I will follow movie review. I Will Follow You Into the Dark (2012) 2022-10-23
I will follow movie review Rating:
6,4/10
1947
reviews
I Will Follow is a poignant and powerful film that tells the story of Maye, a woman struggling to come to terms with the sudden loss of her beloved aunt, Amanda. The film follows Maye as she navigates the grief and emotions that come with losing a loved one, while also trying to hold onto the memories and legacy of Amanda.
One of the standout aspects of I Will Follow is its portrayal of grief. The film does an excellent job of showing the complex and often conflicting emotions that come with losing someone close. Maye is torn between feeling overwhelmed by her grief and trying to keep a brave face for the sake of her young cousin. The film handles these emotions with sensitivity and nuance, and the performances of Salli Richardson-Whitfield as Maye and Beverly Todd as Amanda are both moving and authentic.
Another strength of the film is its exploration of the theme of legacy. Throughout the film, Maye grapples with the question of how to honor and preserve the memory of her aunt. She finds solace in going through Amanda's things and reconnecting with her past, and the film does a beautiful job of showing the importance of keeping the memories of loved ones alive.
Overall, I Will Follow is a thought-provoking and emotionally resonant film that does an excellent job of exploring the themes of grief and legacy. It is a must-see for anyone who has lost a loved one or is struggling to come to terms with the end of a relationship.
I Will Follow You Into the Dark (2012)
Mehta tosses the idea aside like a candy wrapper in favor of a third act that trades away substance for theorized suspense. It seems like no part of the technical aspect correlates to any of the themes we've discussed in this course, or are even given a second thought at all. These characters are too old to be sustain their kittenish, touch-and-go romance, and Robinson knows it. When Maye loses her beloved aunt to a long battle with cancer, she doesn't grieve in a way I found accessible. If anything, it's a little frustrating in its limited view of kids that are always concerned with, but never really thinking about sex. The scenes between Maye and her aunt Amanada reminded me of those times and how music is colorblind, despite my father's thinking.
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Still, the raw materials for a great horror film are here in "I Will Follow You Into the Dark" even if Robinson doesn't always know what to do with them. The film takes place during one day in a home in Topanga Canyon, just a short drive north of Los Angeles but with a sort of woodsy feeling. She's put aside her career though to take care of her ailing Aunt Amanda Beverly Todd , a retired performer and encyclopaedia of musicology, with whom Maye now lives "in the boonies" during her illness. Jay and her friends take for granted the fact that they're living in a constant state of excitement. It's a slow, quiet, and contemplative experience that eventually burrows its way into your heart.
Once I watched it, it was confirmed that it was in reference to the U2 song. Maye has had success as a makeup artist in Hollywood, but it was her aunt who seemed glamorous and enchanting above everyone else. So Sophia tells Adam about her creative block, and how she's now convinced that life after death is a myth. Part of me understands it when someone becomes attached to a thing as a sort of surrogate for a person, but more often than not, these arguments, especially from well outside of them, seem like nothing more than greed indeed, they often are. Here's where "It Follows" gets frustratinglyâbut pointedlyâmurky: if life after sex is purgatory, does that mean sex is bad, or that sex simply isn't a cure-all for juvenile awkwardness? Salli Richardson-Whitfield does a very good job as Maye, a woman who put her career on hold to live with her Aunt Amanda Beverly Todd during the last year of her life.
These scenes overshadow the film's tackier moments, like when she protests, "What happens if I fall in love with you," and he dopily replies, "Everything," before planting one on her. That's a given, so Mitchell doesn't exoticize, or exaggerate that aspect of their characters. . The film opens with an argument with the movers. We are republishing this piece on the homepage in allegiance with a critical American movement that upholds Black voices. They're young, but not so young that they're not thinking about being alone. But smart and scary horror films about faith, and loneliness are rare, and for the most part, "I Will Follow You Into the Dark" is pretty exciting.
The horror at the heart of "It Follows" isn't a singular threat, but the vague knowledge that nothing lasts forever. Amanda was a powerful and charismatic woman, a recording session drummer for rock-and-roll and jazz groups. They instantly disappear, then get closer to her seconds later, then disappear again. One of them might be Blame. Above all, urgent conversations you have in your own mind with someone who is no longer alive. All we know about these strange goings-on is that they have something to do with Adam, and that his condo's top floor is haunted.
Once his film turns into a haunted house movie, Robinson "Breaking Dawn," but not THAT "Breaking Dawn" runs into some of the same problems that the " "I Will Follow You Into the Dark"'s plot seems rushed, but it's unusual enough to be immediately arresting. It remains interesting up to the very end though thanks in large part to an engaging cast and the core conceit that time travel is an endlessly fascinating narrative concept. With sparse dialogue and only a few scenes, writer-director Ava DuVernay manages to sum up years of conflict and resentment. Barton and Eggold also have chemistry, and that makes up for a lot of top-heavy dialogue, flat line-readings, and one-note body language. We're also given the impression of infinite space whenever Mitchell's camera stands in for, or is positioned inside Paul or Jay's cars.
The latter seems more likely given an unnamed book passage that Jay's loyal friend Yara That kind of primordial dread is embedded in the film's visual style. It can't have a traditional three-act structure, because every life closes in death, and only supporting characters are left on stage at the end. Are there also stages of mourning? As I saw "I Will Follow" in my Netflix queue, there would be the tune and my parents' contrasting music styles in my head. Erol as a protagonist seems far more empathetic and likable than he actually is. Why do I mention race? Some of these haunted house scenes are simultaneously scary, and silly, like the one where a phonograph turns on and off without anyone touching it. The neighbor and some of the visitors are white. Robinson addresses Sophia's uncertainty by representing her instant attraction to Adam through dream-like montage sequences.
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I also really loved the use of colors and the weaving of characters in and out and how they have an impact on Salli Richardson-Whitfelds character. By living with Amanda and sharing her feelings, Maye has accepted her death. But once Sophia starts looking for Adam on the top floor, Robinson blusters his way through some genuinely tense sequences. For Salli Richardson-Whitfield, the role of Maye is a great performance, as she embodies emotions the script wisely doesn't spell out. It seems Gabe was working on a time travel experiment before his disappearance. Jay's not really introspective, so she only cursorily talks about her naive pre-sexual expectations.
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What is particularly human about "I Will Follow," which was written and directed by Beverly Todd, a beautiful woman who has been in countless movies and TV shows since the late 1960s, has an important presence here in many flashbacks, some of them dreamy or fragmented, as Amanda. A successful studio publicist before she picked up a camera, she based the film on her own relationship with her late aunt. We feel it's wrong for a person to die, and we want someone or something to blame. I am always astounded at the pettiness that seems to infect families in the wake of someone's death, as they argue over things. By contrast, sex in "It Follows" indiscriminately draws pre-existing emotions out, like a cruel genie that can never be returned to his lamp.
