Mary louise pratt arts of the contact zone. Identity. Arts of the Contact Zone by M. L. Pratt 2022-10-29
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In her essay "Arts of the Contact Zone," Mary Louise Pratt discusses the concept of "contact zones," which she defines as "social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations of power, such as colonialism, slavery, or their aftermaths as they are lived out in many parts of the world today" (Pratt, 1991). Pratt argues that these contact zones can serve as sites of both conflict and creativity, where individuals and groups with different cultural backgrounds and histories intersect and engage in dialogue and exchange.
One key aspect of contact zones is that they involve a significant power imbalance between the different cultural groups involved. This can take many forms, such as the colonialism and imperialism that Pratt references in her essay. In these cases, the dominant culture wields a great deal of power over the subordinate culture, and the contact zone becomes a site of conflict and resistance as the subordinate culture struggles to assert its own identity and autonomy.
However, Pratt also notes that contact zones can also be more subtle and less overtly oppressive. She uses the example of a classroom, where students from different cultural backgrounds come together to learn and interact. In this case, the power dynamic is not as clearly defined, but it can still be present in the way that certain cultural practices and values are privileged or marginalized.
Despite the challenges that can arise in contact zones, Pratt emphasizes that they also have the potential to be sites of creative and transformative exchange. She argues that individuals and groups can use the contact zone as a way to learn from and understand each other, and to create new forms of communication and understanding that bridge cultural divides.
In conclusion, Mary Louise Pratt's concept of the "arts of the contact zone" highlights the complex and often fraught nature of cultural interaction and exchange. While contact zones can be sites of conflict and power imbalances, they also have the potential to be spaces of creativity and transformation, where individuals and groups can learn from and engage with each other in meaningful ways.
Arts of the Contact Zone by Mary Louise Pratt Essay
At the time I had never been to campus and was eager to visit Northeastern, meet people, and find my place in this great place I had envision. Contact and Community The idea of the contact zone is intended in part to con trast with ideas of community that underlie much of the thinking about language, communication, and culture that gets done in the academy. Rather they involve a selective collaboration with and appropriation of idioms of the metropolis or the con queror. But first a little more about Gua man Pomas giant letter to Philip III. All the students experience a wide rage of emotions including rage and incomprehension but also joy.
Essay on Arts of the Contact Zone, Mary Louise Pratt
He realizes that he and his typewriter are unique in the village; people see them as a natural wonder. I have chosen those conditions that I think in my case attach somewhat more to skin-color privilege than to class, religion, ethnic status, or geographic location, though of course all these other factors are intricately intertwined. The intention of the Borderlands is to infect the inhabitant so as to allow the inhabitant to bear negative symptoms regardless of physical departure. As a replacement, another text, written by a Spanish, Andean citizen living in Spain colored the perspective in a Spanish positive light and was assumed to be the right perspective. In the context of tertiary education, she makes the point that in order for a classroom to be a place where all cultures are valued and none maligned, a culture of respect must be created.
FREE Essay on Mary Louise Pratt's Essay, Arts of the Contact Zone
How ever, though Guaman Poma's text did not reach its desti nation, the transcultural currents of expression it exemplifies continued to evolve in the Andes, as they still do, less in writing than in storytelling, ritual, song, dance drama, painting and sculpture, dress, textile art, forms of governance, religious belief, and many other vernacular art forms. One can realize the close interconnection between the culture where he or she lives in and interpersonal relationships he or she has, only being put under the circumstances that test his or her ability to understand the foreign culture, to adjust to it and to preserve the relationships notwithstanding the changes that a new culture might bring. It is a joy to be a part off group that shares your same interest and things you go through. Pietschmann prepared a paper on his find, which he presented in London in 1912, a year after the rediscovery of Machu Picchu by Hiram Bingham. We are all interested in the same professions and hue a goal Of being successful. Pratt explains many terms that she believes are beneficial in gaining a further understanding of a literary piece.
We acknowledge our differences, but instead of condemning each other for them, we are learning to accept and appreciate them. There are alcohol rules, GAP rules, medical rules, safety rules. People assume that if you are a black male, that you sale drugs or you are really great in some type of sport. A writing process is much more than just to put what a writer intends to say into words. We have subtle leaders like teachers and the administration, These powers help keep us together and unified. It was dated in the city of Cuzco in Peru, in the year 1613, some forty years after the final fall of the Inca empire to the Spanish and signed with an unmistakably Andean indigenous name: Felipe Guaman Poma de Ayala.
Rather than enjoying a good book with a cup of coffee in the afternoon, instead they juggled with some harmful virus inside their desktop computer. I figured that she probably talked proper, had a dog, and wore Juicy Couture. Communal identity is impossible without establishing interpersonal relationships among its members. He says he learned to write from his half brother, a mestizo whose Spanish father had given him access to religious education. It was finally interpreted in the 1970s as a literary tour de force.
Essay on Arts of the Contact Zone by Mary Louise Pratt
This is the film Pushing Hands directed by Ang Lee. I have been raised to always believe that I was just as smart as, just as pretty as, and just as capable as any white child I might be in class with and it was my duty to the world to show that fact. Ang Lee Productions, 1996. It appears that Blacks will be acknowledged as being less important and treated with little respect in our western society. Gunman Pomp of the Inca Empire wrote a letter to King Philip Ill in 1603. Contact zones can be seen in every social situation, every social gathering, and every major culture event. Auto ethnographic representation often involves concrete collaborations between people, as between literate ex slaves and abolitionist intellectuals, or between Guaman Poma and the Inca elders who were his informants.
Constant stereotyping of the black people led to their understanding the very essence of their humanity. Those ends were, roughly, to construct a new picture of the world, a picture of a Christian world with Andean rather than European peoples at the center of it? These are all characteristics of a utopian society, My community seems very utopian to me. Guaman Pomas most implacable hostility is invoked by 36 Arts of the Contact Zone the clergy, followed by the dreaded corregidorest or colo nial overseers fig. One of the most damaging forces tearing at young black people in America today is the popular culture's image of what an "authentic" black person is supposed to look like and how that person is supposed to act. What would be an invention to help your parents? The Inca says in Quechua, "You eat this gold? In the end, the requirement was transformed into a much more broadly defined course called Cultures, Ideas, Values. It does not bother me that I am usually one out Of two girls in my aviation related courses because have gotten used to it.
It is as if we were speaking alone to no ears but our own. However, I coined several notes on what I cerebrated was gainful and vital from her lecture. Many of those who govern us display, openly, their interest in a quiescent, ignorant, manipulable electorate. Sadly, when Poma sent off his big book of information, his culture had been deemed illiterate in the minds of academia and his stories were lost. The more successful interconnection between people is established the more strong feeling of communal identity they acquire. I am African American, and even though my race only makes up a small percentage.
What is a summary for "Arts of the Contact Zone" by Mary Louise Pratt?
The sufferings and revelations were, at different moments to be sure, experienced by every student. Gloria AnzaldĂșa is a writer that grew up in two different cultures, Mexican and Anglo. Imagine two people from different countries, one grew up in Cambodia and the other grew up in the US. Would other people be able to use it also? She experienced these cultures because she grew up on the borderland of Mexico and southwest Texas. Mary Louise Pratt 35 history, customs, laws, social forms, public offices, and dynastic leaders. What stunned Pietschmann was that the letter was twelve hundred pages long.
Mary Louise Pratt's Rhetorical Analysis: Arts Of The...
The authors separate each of these into their own chapter for a certain reason, to show the treatment of colonized people. Unfortunately, such a commu nity did not exist in the Spanish court with which Gua man Poma was trying to make contact. Cultural encounters occurs in societies where there are people belonging to different cultures mind sets and backgrounds as a result of migration, war, or economic recession. Recognizing the importance of lives being socially intertwined is necessary to sustain a considerate society. As have suggested, it is a negative that the LIND monolingual community does not know what the Air China students are saying and the Air China students can understand most of what we are saying because they are forced to learn it by being here. The manuscript details Spanish conquest in South America. Have you ever been so alone that there is nowhere to go but down? Where there are legacies of subordination, groups need places for healing and mutual recognition, safe houses in which to construct shared understandings, knowledges, claims on the world that they can then bring into the contact zone.
