Frank hurley discovery. Frank Hurley, the man who defined early Antarctic exploration 2022-10-31
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Frank Hurley was a pioneering Australian photographer and filmmaker who is best known for his work as the official photographer on Sir Ernest Shackleton's Imperial Trans-Antarctic Expedition (1914-1917) and the Australian Imperial Force during World War I. His images of these expeditions and conflicts have become iconic and have helped to shape our understanding of these historic events.
Born in Sydney in 1885, Hurley began his career as a photographer at the age of 16, working as an apprentice to photographer Henry King. He quickly developed a passion for the medium and began to experiment with various techniques, including the use of panoramic cameras and time-lapse photography.
Hurley's work first gained widespread attention in 1911, when he was commissioned to photograph the Mawson Antarctic Expedition. His striking images of the harsh and unforgiving landscape of Antarctica helped to establish him as a leading photographer of the time.
In 1914, Hurley was recruited as the official photographer for Sir Ernest Shackleton's Imperial Trans-Antarctic Expedition, which aimed to make the first crossing of the Antarctic continent. The expedition was beset by challenges, including the loss of the expedition ship, the Endurance, which was trapped and eventually crushed by ice. Despite these challenges, Hurley managed to capture some of the most iconic images of the expedition, including his famous photograph of the Endurance being crushed by the ice.
During World War I, Hurley served as an official war photographer for the Australian Imperial Force, documenting the experiences of Australian soldiers on the Western Front. His images of the war, including his iconic photograph of the charge at Beersheba, have become some of the most enduring images of the conflict.
Hurley's work has had a lasting impact on the way that we understand and remember these historic events. His images are a testament to his skill as a photographer and his ability to capture the beauty and the horror of these expeditions and conflicts. Today, his work continues to inspire photographers and filmmakers around the world.
Frank Hurley in Papua
When invited to photograph the activities of Anglican missions in Papua in the early 1920s he saw an opportunity to photograph and film what he viewed as an exotic and savage land — and advance an already successful career. He was certainly a perfectionist dedicated to photography and film making. It means to take a spontaneous journey whether it is planned or unplanned to experience new things and to gain knowledge. Retrieved 9 November 2018. There were no villages to be seen but an undeterred Hurley photographed river scenes while McCulloch collected biological specimens. For this expedition, Hurley used two seaplanes brought from Sydney and a boat, the Eureka, chartered in Papua. Hurley travelled the world in 1920s, capturing faces, landscapes and wildlife as he went.
The local people also helped Hurley by carrying his heavy photographic equipment and transporting him by canoe to remote places where government and missionary vessels could not reach. Within each of these texts discoveries are shown to be sudden and unexpected or deliberate and planned, confronting and provocative, and lead to new values and stimulate new ideas. Letters sent between them are shown in the documentary to humanise the photographer. The planes caused a sensation in Port Moresby as they were the first to be seen in the colony. Additionally, Hurley's personal diary is shared with the audience in order to capture his thoughts and feelings throughout the dramatic events in his life. This is evident in the three texts, Go Back to Where you Came From a docu-reality show which aired on SBS in 2011, Alice in Wonderland a film composed by Danny Elfman in 2010 and This Lime-tree Bower my Prison a poem written by Samuel Taylor Coleridge in 1797.
. I am sending in 150 negatives this week. To his dismay, Shackleton insisted the glass plates were too heavy to carry as the party struggled to drag their lifeboats to open seas. Art not game for Moby-Dick? Through both texts, we are able to experience the way an audience is impacted from rediscovering something that has been concealed. Antoinette had to support herself and two daughters almost completely by herself while her husband travelled constantly.
Portrayal of the Theme of Discovery in the Documentary Frank Hurley and Short Story Big World
Accompanying him was biologist Allan McCulloch, who would collect natural history specimens and artefacts for the Australian Museum. The documentary is also used regularly to judge Hurley's character and his desperation at certain points in his life. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. The outlook of an individual strongly influences the impact a discovery has on that person, and how they choose to perceive and react it. A year later Hurley was filming Aussie troops in the trenches at Passchendaele where he captured many memorable images of mud, camaraderie and death.
To Hurley, the risk was always worth the picture. The remaining 150 plates thus acquired a priceless status. Winton demonstrates that discovering for the first time can lead to new perceptions of oneself and others, allowing for intellectual and emotional growth. This river connects Lake Murray to the coast, meandering for several hundred kilometres across low-lying swampy land. Furthermore, the documentary continually contrasts both perceptions of Hurley in order to capture both sides of the argument. Frank Hurley, Diary 1, 29 August 1922 In 1922 Hurley returned to Papua on a privately funded, though officially approved, venture to improve the film he created on his first trip.
After several days meeting government officials and visiting local villages he sailed on the Tambar toward the eastern tip of Papua. In The Man Who Made History , Nasht questions the true role of photography, presenting two sides; one that photography is meant to be historic and a realistic snapshot of the subject and the other with a more artistic and emotional representation of the subject. He wrote that he would dress in civilian clothes and eavesdrop on soldiers who were visiting his exhibitions; he concluded that the composites were justified by the favourable comments they attracted. Driven by exploration and innovation, our company is built on the life and values of polar titan Sir Ernest Shackleton and exists to inspire, prepare and equip people for the challenge. State Library of NSW. Thus, we can see that the emotional appeal of discoveries allows for its commodification and mass consumption creating unvaried rediscoveries by individuals across. Frank Hurley lived an extraordinary life of adventure that straddled the Heroic Age of Discovery and the social political upheaval wrought by World War One.
The transformative qualities of discovery allow readers and viewers of texts to relate to this universal topic. Australia: National Library of Australia. The Mise-en-scene in these interviews is a family home, but the background is darkened to symbolise the lack of a complete family home environment, making the audience empathetic towards the daughters. However, initial discoveries are difficult as they can challenge the values of the discoverer. They will not allow composite printing of any description, even though such be accurately titled nor will they permit clouds to be inserted in a picture. One dares not venture off the duckboard or he will surely become bogged, or sink in the quicksand-like slime of rain-filled shell craters. Hurley was also the official photographer on Endurance in 1915.
Once discovery is created, previous perceptions of the world and our interactions with others may be reassessed. Everywhere the ground is littered with bits of guns, bayonets, shells and men. Retrieved 5 October 2018. Riis came from Scandinavia as a young man and moved to the United States. Follow in the footsteps of record-breaking leaders with Shackleton Challenges, expedition experiences in the worlds toughest destinations. He kept only a hand-held Vest Pocket Kodak camera and three rolls of film and for the rest of the expedition, he shot a total of just 38 images.
What he captured, however, was hell on earth. From snowdrift to shellfire: Capt. To think that these fragments were once sweethearts, maybe, husbands or loved sons, and this was the end. Written by Michael Smith. Home of the Blizzard, using his footage from the expedition.