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"Beneath Clouds" is a 2002 Australian film directed by Ivan Sen. The film tells the story of Lena, an Indigenous Australian teenager who is on the run from the law, and Vaughn, a young man of Irish descent who is also searching for his identity.
Lena and Vaughn meet by chance on a road in rural New South Wales, and decide to travel together to Sydney, where Lena hopes to find her estranged mother and Vaughn hopes to find his father. Along the way, the two characters confront their own internal struggles and learn to rely on each other for support.
One of the most striking aspects of "Beneath Clouds" is its depiction of Indigenous Australian culture. Lena is a complex and fully realized character, and her Indigenous heritage is an important part of her identity. The film explores the ways in which Lena's culture has been suppressed and marginalized by mainstream society, and the toll that this has taken on her and her community.
At the same time, the film also delves into the theme of identity and the search for belonging. Both Lena and Vaughn are searching for a sense of belonging and connection to their roots, and their journey together helps them to find a sense of purpose and meaning in their lives.
Overall, "Beneath Clouds" is a powerful and poignant film that offers a unique and poignant look at Indigenous Australian culture and the universal struggle for identity and belonging. Its powerful performances, beautiful cinematography, and thought-provoking themes make it a must-see for any fan of independent cinema.
Beneath Clouds (Ivan Sen, 2002)
However she knows enough to not want her probable future if she stays in the country town where she's grown up and so she decides to head off to Sydney to find her father. An imaginative journey is explored through speculation to come to a deeper understanding. The powers of the cloud are extremely diverse, with its different abilities being described in each stanza. He also shows the limited opportunities afforded to young Indigenous Australians, and the resulting friction in their communities between young and old, and men and women — the latter friction colouring the relationship between Lena and Vaughn. The journey process is more significant than the destination. More and more Australians inoculate themselves against ignorance and stereotypes by finally reading up on Aboriginal history and the culture's contemporary issues. The actors convey this nicely — Hall suitably laconic, Pitt knotted and simmering — and their eventual reconciling of perspectives and mutual understanding is moving.
To Vaughn, Lena embodies the society that has rejected him. And for a very short amount of time, they experience a rare true happiness together. Both young performers, Danielle Hall and Damien Pitt are extraordinarily good in bringing these two wounded children to life. Des: Peter Baxter Mus: Ivan Sen, Alister Spence Cast: Dannielle Hall, Damian Pitt, Jenna Lee Connors, Mundurra Weldon, Athol French, Kevin Pitt, Judy Duncan Established in Melbourne Australia in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet. The idea of Journey in these texts is portrayed through obstacles, various poetic and film techniques. No one denies that.
Journeys are taken for many reasons, some are taken from choice and others are compulsory. Is it something we merely physically embark on or somewhat more? Initially cynical of each other and verbally combative, they forge a strong bond as their journey unfolds. A physical journey also includes the experience along the way and what it teaches. Please use primary sources for academic work. The film follows its creator's Ivan Sen's own experiences growing up in Inverell, NSW with an Aboriginal mother and a European father who was not around.
Through the text 'Crossing the Red Sea' by Peter Skrzynecki. Yann Martel, Margaret Atwood and Shaun Tan use various techniques such as extended metaphors, symbolism, imagery and figurative language to show how journeys lead to self discovery and they are the only way one will find what they are searching for and also allow travellers to extend themselves in different aspects. Structurally a quest has a quester, a place to go, a stated reason to go there, challenges and trials en route, and a reason to go there. Creative Spirits acknowledges Country, the mother and nurturer, and the First Nations peoples who own, love and care for it since the beginning. It can be perceived as a process which leads to a conclusion or destination.
Blonde and light-skinned, Lena is remains in denial about her Aboriginal heritage; Vaughn is an angry young man with a grudge against all whites. In the twentieth century, many of the most notable depictions of Indigenous Australians and their culture in feature films were steered by white filmmakers: see, for example, Jedda Charles Chauvel, 1955 , Walkabout Nicolas Roeg, 1971 , The Chant of Jimmie Blacksmith Fred Schepisi, 1978 , Manganinnie John Honey, 1980 and The Fringe Dwellers Bruce Beresford, 1986 , to name a handful. These challenges are a catalyst in itself; they allow you to fight and withstand similar trials on a regular basis, they cause the person to grow. An imaginative journey, may be one you read, see, think or relive and can often result in an individual finding a change, proving that without imagination there can be no change. Join a new generation of Australians! Physical journeys essentially begin with a catalyst, trigger, course that gives a person or people a reason to venture. Beneath Clouds was a watershed moment in this history of celluloid representation, with Sen becoming the first filmmaker of Indigenous descent to win Best Director at the Australian Film Institute Awards.
These ideas can be conveyed through the documentary series, Through Australian Eyes by William Fitzwater and the cartoon titled Journey Of Life by Micheal Leunig. Lena, Danielle Hall, is the daughter of an Aboriginal mother and an Irish father whom she's never known. Well, those who say a journey is simply physical are too naive to realise the existence of imaginative journeys. This can be clearly seen in the three films Beneath Clouds, The opening scene of Beneath Clouds begins with sombre, uplifting music mirrored with a panning shot of the ethereal clouds. The quest also involves the character to gain self-knowledge out of taking the adventure to the stated place where he or she is going.
His two years of imprisonment without one visit from family has turned Vaughn into a caged animal. The photos of her past represent what her family life could have been and are the internal catalyst for her journey to see her father. When she breaks away, she meets up with petty criminal Vaughn who's just escaped from low security prison to reluctantly visit his dying mother. While their journey is slow, these characters have no time to waste, which manifests in the spartan dialogue between the protagonists, shorn of superfluous niceties: Lena and Vaughn speak to each other in jabs and digs, none of them wasted, all conveying essential character-building information. Beneath Clouds follows two Indigenous teenagers hitch-hiking to Sydney through rural New South Wales: Lena Dannielle Hall , the daughter of a negligent mother and an absent Irish father; and Vaughn Damian Pitt , a juvenile delinquent working on a prison farm who discovers his mother is ill. Blonde and light-skinned, Lena remains in denial about her Aboriginal heritage; Vaughn is an angry young man with a grudge against all whites. Quests usually involve characters such as a knight, a dangerous road, a Holy Grail, a dragon, an evil knight, and a princess.
We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination. When she breaks away, she meets up with petty criminal Vaughn who's just escaped from low security prison to reluctantly visit his dying mother. Both Lena and Vaughn have a hard protective shell that's not easily cracked. En route she meets Vaughn, Damian Pitt, who's escaped from a prison farm to visit his sick mother. Co: Australian Film Finance Corporation, Autumn Films Prod: Teresa-Jayne Hanlon Dir: Ivan Sen Scr: Ivan Sen Phot: Allan Collins Ed: Karen Johnson Prod. Lena Hall has an absent Irish father she longs to see and an Aboriginal mother she finds disgusting.
