senses, the understanding, and the imagination. Then the question is what is poetry? His melody never fails.
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What is Samuel Coleridge's definition of poetry?
In short, the medium has to be respected, i. His comments on poem and poetry are artistic, philosophical and psychological. It distills into the air gradually, rather than all at once. It dissolves, diffuses, dissipates, in order to re-create; or where this process is rendered impossible, yet still at all events it struggles to idealize and to unify. The incidents in Christabel , in themselves, are not outside the natural order of things, as they are in The Ancient Mariner. In chapter 14 of the Nevertheless, defining a poem is not the same as defining poetry. A poem therefore may be defined as species of composition which is opposed to works of science by proposing for its immediate object pleasure not truth and from all other species it is discriminated by proposing to itself such delight from the whole as it compatible with a distinct gratification from each component part.
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Coleridge's views on Prose,Poem and Poetry.
But Various critics consider their estimates as mere exaggeration. If the hints were made more definite and explicit, the whole significance would be destroyed and the peculiar spell of the poem would be broken. George Coleridge Of Ottery St. Additionally, Coleridge also describes the sensuous aspect of human love, as we find in Christabel lines: 58-59. Coleridge points out that this statement is imperfect as he did not choose the characters from low and rustic life, e. Yeats argued in his is a poem? Metrical Experiments A Metrical Accident "Then Jerome did cal" 1826, July 7 1912. .
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List of poems by Samuel Taylor Coleridge
The poem ends by discounting the pantheist spirit, and the speaker concludes by privileging God and Christ over nature and praising them for having healed him from the spiritual wounds inflicted by these unorthodox views. However, it cannot create a noble and richer vocabulary. Why are they so full of guilt? In his popular introduction to Horace 1 , L. Possibly, though with difficulty, and perhaps with not much advantage. Coleridge as a Metrical Artist In The Rime of the Ancient Mariner , he uses the old ballad meter with perfect mastery.
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