Rondeau redouble. Rondeau Redouble for Paddy by Marieta Maglas 2022-10-27
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A rondeau redouble is a type of fixed form poetry that originated in France during the Middle Ages. It consists of 15 lines divided into three stanzas, with a rhyme scheme of AABBAACCAABBA. The first and third lines of the poem repeat as the ninth and tenth lines, respectively, creating a refrain that serves as the central focus of the poem.
The rondeau redouble is characterized by its concision and economy of language, as the limited number of lines and strict rhyme scheme require the poet to carefully choose their words and convey their message with precision and skill. This form of poetry is often used to explore themes of love, loss, and the passage of time, and the repetition of the refrain serves to underscore these themes and give them added emphasis.
One of the most famous examples of a rondeau redouble is the poem "Je ne suis pas si fier" by the French poet Jean de Meun. In this poem, the refrain "Je ne suis pas si fier" ("I am not so proud") is used to explore the theme of humility and the importance of recognizing one's own limitations. The repetition of this phrase serves to reinforce its central message and create a sense of unity within the poem.
Overall, the rondeau redouble is a challenging and rewarding form of poetry that requires careful craftsmanship and a deep understanding of language and meter. Its concise structure and repetition of the refrain make it an effective way to explore complex themes and emotions, and it remains a popular form of poetry to this day.
What Is the Rondeau Redouble? The Rondeau Redouble is an exceptionally complicated poetry form. I don't think many people in this world have given so many people belly-laughs as Stephen Fry has. Anyway, if he is to be believed — and he usually is — the above is not a true example of the form after all. Where fraud gorged on Truth only anarchy dwelled. Only new poems, please! I know the rules. I'm certainly going to run more contests with forms that lend themselves to humor.
It's good to know! Short words that emphasize a central vowel sound tend to have numerous rhymes. Us fools are such a welcome sight, forever grinning, come what may. It's good to know this poem I can write. Back, then, I turn, caging my dear depressed Heart like a hummingbird. The golden rule makes common sense; I shall embrace that while not notions fabricated. Our best minds surrendered. .
Quatrains 2-5 end with the first, second, third and fourth lines of quatrain 1, respectively. Rhyme Structure Strict Meter Optional Origin 16 th century France Popularity Uncommon due mostly to difficulty Theme Varies How Is the Rondeau Redouble Structured? In cerements my spirit is bedight; The same to me are somber days and gay. It maintains the two-sound rhyme scheme but extends the form into a 25-line poem comprised mostly of quatrains. Glades in the distance, so peaceful a view, No other ponies to frown, unimpressed. If you want to include plenty of slant rhyme in your poetry as a stylistic choice, then you certainly can. While the rondeau redouble is challenging, it does inevitably create an aesthetically pleasing poem. Ardus Publications, Sybaritic Press, Prolific Press, Silver Birch Press, HerEthics Books, and some others published the poems of Marieta Maglas in anthologies like Tanka Journal , Three Line Poetry 25, Three Line Poetry 39 edited by Glenn Lyvers, The Aquillrelle Wall of Poetry edited by Yossi Faybish, A Divine Madness edited by John Patrick Boutilier, Near Kin edited by Marie Lecrivain, ENCHANTED - Love Poems and Abstract Art edited by Gabrielle de la Fair, Intercontinental Anthology edited by Madan Gandhi, and Nancy Drew Anthology edited by Melanie Villines.
This is one of many members of the rondeau family, a prestigious family of French forms who can be identified by the use of a rentrement, a special refrain that uses just part of the first line. A canvas splashed with brush strokes bold and bright, Impressions of a painting by Van Gogh; The purple hues and rich red veins ignite With colors of the palette all aglow! A Note to Poetry Contestants You are welcome to enter this contest, whether or not you won a prize in one of my previous contests. Please make your entry easy to read — no illustrations or fancy fonts. You know my private views on some of these points and my personal interest. Though atheists assert God cannot be, I can't be sure if God exists or not. The first four lines your efforts will repay, In turn they each a heavy burden share, THE FIRST FOUR LINES. Failing that, you could always fall back on common suffixes.
NOTE: Until my contest is over, I will NOT be reading any Rondeau Redoubles in the New Poems listing. But, since I triage my relationship with God above all other things, any such personal interest is secondary. He named big names, and not only was the offending livestream sermon removed from the parish website, but also every other sermon the priest had made. While it adds a layer of complexity, this does contribute to the unity of the poem. I need no virgins, promised and post-dated.
These bracing starts become unexpectedly forceful when the fourth and fifth stanzas begin with headless iambs a single stressed syllable as the first foot of a line. Your rhyme and meter are always pleasing to the ear, and you address the insanity of the world with a bang. Always give it your best. Things change, of natural necessity. Imprisoned to ourselves behind a wall set frozen in the bluest spotlight stare And held in high esteem by lovers all Did they not sense our soaring passion stall? I will be looking at theme, rhyme, rhythm, subject matter, imagery, precision in execution, and proper word usage.
