Romeo and juliet opening scene. Romeo and Juliet, Act 3, scene 2 2022-10-05
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The Hunger Games is a young adult novel written by Suzanne Collins and published in 2008. It is the first book in a trilogy of the same name, followed by Catching Fire and Mockingjay. The Hunger Games tells the story of a dystopian society called Panem, which is divided into 12 districts and ruled by a wealthy and powerful Capitol. As punishment for a past rebellion, the Capitol holds an annual event called the Hunger Games, in which one boy and one girl from each district are chosen by lottery to compete in a brutal televised fight to the death. The protagonist of the story is a 16-year-old girl named Katniss Everdeen, who volunteers to take her younger sister's place in the Hunger Games and becomes a symbol of hope for her district and the rebellion against the Capitol.
The Hunger Games has been a wildly popular and successful series, with the books selling millions of copies worldwide and the movies grossing billions of dollars at the box office. As with any successful work, there have been questions and controversies surrounding the copyright of The Hunger Games. In this essay, we will explore the issues surrounding the copyright of The Hunger Games and the legal protections that exist to protect the creative works of authors like Suzanne Collins.
First, let's define what copyright is and how it applies to creative works like novels. Copyright is a legal concept that protects the rights of creators to control the use and distribution of their creative works. This includes the right to reproduce, distribute, perform, and display the work, as well as the right to create derivatives of the work. In the United States, copyright protection applies to original works of authorship that are fixed in a tangible form, such as a book, movie, or song.
So, how does copyright apply to The Hunger Games? As the creator of The Hunger Games, Suzanne Collins holds the copyright to the work. This means that she has the exclusive right to control how the work is used and distributed, including the right to make copies of the book and authorize others to do so. She also has the right to create adaptations of the work, such as the Hunger Games movies, and to control the distribution of those adaptations.
However, copyright is not an absolute right, and there are certain exceptions and limitations to the exclusive rights of copyright holders. One such limitation is the "fair use" doctrine, which allows for the use of copyrighted material without permission in certain circumstances, such as for the purpose of criticism, commentary, news reporting, teaching, scholarship, or research. Fair use is determined on a case-by-case basis, and requires a balancing of the interests of the copyright holder with the public interest in the use of the material.
Another exception to copyright protection is the "public domain," which refers to works that are no longer protected by copyright or that were never protected to begin with. Works may enter the public domain for a variety of reasons, such as the expiration of the copyright term or the failure to meet certain formalities for obtaining copyright protection. Once a work is in the public domain, it can be used freely by anyone without permission or the need to pay royalties.
So, what does all of this mean for The Hunger Games and its copyright? As the copyright holder, Suzanne Collins has the exclusive right to control the use and distribution of the work, subject to the limitations of fair use and the public domain. This means that anyone who wants to use The Hunger Games in a way that falls outside of fair use or the public domain will need to obtain permission from Collins or her representatives. This could include things like making copies of the book for distribution, creating adaptations of the work, or using the work in advertising or other commercial contexts.
In conclusion, The Hunger Games is protected by
Romeo & Juliet: Act 1, Scene 1
Shakespeare elevates Romeo's language as he elevates Romeo's love for Juliet. There lies the man, slain by young Romeo, That slew thy kinsman, brave Mercutio. Black and portentous must this humor prove, 145 Unless good counsel may the cause remove. ROMEO A right good markman! PRINCE Benvolio, who began this bloody fray? ROMEO Is the day so young? The Prince declares the violence between the two families has gone on for too long and proclaims a death sentence upon anyone who disturbs the civil peace again. Chose a play whose opening scene seems to you to be particularly amusing or menacing. Either thou or I, or both, must go with him. With bawdy banter, Sampson vents his hatred of the house of Montague.
Romeo and Juliet: Summary & Analysis Act I Scene 1
This passage introduces two new major characters, one from each house—Benvolio and Tybalt. Some twenty of them fought in this black strife, And all those twenty could but kill one life. BENVOLIO Soft, I will go along. Benvolio gets out, reassuring Ted and Gloria that he will fix Romeo's mood. Romeo says the woman he loves refuses to love him back and has sworn to remain chaste. Benvolio explains that he is merely trying to keep the peace, but Tybalt professes a hatred for peace as strong as his hatred for Montagues, and attacks.
Black and portendous must this humor prove, Unless good counsel may the cause remove. Here comes of the house of Montagues. Thou wilt quarrel with a man for cracking nuts, having no other reason but because thou hast hazel eyes. Could we but learn from whence his sorrows grow, We would as willingly give cure as know. A street fight breaks out between the Montagues and the Capulets, which is broken up by the ruler of Verona, Prince Escalus. BENVOLIO An I were so apt to quarrel as thou art, any man should buy the fee simple of my life for an hour and a quarter. The cyclical nature of violence is an especially emphasized theme that informs a number of visual motifs—notice, for instance, the way the "Add more fuel to your fire" sign spins haplessly around and around in the gunfire.
Exeunt all but Montague, Lady Montague, and Benvolio. ROMEO Ay me, sad hours seem long. O any thing, of nothing first create! A madness most discreet, A choking gall, and a preserving sweet. BENVOLIO There lies that Tybalt. Having been adapted into plays and films several times over, the archetype of two star-crossed lovers is prevalent in many pieces of literature and movies. In the opening scene, the light mood is created by Sampson and Gregory, two servants of the House of Capulet. Montague and Capulet, the prince says, must come with him to his villa to explain themselves.
The image also foregrounds the fact that television will be used as a device throughout the film to deliver information and "news" to the viewer—and also, crucially, as a way in which the play's characters receive information about each other. ROMEO This shall determine that. It is a story about two lovers that have to meet in secret because of an ongoing family feud. SAMPSON No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir. CAPULET What noise is this? An example of this is when Romeo is arriving at the Capulet party with a mask on and the invite in his hand after taking an ecstasy pill.
Romeo and Juliet Act 1, scene 1 Summary & Analysis
A title card reveals that we are in Verona—a crime-ridden metropolis in the midst of a power struggle between two warring family empires. Was ever book containing such vile matter 90 So fairly bound? MONTAGUE Both by myself and many other friends. Down with the Montagues! TYBALT What wouldst thou have with me? Also, in Act Five Scene three, Tybalt challenges Romeo to fight and Romeo kills him. Romeo that killed him—he is banishèd. Romeo seems unable to do so, begging of Benvolio, "Teach me how I should forget to think. ROMEO I pray thee, chide me not. They exit as Analysis A spirited exchange of vulgar jokes between servants opens the play and immediately links sex with conflict.
Romeo and Juliet Act 1, Scene 1 Summary & Analysis
Preceding Act 2 scene 2, the two adolescents of opposing families meet at a celebration; Romeo falls fanatically in love at first sight with Juliet. Then on the last line it says, "What here shall miss, our toil shall strive to …show more content… He can't stand the fact that they have drawn their swords, then stopped and talked of peace, he wants violence, he wants to show the Montague's who is best, who is the bravest, this comes across to the others and is the spark that starts the fight. SAMPSON A dog of the house of Montague moves me. Enter old Montague and his Wife. Hence, be gone, away. .
As the Montague limousine drives by, Romeo makes his way through a dissolute array of Verona Beach denizens, including prostitutes and the homeless. Given that television was arguably the most influential and pervasive storytelling medium in American culture at this moment, present in nearly every living room, the image reflects Luhrmann's desire to create a truly populist piece of commercial entertainment. Notice, too, how the antagonist The introductions of Romeo and Juliet immediately establish vital character traits. Summary The scene opens with a brawl on the streets of Verona between servants from the affluent Montague and Capulet households. BENVOLIO 225 Then she hath sworn that she will still live chaste? We learn that this is the third time this kind of violence has broken out in public, and that the Chief of Police will sentence whomever commits a further act of violence to death.
. The mood then changes, the fight ceases, this is because of the entrance of the prince. Back, foolish tears, back to your native spring; Your tributary drops belong to woe, Which you, mistaking, offer up to joy. The sudden switch from the comedic interplay between the servants to a potentially life-threatening situation demonstrates the rapidly changing pace that drives the action of the rest of the play. I, measuring his affections by my own Which then most sought where most might not be 130 found, Being one too many by my weary self , Pursued my humor, not pursuing his, And gladly shunned who gladly fled from me. What is it else? Benvolio encourages Romeo to go to the party and meet other women. Make haste, lest mine be about your ears ere it be out.
In the brawl, he portrays all of the layers of Veronese society, from those lowest in power, the servants, to the Prince, who occupies the political and social pinnacle. BENVOLIO Have you importuned him by any means? While attempting to stop the fight, Benvolio Romeo's cousin is drawn into the fray by Tybalt, kinsman of the Capulets. Come, civil night, Thou sober-suited matron all in black, And learn me how to lose a winning match Played for a pair of stainless maidenhoods. Prince Escalus arrives and commands that the fighting stop, on penalty of torture. . SAMPSON Fear me not. GREGORY That shows thee a weak slave, for the weakest 15 goes to the wall.