Kathy peiss. Discussing Beauty with Kathy Peiss — The Fashion Studies Journal 2022-10-27
Kathy Peiss is a historian and scholar of American culture, with a particular focus on the history of gender and sexuality. She is the author of several books on these topics, including "Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York" and "Hope in a Jar: The Making of America's Beauty Culture."
Peiss received her Bachelor's degree from the University of Pennsylvania and her PhD from the University of California, Berkeley. She began her academic career as an assistant professor of history at the University of Massachusetts, Amherst, and has also taught at the University of Pennsylvania, where she is currently a Professor of History.
One of Peiss' most influential works is "Cheap Amusements," in which she explores the leisure activities of working-class women in New York City at the turn of the 20th century. She argues that these women, who were often immigrants or the daughters of immigrants, used leisure activities such as dancing, theater-going, and beauty culture as a way to assert their independence and create a sense of community. Peiss also examines the ways in which these leisure activities were shaped by gender, class, and race, and how they helped to create a new urban culture in the United States.
Peiss' second book, "Hope in a Jar," looks at the history of the beauty industry in the United States from the late 19th century to the present. She traces the development of the industry and its impact on women's lives, as well as the ways in which it has been shaped by cultural ideals of femininity and beauty. Peiss also examines the influence of advertising and the media on women's beauty practices, and the role that race and ethnicity have played in the beauty industry.
In addition to her work as a historian and scholar, Peiss is also actively involved in public history and the promotion of women's history. She has served as a consultant for museums and exhibitions on the history of women and has given numerous talks and lectures on these topics.
Overall, Kathy Peiss is a leading figure in the field of American cultural history, with a particular expertise in the history of gender and sexuality. Her work has made significant contributions to our understanding of the ways in which leisure activities, beauty culture, and the media have shaped the lives and identities of women in the United States.
Question 6: I am persuaded by you that women who were feminists did enter the world of advertising and did participate in developing marketing strategies to convince women to buy goods. Women, like Helena Rubinstein, Elizabeth Arden, and many others, have been incredibly important as entrepreneurs. Cheap Amusements is a fascinating discussion of young working women whose meager wages often fell short of bare subsistence and rarely allowed for entertainment expenses. Beyond their growing independence as consumers, how have women shaped the beauty industry? Doctor of Philosophy, Brown University, 1982. She has also lectured at the University of Sydney as a Fulbright Senior Specialist.
Career Instructor Rutgers University, New Brunswick, New Jersey, 1980-1981. With Information Hunters, Peiss trains her critical gaze on the pivotal World War II period to discern the individuals and factors that influenced how information would be managed and shared in a radically reconfigured world. Librarians and archivists working within the Monuments, Fine Arts, and Archives MFAA division of the US Army struggled with millions of moldering scrolls and rare books, rescued from caves and bombed-out buildings across the continent, at the Rothschild Library and Offenbach Documents Archive in Frankfurt. Kathy Peiss is the Roy F. Question 7: I think of The Bell Jar and of Sylvia Plath going to New York to work for Mademoiselle, Glamour -- some serious comments.
Kathy Peiss (Author of Cheap Amusements)
Information Hunters: When Librarians, Soldiers, and Spies Banded Together in World War II Europe. Working with the military and intelligence agencies, they fostered new approaches to information, pushed for the internationalization of American book collections, and played key roles in the denazification and restitution of book collections after the war. Peiss attempts to untangle the historical morass of how the Allies, from the West and the Soviet Union, dealt with the millions of volumes of Nazi propaganda, fascist-era popular literature, and usable scholarly and scientific publications. She has written and lectured on American women's history and cultural history for fifteen years. Love Across the Color Line, on an interracial romance in Massachusetts in the early twentieth century, was published in 1996. Peiss uses the rapidly evolving work of the IDC and other agencies to highlight fascinating individuals including Adel Kibre 42. Peiss Mother: Evelyn Schwartz Peiss Spouse: Peter A.
Her book Zoot Suit: The Enigmatic Career of an Extreme Style 2011 , received the 2012 Millia Davenport Publication Award of the Costume Society of America. Click on the icons following each question to link to Peiss' oral response available in two audio file versions, for slow and fast internet connections. Her research has examined the history of working women; working-class and interracial sexuality; leisure, style, and popular culture; the beauty industry in the U. Peiss has consulted on documentary films and museum exhibits, including a Smithsonian Institution show on costume and gender, for which she coauthored the exhibition booklet. Master of Arts, Brown University, 1977.
Kathy Peiss Biography, Age, Height, Husband, Net Worth, Family
Searching for vital intelligence behind enemy lines, inventing essential technology in the nick of time, and saving priceless relics from unknown and treacherous fates: librarians and other pioneers on the leading edge of information science take center stage in a global clash between democratic freedom and authoritarianism in Information Hunters. You can use eyeliner in a way that mostly blends in, you can use shadowing, but when it comes to color, eye makeup conveys something that seems more artificial than reddening your lips or brushing on blush. Assistant professor University Maryland, Baltimore, 1981-1986. Her research focuses on the history women in the workplace, the history of American sexuality, and gender. Question 8: I just wanted to ask about home economics courses. The early twentieth century witnessed the emergence of "heterosocial companionship" as a dominant ideology of gender, affirming mixed-sex patterns of social interaction, in contrast to the nineteenth century's segregated spheres. With carefully constructed chronologies of bureaucratic and agency development befitting a social history, Peiss includes thefts and duplicitous subterfuges, ethical lapses and impossible choices to keep the excitement of wartime stories in place for readers not enthralled enough by the uncertain fates of looted manuscripts, cataloguing breakthroughs for indexing reams of journals and newspapers and pulp novels, or rapid advances in field imaging for microreproduction.
Kathy Lee Peiss (born January 25, 1953), American history educator
She is particularly interested in the ways that culture shapes the everyday lives and popular beliefs of Americans across time. It seemed to be a big economic incentive, and certainly by the second half of the century. Her book Zoot Suit: The Enigmatic Career of an Extreme Style 2011 , received the 2012 Millia Davenport Publication Award of the Costume Society of America. Something about the sociability of working in factories and department stores, as opposed to the home, was really meaningful to women. She has been particularly interested in the ways that culture shapes the everyday lives and popular beliefs of Americans across time. How do you think the cosmetics industry has progressed during the last 100 years? Working with the military and intelligence agencies, they fostered new approaches to information, pushed for the internationalization of American book collections, and played key roles in the denazification and restitution of book collections after the war. Between astounding numerical analyses and dramatic photographs, readers are confronted with calamitous carnage enacted upon Jewish cultural heritage and the invaluable libraries of Europe.
Kathy Peiss. Information Hunters: When Librarians, Soldiers, and Spies Banded Together in World War II Europe .
. Two versions of each audio file are available -- one for slow modem access, and one for faster internet connections. In the World War II period, women were called upon to look beautiful as a morale booster. Peiss allows the evolution of information-gathering entities and military intelligence roles for the various cultural professionals, from journalists and booksellers to anthropologists, to convey the unfolding of the war and postwar conflict. Age, Biography and Wiki Kathy Peiss was born on 25 January, 1953 in Greenfield, Massachusetts, United States, is an American historian b. Her work has looked at issues of agency among women and minority groups in early modern America, including Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York, published in 1982.
Associate professor University Massachusetts, Amherst, 1986-1992. . Nichols Professor of American History at the University of Pennsylvania. Question 1: Did women play a role in defining women by playing a role in what was actually produced, or what was provided the consumers -- thinking now to focus test groups that we have today that actually shape what's produced? She is the author of Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York and Hope in a Jar: The Making of American Beauty Culture, a finalist for the Los Angeles Times Book Award. Question 11: You can also see that in business magazines like Fortune and Business Week there's a shift around the fifties from more industrial advertisements to more consumer-oriented ones.
Discussing Beauty with Kathy Peiss — The Fashion Studies Journal
So, how much is Kathy Peiss worth at the age of 69 years old? Peiss focuses on Europe and the collecting, imaging, indexing, and analysis work along the ever-shifting frontlines and in the aftermath of the Holocaust. Kathy Peiss is the Roy F. For 70 years, American Heritage has been the leading magazine of U. Can you speak to how the idea of makeup as transformative is a quintessentially American ideal? Kathy Peiss follows working women into saloons, dance halls, Coney Island amusement parks, social clubs, and nickelodeons to explore the culture of these young women between 1880 and 1920 as expressed in leisure activities. Do you find any who felt uneasy about it? Over the 20th century, there is greater sexualization of models and cosmetics, although you can already see it back in the 1920s.
The magazine was forced to suspend print publication in 2013, but a group of volunteers saved the archives and relaunched it in digital form in 2017. Cosmetics were often seen as signs of immorality, but these young women rejected that. Do you find women played any part in this effort to get women to ride bicycles? She examines the uniquely appropriate skill sets and vital contribution of librarians and archivists while highlighting the intrigue and daring escapades of some of them working alongside spies in neutral places, such as Lisbon, and on or near the front lines in Poland, France, and ultimately Germany. What did young, independent women do for fun and how did they pay their way into New York City's turn-of-the-century pleasure places? They saw makeup as something to embrace, a mark of a new, modern self. She has been honored to receive the Ira H. At least in terms of the cosmetics industry, eye makeup was actually the hardest kind of makeup to sell. As a whole field, in the nation, they don't call it home economics.