Personification in the poem mirror by sylvia plath. What figures of speech are used in the poem "Mirror" by Silvia Plath? 2022-10-29
Personification in the poem mirror by sylvia plath Rating:
Personification is a literary device in which inanimate objects or abstract concepts are given human characteristics or are spoken of as if they are living beings. In the poem "Mirror" by Sylvia Plath, the speaker personifies the mirror as a sentient being that has its own thoughts and feelings.
The poem begins with the lines, "I am silver and exact. I have no preconceptions." Here, the mirror is given the ability to think and speak, as well as the attribute of being precise and accurate. The mirror is also described as being "unmisted by love or dislike," suggesting that it is objective and unbiased, like a human being who is not influenced by personal feelings.
Throughout the poem, the mirror continues to speak in the first person, describing its role as a reflection of the world around it. It reflects the "bald, forked animal" of the woman who stands in front of it, as well as the changing seasons and the passing of time. The mirror is also described as having "drowned a young girl," perhaps symbolizing the loss of youth or innocence.
The personification of the mirror is significant because it allows the speaker to explore the relationship between the self and the external world. The mirror represents the external world, and the woman who stands in front of it represents the self. The mirror's impartial observations highlight the objectivity of the external world, while the woman's changing appearance reflects the subjective and fleeting nature of the self.
Overall, the personification of the mirror in "Mirror" by Sylvia Plath adds depth and meaning to the poem by allowing the speaker to explore the relationship between the self and the external world through the eyes of an unbiased observer. The mirror's objective perspective serves as a contrast to the subjective nature of the self, highlighting the complex and ever-changing nature of the human experience.
Mirror By Sylvia Plath
Similes use the words "like," "as," "than" or "resembles" to make comparisons and may also be embedded in a sentence without those modifiers. Plath begins the poem by describing how truthful the mirror is. In the first stanza, the mirror is "silver," and the wall it reflects is "pink. Our society has come up with various ways of trying to stay young looking as long as possible. The mirror has been staring at this wall for so long that it thinks the wall is in fact an essential part of itself. However, she is happy when she looks back at the candles and the moon which offer her a reflection that she likes and is happy about Collecott 454.
At a glance if only people cared enough to notice something was amiss. Hazell English Period 7 176 February 2016 I will neither give nor receive unauthorized aid. In the short story, The Bath by Janet Frame, a widowed elderly woman struggles with her diminishing health and the consequential loss of freedom. Although the poem is a well-written work of art, it may be viewed as an unanswered cry for help regarding the author. Furthermore, the woman "rewards" line 14 the mirror-lake with tears. Symbolism is a representation of something through symbols or hidden meanings of objects or qualities.
What figures of speech are used in the poem "Mirror" by Silvia Plath?
The moral is that we all age gradually, and will lose our beauty some day for sure. An example of personification would be "the wind is laughing" or "the clouds are screaming". Although the comparison seems explicit, the use of the verb "to be" -- here, "am" -- actually obscures the comparison rather than revealing it. Here, the line refers to a mirror swallowing the reflection seen in the glass. Drowning is a metaphor for aging, and an old woman is compared to a "terrible fish" through simile. Plath personifies the mirror, attributing certain human characteristics to an inanimate object.
They prefer being less hurtful and honest and as such, they do not speak the truth. The poem is much deeper than what it appears on the face of it. The mirror is not swallowing like a person does but is rather observing and taking in information. The narration continues in the first-person—suggesting that the narrator has a conscious self—but, otherwise, it becomes less like a human. This shows the consequences of vanity. Then she turns to those liars, the candles or the moon. The mirror insists it has no predetermined assumptions about anything, and instead simply takes in whatever stands in front of it, exactly the way it is.
What literary devices are used in mirror by Sylvia Plath?
The hyperbole exists because the mirror is describing how deeply one can look into a mirror and it would seem that the mirror is endless and deep. The second metaphor is in the second stanza in the tenth line which states that "Now I am a lake" Plath 10 that the lady uses as a mirror to see her reflection on the surface of the water. The metaphor of a mirror image hints at the fact that the beauty reflected in the soul belongs to the divine itself it does not come to existence only by this mirror projection , that is, the divine is not only pure indeterminateness or infinity but also a kind of form. Successful working models begin to lose campaign and gigs after reaching the age of twenty-five to younger individuals. When she looks at her reflection through the lake she realizes she is getting older and no longer the young girl she once was. This poem shows the struggle a woman has with her identity as she grows older and begins to lose her youthfulness.
Personification In Sylvia Plath's Mirror For Aging Women
It is pink, with speckles. For example, if you were to take the statement "the mirror is a lake" literally, there is no comparison made, only an equivalence. I have no preconceptions. It does not hide, tone down, twist or distort what it sees as the human beings do. At the end of the first stanza, however, there is "darkness," and this darkness becomes more pronounced in the second stanza.
Only people can laugh and scream. There is, after all, much more to people than what meets the eye. According to Tunaley, et al. The last definition can give insight to the intentional meaning of the word. The face formed hands that dragged Kalissa against the mirror and into a whole new dimension of unknown.
Mirrors cannot swallow anything, but people can. The mirror reflects what stands by it precisely like it is without any alteration. The woman sees herself aging, and does not like what she sees. Time went on and she does not like her older appearance. But now her old and wrinkled face emerges. She prefers hearing what she sees of herself from the candles and the moon, and that is why she turns to them. The image of an ashen face, without eyes or a mouth, appeared in the mirror.
An Analysis Of Personification In The Mirror By Sylvia Plath
What is the meaning of the last two lines in Mirror by Sylvia Plath? Schardt, 2008 This is a transition of life that is unavoidable and weighs on a woman physical and emotionally. The comparison is the image of the woman reflected in the mirror to that of a fish. There is some simile as well. The mirror does not physically swallow what it sees, it reflects or absorbs the image. What are the literary devices in the poem mirror? A and… Jean Kilbourne When a girl is constantly stressed out about not fitting in, she can go numb.