What is pity and fear. What is pity and fear? 2022-10-30
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Pity and fear are two emotions that are closely related and often experienced together. Pity is a feeling of compassion or sadness for someone who is suffering or experiencing hardship. It is a feeling of sympathetic concern for someone who is in need or distress. Fear, on the other hand, is an emotion that is characterized by feelings of anxiety, worry, and dread. It is a response to something that is perceived as dangerous or threatening.
Pity and fear often go hand in hand because they are both emotions that are elicited by situations that are difficult or distressing. When we see someone who is suffering or in need, we may feel pity for them and want to help them. At the same time, we may also feel fear for their well-being and worry about what might happen to them. Similarly, when we are faced with a dangerous or threatening situation, we may feel fear for our own safety and also feel pity for anyone else who is caught in the same situation.
Pity and fear can also be evoked by stories or events that we encounter in literature or media. For example, reading about a character who is experiencing hardship or tragedy can elicit feelings of pity, while a suspenseful or horror movie can elicit fear. In both cases, the emotions are triggered by our identification with the characters or events in the story and our desire to see them overcome their difficulties or avoid danger.
In addition to being closely related, pity and fear can also have a powerful influence on our actions and behaviors. When we feel pity for someone, we may be more inclined to offer them help or support, while fear can motivate us to take steps to protect ourselves or others. Both emotions can also drive us to seek out information or resources that can help us better understand or cope with difficult situations.
In conclusion, pity and fear are emotions that are closely related and often experienced together. They are both elicited by situations that are difficult or distressing and can have a powerful influence on our actions and behaviors. Whether we are feeling pity for someone who is suffering or fear for our own safety, these emotions can drive us to seek out ways to help or protect ourselves and those around us.
Fear, Pity, and Catharsis Theme in Poetics
I may come back to it someday when I can find something more insightful to say about it all. We pity that, like Oedipus, our search to uncover our identities will lead to tragedy. The Plot is the most important part of a tragedy. What you get is a piece like this that requires imaginative and theoretical interpretations. And thanks for the plug.
What role does pity and fear play in your overall assessment of Oedipus?
Ambiguous means may be employed, Aristotle maintains in contrast to Plato, to a virtuous and purifying end. Both Turin and Oedipus both missed what they were aiming at rather badly. Which emotions should the audience feel through characters in a well organized tragedy? Why are there emotions of pity and fear in a tragedy? Aristotle indicated that a perfect tragedy should not only have the plot elements described above, but that it should also feature a certain kind of protagonist: It follows plainly, in the first place, that the change of fortune presented must not be the spectacle of a virtuous man brought from prosperity to adversity: for this moves neither pity nor fear; it merely shocks us. Our core businesses produce scientific, technical, medical, and scholarly journals, reference works, books, database services, and advertising; professional books, subscription products, certification and training services and online applications; and education content and services including integrated online teaching and learning resources for undergraduate and graduate students and lifelong learners. Enjoying the thoughtful, scholarly, accessible approach you are taking. Well met at last.
Túrin is all of these things. This method allows the study to draw together strands from philosophy and literary criticism, and makes for a fascinating bifocal perspective. We certainly feel both pity and fear for Oedipus. Through further questioning, he learns that a traveler he killed on the road to Thebes years ago was his biological father, and the Theban woman he married is his biological mother Recognition. When we see them together, even for a moment, we realize the contrast between them, and we see each for what he is.
Pity, Fear, and Catharsis in Aristotle's Poetics on JSTOR
In Poetics, Aristotle underscores the importance of catharsis through fear and pity in the construction and consumption of tragedies, and he ultimately argues that tragic plots involving reversal and recognition are best for producing feelings of fear and pity. The on-stage suffering of the Prometheus Bound seems more obviously to invite pity from the audience. I would love to see you write more on the contrasts between Turin and Tuor, even if they seem too obvious. A character who is like ourselves, one we can relate to. What is pity and fear? The identification leads to catharsis, which means evoking pity and fear among the audience. Likewise, we see Ajax moved both by self-pity and by pity for Tecmessa to a broader conception of moderation. There remains, then, the character between these two extremes,—that of a man who is not eminently good and just, yet whose misfortune is brought about not by vice or depravity, but by some error or frailty.
For example, if you ever go to a movie that you know is going to make you cry and you go for the experience of crying, this is catharsis. The eucatastrophe is right around the corner on the heels of Tuor and his descendants, after all; why would Tolkien subject us to such misery when we are so close to the epic conclusion? Fear is one of the emotions aroused in the audience of a tragedy. The parallel you draw between catharsis and recovery is right on the mark. This is related to his pride in that he acted on whatever thought popped into his mind. In Antigone, it is clear that fate plays a role in the outcome of the play, but it serves as a platform to express the themes of religion gods and the role of catharsis in Greek society. What makes a tragedy a tragedy? A catharsis is an emotional release.
This fear results, Aristotle seems to suggest, when the audience members understand that they, as human beings bound by universal laws, are subject to the same fate that befalls the tragic hero. They can be used in isolation or simultaneously and are manipulated by the performer for dramatic effect. Oedipus has apparently escaped the prophecy by not killing him, and will now succeed his father as king of Corinth. And ultimately what it all leads back to is a less-than-favorable perception of self. According to Aristotle, the strongest catharsis comes from tragic plots that involve reversal.
Tragic Pathos: Pity and Fear in Greek Philosophy and Tragedy
Again, Tragedy is the imitation of an action; and an action implies personal agents, who necessarily possess certain distinctive qualities both of character and thought; for it is by these that we qualify actions themselves, and these- thought and character- are the two natural causes from which actions spring, and on … What we pity in others we fear for ourselves? But at the same time, the singer notes that this is someone he barely knows. Or if anything, perhaps the first verse is about an external addressee, i. In rendering the individual form, they paint people as they are, but make them better-looking. The sensitivity to pity engendered by tragedy, Plato believes, will make viewers more susceptible to fear, suggesting a causal link between the two that was absent in Gorgias. Nor, again, should the downfall of the utter villain be exhibited. It is not sufficient merely to state that certain events occurred that entitle the plaintiff to relief.
A tragedy, in true words, is the purgation of these feelings and emotions. Catharsis, the purification or purgation of the emotions especially pity and fear primarily through art. Despite the fact that Oedipus Rex is often seen by modern readers as a tale of unavoidable fate, the celebrated Oxford classicist E. The concept of catharsis was introduced by the Greeks and is, in fact, the most important element of Greek tragedy. How does Aristotle define fear? Most tragic works of literature end with catharsis.
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