Computers have had a profound impact on our lives in the past few decades. They have changed the way we work, communicate, and access information, and have made many tasks faster and more convenient.
One of the most significant ways in which computers have changed our lives is by revolutionizing the way we work. With the advent of the internet and the proliferation of computers in the workplace, it is now possible for people to work remotely and collaborate with colleagues from anywhere in the world. This has greatly increased productivity and has also made it possible for people to have more flexible work arrangements.
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Another major way in which computers have changed our lives is by providing us with access to vast amounts of information. With the internet, we can find answers to almost any question we might have, and we can also access a wealth of knowledge on almost any topic imaginable. This has made it easier for people to learn new things and has also made it possible for people to stay up-to-date with current events and news.
Overall, it is clear that computers have had a significant impact on our lives. They have changed the way we work, communicate, and access information, and have made many tasks faster and more convenient. As technology continues to evolve, it is likely that computers will continue to shape and change our lives in new and exciting ways.
Commentary on ‘Pied Beauty’ by Hopkins
He glorifies the infinite power of God to create the vicissitudes of things and also for the power to bring uniformity despite the diversity. Yet, as immediately delightful as the poem sounds, its meaning baffles. Wordsworth underlines the value of nature to a person's intellectual and spiritual growth time and time again. The differences in men are profound as well: personalities, colors, cultures, physical attributes. In this case, Hopkins has reduced the octet to six lines and the sestet to four and a half lines. This is exactly what Hopkins is about here: he is trying to show us that there are contradictions within things even in words. As a religious man, he turns his attention to the specific qualities of nature.
You can tell because a distinct change in the triadic rhyme scheme occurs between line six and seven: abcabc dbcdc. In reality, when he is in a lovely valley, the speaker wishes to benefit from nature since he is tired of the present and traditional religious doctrines. He was a keen observer of all things natural. Both poems are sonnets, which make use of highly sensual imagery and adjectives conveying their different views. Literary devices Using the sounds of particular initial consonant sounds, the poem becomes more musical and flowing. Sprung rhythm does not follow the traditional metrical pattern rather its pattern is the pattern of themes which means it carries the theme. Hopkins took a daytrip there in 1881, and the brief visit inspired the poem.
These lyrics express the speaker's love of nature and the cures it offers for contemporary troubles.  within the context of a Victorian age that valued uniformity, efficiency, and standardization, this theological notion takes on a tone of protest. All the things in the universe contain the pied beauty. The form of the poem is called a curtal sonnet, meaning a shortened or contracted sonnet. The people, who witness the manifestations of the natural world experience lofty, elevated ideas and strong feelings, whether they are the highest mountain or the simplest flower. Somewhere there is internal rhyme which is sprung rhythm and brings the theme of the poem.
Analyze the poem "Pied Beauty" by Gerard Manley Hopkins.
In fact, to give further credence to the idea of compression used here, the poem actually reads like a ten line sonnet! Blue skies, for example, may display streaks of white or gray or the colors of the sunset or sunrise. The kind that, being leavened, sets the soul out to rise: we break it to keep ourselves whole. Hopkins then mentions the birds with their variety of feathers. Perhaps he is contrasting and juxtaposing his own intentional praise of God in this poem with the finches instinctive song of praise. He uses very few verbs and this is accommodated by his repeated use of the semi-colon. All things counter, original, spare, strange; Whatever is fickle, freckled who knows how? The vicissitude of his creations and their continuous flux in nature is juxtaposed with the changeless nature of God.
Therefore, in this poem, there are five stressed syllables to each line, with two in the final line. The final five lines are a masterclass in the compression of ideas: God creates all the varying contrasts in life, all things odd, original, spotted. Catherine Phillips Oxford: Oxford University Press, 2009 , 232. Trades — all the work is done by people — need tools and equipment and therefore the speaker reaffirms the work of God within the regular their gear and tackles and trim.  the entire spectrum of nature altogether its beauty is germinated by Him, who deserves  praise. Admittedly, the very properties that Hopkins admires in creation—changeability, multiplicity, and particularity—are signs that creation is not divine in nature. In addition, the landscape is pieced, plotted, fold, follow and ploughed.
He makes observations about how the world and everything in it is subject to change aside from God's beauty. In this short poem, Hopkins appreciates the strength of the god in the universe. But the deity that fathered all of these things does not change.  search at the colors then inspects  the cattle within the field. His use of comma and semi-colon, compound words, alliteration and simile are examples of his craft.
There are so many types of landscapes. From the flora, fish, birds, man—all are varied, streaked, freckled. There are things that change color by seasons or freckle in the summer. It expresses the theological position that the good variety within the wildlife may be a testimony to the right unity of God and therefore the infinitude of His creative power. His words and phrases are actions as well as sounds, ideas and images. The ending of the poem has juxtaposition.
Pied Beauty by Gerald Manley Hopkins: Summary and Analysis
All these also give glory to God. Few folks these days can provide an off-the-cuff description of a European finch, or a newly-fallen chestnut, or a brown trout. Gerard Manley Hopkins, S. In coming to our own interpretation of the poem we must not forget the music, and his appeal to our sense of sight, hearing, taste, touch and smell. This poem, too, like many others is full of God — it is, in fact, a prayer, a spiritual meditation. His curtal sonnet is an exceptional sonnet where he minimizes the traditional form of a sonnet by reducing the eight lines in six and the six lines sestet into four and a half. Maybe the message is that variety is the spice of life! Thirty years after Pied The word pied is defined as markings of two or more colors.
With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change: Praise him. Lines five and 6 then serve to attach these musings to human life and activity. For that reason, he uses the rhythm as sprung rhythm. Multiplicity is there in the pattern, somewhere there is alliteration. There are only ten and a half lines instead of the usual fourteen lines and unlike the usual sonnet, which is concerned with the number of syllables, Hopkins here is only concerned with stressed syllables. . Aggregated together, these contribute to a larger stylistic duality: the simple complexity of his verse.
