Weird Tales February 1928 was a landmark issue of the magazine, featuring some of the most iconic and influential stories in the history of horror and science fiction. This issue included stories from some of the greatest writers in the genre, including H.P. Lovecraft, Robert E. Howard, and Clark Ashton Smith.
One of the standout stories in this issue was "The Call of Cthulhu" by H.P. Lovecraft. This story introduced the titular character, a monstrous being who lies dormant in the sunken city of R'lyeh, waiting to be awakened by cultists who wish to bring about the end of the world. The story is a masterpiece of cosmic horror, using the idea of ancient, unknowable deities to strike fear into the hearts of readers. It has inspired countless works of fiction and has become one of the most well-known and beloved stories in the horror genre.
Another notable story in this issue was "The Tower of the Elephant" by Robert E. Howard. This story follows the character Conan the Barbarian as he enters the Tower of the Elephant, a mysterious and treacherous place filled with strange creatures and ancient treasures. The story is a classic sword and sorcery tale, full of action and adventure, and it has become one of the most popular stories in the Conan series.
Finally, this issue also featured "The Return of the Sorcerer" by Clark Ashton Smith. This story tells the tale of a man who discovers a magical book that allows him to bring back the spirit of a long-dead sorcerer. The story is a classic tale of the dangers of tampering with the forces of the supernatural, and it has become one of the most memorable stories in Smith's oeuvre.
In conclusion, Weird Tales February 1928 was a crucial issue of the magazine, featuring some of the most memorable and influential stories in the history of horror and science fiction. Its legacy continues to this day, as these stories continue to be read and enjoyed by new generations of readers.
Weird Tales 1928 February
The Curse of Alabad and Ghinu and Aratza Seabury Quinn. I don't know how the bosses at Weird Tales decided which story to use for the cover illustration, but looking back on it with nearly a century of hindsight, it seems kind of funny and yet a bit sad, that that tale that has become one of the most famous short stories of all time, featuring a title creature whose name has come to define an entire genre, was rejected in favor of a story about a haunted table. Sketched in profile by the author himself, this Cthulhu doesn't exude planet-destroying rage. However for the best experience it's recommended that you read them in chronological order by date written or in most cases, just pick up a book and read left to right. This amount includes applicable customs duties, taxes, brokerage and other fees. Added to the calendar by Odd Salon Fellow, Stuart Gripman Further Reading.
[deleted by user] : Lovecraft
Selling artwork, merch, or similar items is prohibited. But maybe he's still in deathly repose patiently awaiting an opportunity to pounce. Alas, the third part of the story isn't as successful and the adventure on risen R'lyeh bumps up against absurdity, bad for the immersive quality of the tale but also a verbose testimony to just how tough a task Lovecraft had undertaken. It's been an interesting trip, though I have had to wade through a lot of bad fiction to get to this point. We suggest the What book do I buy? Fragmentary and cohesive at the same time, the relationships between the incidents in the story occur mostly in the reader's mind, putting one into the story in a unique way. Weird Tales had circulation in the thousands, a far smaller reach than many of its contemporary pulp magazines. .
Weird Tales 1928 February FACSIMILE REPRINT
The Curse of Alabad and Ghinu and Aratza Seabury Quinn. And the fact their very nature of being perceived as disposable means that the odds of one surviving almost a century after publication is very low. Worthington 1882; translated from the French Chronique de Paris, Jun 23, 1836 +. Given the radical nature of the story and the enormous influence it had almost immediately on the young genre, it's amusing to see that editor Wright gave the cover to Elliott O'Donnell's silly little fable "The Ghost Table. In truth, we would still have Cthulhu even without Weird Tales because we had Donald Wandrei. But yes, I also totally want to read it.
