Summary of la casa de bernarda alba. Lorca: The House of Bernarda Alba. Summary. Acts II and III. 2022-10-12
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La Casa de Bernarda Alba is a play written by the Spanish playwright Federico García Lorca in 1936. The play is set in a small village in Spain, where a group of women are mourning the death of the patriarch of the household, Pepe el Romano.
The play centers around the character of Bernarda, the widowed mother of five daughters. Bernarda is a strict and authoritarian figure, and she imposes strict rules on her daughters and the household as a whole. She enforces a period of eight years of mourning, during which no one is allowed to speak or laugh. She also forbids her daughters from wearing bright colors or jewelry, and she insists that they cover their heads with veils at all times.
Bernarda's eldest daughter, Martirio, is jealous of her sister Angustias, who is set to inherit a large sum of money from Pepe el Romano's will. Martirio is also envious of Angustias' beauty and the attention she receives from men. In contrast, Angustias is a timid and submissive daughter who is deeply in love with her fiancé, Pepe el Romano's son, who is also named Pepe.
As the play progresses, tensions rise between the daughters, and a series of secrets and lies are revealed. It becomes clear that Bernarda is hiding something, and that there may be more to the death of Pepe el Romano than what is initially revealed. The play ultimately ends in tragedy, as the secrets and rivalries between the women lead to a confrontation that ends in violence.
La Casa de Bernarda Alba is a powerful and poignant play that explores themes of repression, jealousy, and the destructive power of secrecy. Lorca's writing is evocative and emotional, and the play remains a classic of Spanish literature to this day.
La Casa De Bernarda Alba Short Summary
She has inherited a large fortune from her deceased father. Today we offer you a brief summary of the work "Bernarda Alba's house" Federico García Lorca. All the daughters, with the exception of the youngest, Adela, accept the provisions of their mother. See eNotes Ad-Free Start your 48-hour free trial to get access to more than 30,000 additional guides and more than 350,000 Homework Help questions answered by our experts. If not, Pepe goes to bed too.
Lorca: The House of Bernarda Alba. Summary. Acts II and III.
The two servants go to sleep. They are interrupted by the Criada who informs them that Pepe el Romano is coming along the street. The citation above will include either 2 or 3 dates. Furthermore, having a fiancé is no guarantee of happiness if the unhappy experience of a neighbour, Adelaida, is anything to go by she is not allowed out 135. The eldest daughter, irrespective of other virtues such as beauty and congeniality-- which she lacks-- will attract a suitor because she has wealth. Bernarda tells La Poncia that since she is a servant, she should work and shut up. He is upbeat and predicts the others will have a bad day.
The bells outside stop. When she learns the cause and nobody owns up to stealing the photo, she sends La Poncia to search their rooms. Scholars have debated whether he was primarily a poet whose lyrical sense worked against dramatic structure in his plays, or a playwright whose poetry was always seeking a narrative form. Bernarda orders the stallion to be taken out in the yard with a tether around its neck, to prepare to be mated with the mares the next day. Adela then repeats that her body is for anyone who pleases her; she is not concerned with conventions and mores.
Magdalena is the one who sees death coming. All exit, save Bernarda and Poncia. This tale contrasts the difference between the way the upper-class is supposed to behave and how the working-class can be more frank about sexuality. Bernarda's recently deceased husband practiced his own lust upon the unnamed servant, who not only recalls having her skirts lifted by him, but also laments his passing, since she loved him. Bernarda begins to hit Martirio with her cane, though Angustias tries to hold her back.
The House of Bernarda Alba Act II Summary and Analysis
They discuss whether Bernarda then tells her daughters they must go through an eight-year mourning period for her dead husband, father to all of them but Angustias. Theseus agrees, and threatens Hermia with either entering a nunnery or marrying the man his father chooses. The paintings on the walls of "unlikely… nymphs or legendary kings" provide a great contrast to the limited life Bernarda espouses. La Poncia is also not above stirring things up between the sisters, not a difficult task given that they are constantly watching what each other is doing. When Amelia recalls that one of the village men, Enrique Humanas, had once fancied her, Martirio informs her that it was all hearsay and that he had married someone wealthier than her 137. Adela enters from the yard delighted with her green dress. García Lorca, with this scene, has informed the audience of the impending tragedy.
Lorca: The House of Bernarda Alba. Summary. Act I.
They are interrupted by Angustias who is furious. And, when she somehow manages to impede nature, her action has unnatural consequences. Two hundred of them enter and fill the stage, each carrying a fan. She is like a prophet. Adela arrives and suggests La Poncia is trying to stir up trouble from resentment. The conflicts in this scene are at a boiling point. Amelia does not pick up the true meaning.
The House of Bernarda Alba Act III Summary and Analysis
Development of the acts of the work If you want to read this work soon, we recommend that you stop reading here, as we may reveal a large part of what happens in the work "La casa de Bernarda Alba". Bernarda finds Angustias has applied makeup, and a fight nearly ensues before Act II opens with the girls sewing, a sign of their mourning period. The aunt gives Nicholas an extra condition to stay out of the gooseberry garden. Bernarda is intrigued at the same time that she condemns Paca, and is horrified that Angustias has heard about it and many other shameful things according to La Poncia 133. Bernarda imposes 8 years of isolation on them, making social conventions about mourning irrational. . Action The sisters chat as they work.
Indeed, she will later speak aloud that all die the same way regardless of class, a comment on mortality more than economy. Adela is unashamed of her actions and boldly claims that Pepe el Romano is hers. She asks why they are not asleep yet and then leaves. The sound of a party intrudes from offstage; the men never seen always seem to be having fun or celebrating, while the women are stuck brooding in the dark white household. This is the final confrontation. After Martirio learns that Pepe el Romano is supposedly on a trip, she immediately glares at Adela.
At the same time that she serves Bernarda and her daughters, La Poncia is an important link between the family and the outside world. In this respect, the daughters are to be pitied. All of the women are onstage with a visitor, La Poncia and Bernarda have another fight, and then all the women go to bed. She takes a shotgun and runs off to shoot Pepe. The body had been found by some dogs which had pulled it through the streets and left it at the door of mother. Nevertheless, Poncia warns her. She may rule over her house, but rebellion and death are to permanently alter her authority.
