Instrumental composition based on a chorale. Music Appre. Final Exam Flashcards 2022-10-14
Instrumental composition based on a chorale
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An instrumental composition based on a chorale is a piece of music in which a pre-existing chorale melody is used as the basis for the composition. A chorale is a type of hymn that originated in Germany during the 16th century and typically consists of a melody in four-part harmony, with the melody in the soprano part.
In an instrumental composition based on a chorale, the chorale melody is usually presented in a prominent manner, often as the main theme of the piece. The composer may choose to use the melody in its original form, or they may alter it in some way, such as by changing the rhythm or adding ornaments. The other parts of the chorale, including the alto, tenor, and bass, may also be used in the composition, either in their original form or in a modified form.
There are many ways in which an instrumental composition based on a chorale can be constructed. The composer may choose to use the chorale melody as a starting point and build the rest of the piece around it, using it as the main theme and creating variations on it. They may also use the chorale melody as a countermelody, creating a polyphonic texture in which the chorale melody and a new melody are played simultaneously.
In addition to using the chorale melody and harmony in the composition, the composer may also incorporate elements of the chorale's original text into the piece. For example, they may quote the text in the form of a motto or use it as the basis for a programmatic work, in which the music is intended to depict or evoke a specific story or idea.
There are many examples of instrumental compositions based on chorales, ranging from classical works by composers such as Bach and Brahms to more modern pieces by composers such as Stravinsky and Copland. These compositions demonstrate the enduring appeal and versatility of the chorale as a musical form and demonstrate the many ways in which it can be used as the basis for a new composition.
Instrumental Accompaniments
The stage machinery of baroque opera A. A classical composition has a wealth of rhythmic patterns. All answers are correct. With or without the available orchestral parts, the lilting melody and lyrical accompaniment set a tender mood for a text that describes the Savior's final meal with His disciples. Until We Meet Again Click here to listen Customized Instrumental Accompaniment Demo using synthesizer Simple, yet strikingly beautiful, "Until We Meet Again" is an inspired, yet practical worship offering by Ruth Elaine Schram that incorporates the beloved traditional hymn "God Be with You Till We Meet Again. Use for madrigaal, madrigale, madrygał.
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Music Ch. 3
Oratorio differs from opera in that it has no acting, scenery, or costumes. Sufficiently individualized not to be considered a strict cognate. An optional communion text is provided for additional use as an offering for your time at the table with the Lord. If you choose to use the entire orchestra parts available, the instruments will not overwhelm even a small choir. The most characteristic feature of baroque music is its use of A. With a tender and exquisite orchestration by John Purifoy, this much-loved and familiar carol is offered to us in a heartfelt and stunning new light.
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Instrumental composition based on a chorale
Some 1,650 troubadour and trouvère melodies have been preserved. During the Renaissance, dances often came in pairs; a dignified dance in quadruple meter was often followed by a lively one in triple meter. Thus, it is implemented as an anticipation of the grupal singing of the chorale itself. Acting ability is more important than singing in most operas. Available for SATB or SAB voices.
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Test 3 ( baroque period)
All answers are correct. The word baroque has at various times meant all of the following except A. The opening movement of a classical symphony is almost always slow and in ABA form. Customized Instrumental Accompaniment is available for this choral work! Each instrumental part is optional and intended to supplement the piano accompaniment, but if you have all of the instruments, the orchestra will not overwhelm even a small choir. From the manger to the 40 days in the wilderness to his last moments on the cross, this anthem reminds us that ironically Jesus is the "Living Water" for our spiritual thirst.
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Music Appre. Final Exam Flashcards
Seeing the helplessness of her tiny, brand new grandbaby was the inspiration for this timeless piece. The piano part is not a reduction of the orchestration, but a beautiful, pianistic accompaniment. Prologue DISTINCTIVE English, French ;use for independent prologues. Education was considered a status symbol by aristocrats and the upper middle class. Cymbal, Wind Chimes , Timpani, and Piano. A concerto grosso normally involves a large group of soloists accompanied by an equal number of supporting players. Taught organ and composition, gave recitals, and was often asked to judge the construction of organs.
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Barogue Music Flashcards
A concerto grosso normally involves two to four soloists, and anywhere from eight to twenty or more musicians for the tutti. Sonatas were played in palaces, in homes, and even before, during, and after church services. Epilogo DISTINCTIVE Italian ;use for independent pieces so named. Berlioz's reputation outside France was even lower than it was in his homeland. Optional string orchestra parts by David Dixon bring additional beauty to this reflective setting. Classical composers stressed balance and clarity of structure. In an opera, characters and plot are revealed through song, rather than the speech used in ordinary drama.
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What is an instrumental composition based on a chorale?
The cast of Conge fir e mord - 1983 includes: Dolly Arend as Un membre de la chorale Mucho as Copernic Raymond Bauler as Le douanier Marianne Bausch as Un membre de la chorale Nicole Bleser as Un membre de la chorale Mischa Bock as Bernard Huberty Robert Bohnert as Le substitut Jos Eilenbecker as Le facteur Carmen Fellens as Un membre de la chorale Silvana Ferreira as La cliente portugaise Collette Flies as Un membre de la chorale Jos Heuschling as Un conseiller Roger Heuschling as Un membre de la chorale Albert Hilger as Le gendarme Marc Jacoby as Un artiste de Meysembourg Carlo Keiser as Un membre de la chorale Marco Kugener as Un membre de la chorale Vic Mousel as Un artiste de Meysembourg Gilberte Prim as Un membre de la chorale Francine Schank as Un membre de la chorale Paul Scheuer as Henri Lamesch Luc Streff as Un artiste de Meysembourg Denise Theissen as Un membre de la chorale Emile Van Der Vekene as Le notaire Victor Weydert as Le maire Pit Wies as Un conseiller Ranganathan Yogeshwar as Monseur Raman. Do not use for partie French which is synonymous with movement or part and is not a cognate of partita. Which of the following statements is not true? My Heart, Your Bethlehem View score Click here to listen A delicate, yet powerful musical message is tastefully joined with the familiar carol, "O Little Town of Bethlehem" in this heartfelt expression for the Christmas season by David Gaines and Ruth Elaine Schram. The piano part is not a reduction of the orchestration, but a beautiful accompaniment. Baroque art is a complex mixture of rationalism, sensuality, materialism and spirituality. When chorale melodies were harmonized for church choir, the tune was given to the A. Scored for Flute, Two Clarinets, Oboe, Violin I, Violin II, Viola, Cello, Bass, Percussion Wind Chimes, Sus.
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Music 111 Baroque Flashcards
Overtures that are part of a larger work follow 6. Chorally satisfying, your singers will connect with its tender beauty, and your congregation will feel anchored to the familiar tune. Sonata da camera DISTINCTIVE English, French, Italian, Spanish Sonata da chiesa DISTINCTIVE Italian ;a Baroque instrumental work, often in 4 movements that replaced the organ solos that had regularly been substituted for elements of the Proper at Mass and Vespers. The Camerata believed that ancient Greek dramas had been sung throughout in a style that was midway between melody and speech. When the subject of a fugue is presented in the dominant scale, it is called the A. If a composer used the single title "psalms" or its cognates for several psalms without indication of psalm numbers or grouped several psalms in one publication whether psalm numbers are indicated or not , use the English plural form and if necessary to distinguish from other psalms , the qualifying statement that best facilitates a logical arrangement of entries e.
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A ____________ is a short instrumental composition based on a hymn tune that reminds the congregation
Until this problem is resolved, follow the treatment in established headings for a composer's works. The Catholic church was even more powerful in the Renaissance than during the Middle Ages. The medieval jongleurs, important sources of information in a time when there were no newspapers, were accordingly ranked on a high social level. The early baroque was characterized by A. Include medium of performance in all other cases. Which of the following statements is not true? The Living Light Written to accompany either the SATB or SAB version of this Dramatic Musical Experience for Christmas.
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