Describe mary warren. How did Mary Warren changed since Act 1? 2022-10-08
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A critical paper, also known as a critical essay or critical analysis paper, is a type of academic writing in which the writer evaluates and analyzes a text or work of literature, often a book, film, or artwork. The goal of a critical paper is to engage with the text or work on a deeper level and provide a nuanced analysis of its themes, symbols, and meanings.
To write a critical paper, the writer must first closely read and analyze the text or work in question. This requires careful attention to detail and a thorough understanding of the text or work's context and background. The writer should consider the author's purpose, the audience for which the text or work was intended, and the historical and cultural context in which it was created.
In addition to analyzing the text or work, a critical paper should also provide a personal interpretation or evaluation of the text or work. This may involve identifying the strengths and weaknesses of the text or work, discussing its implications or relevance to contemporary issues, or offering a unique perspective on its themes or messages.
To support their analysis and evaluation, the writer should also incorporate evidence from the text or work, as well as from other sources such as secondary literature or research. This can help to strengthen the writer's argument and provide a more well-rounded analysis of the text or work.
In terms of structure, a critical paper typically follows a standard essay format, with an introduction, body paragraphs, and a conclusion. In the introduction, the writer should introduce the text or work and provide some background information on its context and significance. The body paragraphs should each focus on a specific aspect of the text or work and provide a detailed analysis of that aspect. The conclusion should summarize the main points of the paper and provide a final evaluation or interpretation of the text or work.
Here is an example of a critical paper sample on the novel "To Kill a Mockingbird" by Harper Lee:
"To Kill a Mockingbird" is a classic novel that explores the complex themes of race, prejudice, and injustice in the Deep South during the 1930s. Written by Harper Lee, the novel tells the story of a young girl, Scout Finch, and her experiences growing up in the small town of Maycomb, Alabama. The novel has been widely praised for its portrayal of the racism and prejudice that were prevalent in the South during this time period, and for its portrayal of Atticus Finch, a lawyer who stands up for justice and equality in the face of adversity.
Body Paragraph 1:
One of the major themes of "To Kill a Mockingbird" is the role of race and prejudice in shaping the lives of the characters. Throughout the novel, Lee uses the character of Tom Robinson, a black man falsely accused of rape, to illustrate the racism and prejudice that were so prevalent in the South during the 1930s. Despite the fact that Tom is clearly innocent, he is unable to get a fair trial because of his race, and he is ultimately found guilty and sentenced to death. This incident serves as a powerful commentary on the deep-seated racism that existed in the South at the time, and the impact it had on the lives of black people.
Body Paragraph 2:
Another important theme in "To Kill a Mockingbird" is the importance of standing up for what is right, even in the face of adversity. This theme is exemplified through the character of Atticus Finch, who serves as a moral compass for the other characters in the novel. Despite facing criticism and hostility from his community, Atticus chooses to defend Tom Robinson in court, even though he knows that doing so will likely be unpopular and may even put his own safety at risk. In
Why does Mary Warren say she has to go to Salem?
Mary Warren responds by saying, "I must tell you, sir, I will be gone every day now. What do you think is the importance of Mary Warren in the play and how does Miller represent her? She said, I shall not speak a word: but I will speak Satan — She saith she will kill me: Oh! Ironically, however, Mary is a good deal more assertive toward John Proctor than she was in act 1, precisely because she's so intimidated by Abbie. This undermines her sense of authority mentioned on page 58, and shows that this "authority" was ultimately false. Like Abbie, she's now the center of attention, with the adult authority figures of the court hanging on every word she says. She was one of the girls that were in the woods when all the dancing was going on.
They'll be callin' us witches, Abby! When we see her next, she launches into a long monologue in which she sings the praises of the court and fully believes in the virtue of the witch trials. However, the arrogance and impertinence with which she addresses her employers is already a world away from her cowering, tremulous demeanor in act 1. . She also want to do the right thing all the time that why she is afraid of what happened the woods. The story takes place in Salem, 1692, when supposedly witchcraft ran rampant. After the witch trials begin, the social hierarchy of Salem becomes unstable. Analysis of Mary Warren In The Crucible, Mary Warren holds a low station in society.
What does Mary Warren's behavior in act 2 of The Crucible foreshadow about her testimony in court?
Mary's Monologue In Act 2, Mary's character has a lengthy monologue which provides a chilling example of the way in which one's mind can be so influenced by external sources that one's own thinking is corrupted. Putnam arrive and reveal that their daughter Ruth is also ill. The first time we meet Mary in Act 1, she is clearly admitting that no witchcraft was ever involved in Betty's illness; that she and the other girls were only dancing in the woods. Mary warrens hold over the Proctors is based on information from the court, and that Mary protected Elizabeth when the information came out. Weakness Again After her brief display of power, Mary is again seen to be rather spineless and pliable. She says that Abigail will kill her.
She is super worried that they are going to get in trouble for the dancing they did the previous night. When Mary returns, she has a new self-assurance which is reinforced by the eager questioning of the Proctors. She is questioned about this change by Danforth and others but refuses to give a clear answer. The quotation also illustrates the social hierarchy in Salem, in that Mary Warren looks to Proctor, someone of a higher social standing than her for guidance and approval. Mary Warren was accused of witchcraft days later and was also arrested. At least, this is the impression that Miller puts across. That is the situation with Mary Warren in Arthur Miller's ''The Crucible.
Dancing was a scandalous crime in Puritanical Salem, and it is clear that this troubles Mary. It is not until Abigail threatens John Proctor's hold over Mary Warren by acting as though Mary Warren has afflicted her, that she returns to Abigail. At this point, knowing that Abigail saw her pace the needle in the doll, Mary can't help but see the truth of what's going on: that Abigail is falsely accusing Elizabeth Proctor. Mary Warren returns to the Proctors' house with a newfound sense of importance. Mary Warren is a servant, therefore; she has very little power in society. Consider how Mary interacts with Elizabeth Proctor before going to Salem town and how she interacts with John Proctor when she returns.
Act 2 of The Crucible ends with her sobbing, "I cannot, I cannot" repeatedly. Mary Warren in Real Life Although she was made famous as a character in The Crucible, Mary Warren was a real person as well. This is a metaphor to the way Mary Warren wilted under extremely high pressure from all the people surrounding her. This further highlights how deeply the hysteria runs, as Mary Warren has become so consumed by it she is seeing things that aren't actually there. Lesson Summary Poor Mary Warren, described in the beginning as a ''subservient, naive, lonely girl'' in Arthur Miller's ''The Crucible. Instead of speaking out on her own according to her conscience, Mary visits Abigail to seek approval first. It is clear that both of these characters enjoy the status and sense of purpose they seem to have inherited along with the witch trials.
She used to be timid and shy, but now she is openly defiant of her employer. At the beginning of the play Mary worries that she will be hanged if the people of Salem discover that she and the other girls were drinking chicken's blood and conjuring spirits in the woods with Tituba. When Mary Warren begins to oppose Abigail, she and the other girls begin repeating Mary's words and act like her spirit is attacking them. She is one of the many girls who accuse others of being witches, though she knows it is wrong, she continues to cover up her faults with lies. Mary's self-importance at her new position of power is increased by social snobbery.
Once Abigail started to accuse her of witch craft the other girls did too. When Mary attempts to assert herself, she is made small. How does Mary change from Act 1 to act 2? This not only portrays her as a subservient character, but could also highlight her lack of power - both in society in general, but also in this situation. She claims that she has seen spirits in the rafters of the courtroom which is corroborated by Abigail and the girls who start acting as if they can see Mary's spirit as well. Noonan revolves his argument of abortion around the idea of conception. In the first act, she is not one who enjoys power. Just as she is influenced by Abigail and John Proctor, Mary Warren admits that she believes her affliction is real when Judge Danforth appears to believe it.
How is Mary Warren portrayed in act 2 of The Crucible? Consider how Mary interacts with Elizabeth Proctor before going to Salem town and how she...
She is also caught up in the hysteria and truly believes that she is doing the Lord's work. Far from consensus, Abigail gives Mary only disdain and a warning. Scene 2 confirms their fears. Once Cheever arrives with a warrant, Mary admits to making a poppet but does nothing to prevent Elizabeth from being arrested. For the first time, probably, she feels accepted, noticed, and important. Mary holds out just a little longer, until all the other girls join in with Abby, and Judge Danforth begins to threaten Mary with hanging. Abby called Elizabeth a witch because she wants her gone so she can get with John.