Hidetora ichimonji. Reckless Pursuit of Hegemony Inevitably Leads to Downfall 2022-10-28
Hidetora Ichimonji is a complex and tragic character from the classic Japanese film "Ran," directed by Akira Kurosawa. Hidetora is the aging patriarch of a powerful samurai family, and the film follows his descent into madness and self-destruction as he struggles to come to terms with his own mortality and the changing political landscape of feudal Japan.
At the beginning of the film, Hidetora is a powerful and respected figure, ruling over his family and domain with an iron fist. He is proud and arrogant, confident in his own strength and authority. However, as he grows older and begins to contemplate his own death, Hidetora becomes increasingly paranoid and erratic, struggling to maintain his grip on power and control.
As Hidetora's mental state deteriorates, he becomes increasingly isolated and disconnected from the world around him. He alienates his sons and advisers, lashing out at anyone who challenges his authority or suggests that he step down from his position. He is haunted by memories of his past mistakes and the people he has wronged, and is consumed by a deep sense of guilt and regret.
Despite his flaws, Hidetora is a complex and nuanced character, and it is impossible not to feel some measure of sympathy for him as he spirals into madness. His descent into madness is a powerful metaphor for the human fear of death and the struggle to come to terms with our own mortality. In the end, Hidetora's tragic fate serves as a cautionary tale about the dangers of ego and the importance of humility and self-awareness.
Reckless Pursuit of Hegemony Inevitably Leads to Downfall
Rewatch Value 10 This movie is obviously great for two reasons: is a Shakespeare´s King Lear adaptation, and is directed by Akira Kurosawa. Whereas in King Lear the character of Gloucester had his eyes gouged out by Lear's enemies, in Ran it was Hidetora himself who gave the order to blind Tsurumaru. He sits down and tells the group he has had a vision that he was in a wilderness, alone. Ran follows the warlord Ichimonji as he makes the same decision, but between his three sons. Ran "may be as much about Kurosawa's life as Shakespeare's play".
Ran Part 1 Summary and Analysis
Hidetora is to retain the title of Great Lord and Jiro and Saburo are to support Taro. King Lear is a play about undeserved suffering, and Lear himself is at worst a fool. After Saburo's army enters Jiro's territory to find Hidetora, Jiro hastily mobilizes his army. However, she never returns. Meanwhile, left alone in the castle ruins, Tsurumaru trips, dropping the Amida Buddha image Sue had given to him. Ichimonji asks Kyoami to bring arrows over, which he hands over to his sons one by one, telling them to break them in two. Ran, Lady Kaede, Lady Sue, and Tsurumaru were all victims of Hidetora.
Listening to my music can be compared with walking through a garden and experiencing the changes in light, pattern and texture. Retrieved June 14, 2017. He now regards KAGEMUSHA as a sort of "dress rehearsal" for RAN, an attempt to work out themes and ideas and perhaps even to demonstrate the viability of a grand-scale period film. Retrieved 22 May 2020. It is not only the cinematography that sets the scene for the film, but also the score, composed by Toru Takemitsu.
He is advised against going to battle due to social and economic unrest in the land. Saburo insists that he is worried more about his father than about himself. Ichimonji is shocked, and calls Saburo a traitor. She shames him for not being more assertive, and he immediately goes to reclaim the family banner. If I had to point out only ONE thing that could be seen as negative for some, is that it is slow paced, especially in the first act.
Saburo expresses the fact that he does not respect the violence that constitutes the kingdom he is inheriting, but this only angers his father more. He assembles a group around him, and makes a speech. The plot concerns the suspicions, paranoia, and competition that attends the passing down of power from one generation to the next. King Lear should be required viewing for fans of westerns, war movies, or period films in general. Primarily that years of long-term strategic planning can be undone in a moment of rashness and recklessness.
Hidetora Ichimonji, a powerful though now elderly warlord , decides to divide his kingdom among his three sons: Taro, Jiro, and Saburo. Ichimonji sits down to make an announcement in front of his sons, and the lords, Fujimaki and Ayabe. Saburo's arquebusiers annihilate Jiro's cavalry and drive off his infantry by engaging them from the woods, where the cavalry are unable to venture. Tango encounters former spies and before killing them, he is informed that Jiro is considering sending assassins after Hidetora. Saburo, however, points out that Hidetora is foolish if he expects his sons to be loyal to him, reminding him that even Hidetora had previously used the most ruthless methods to attain power.
An Analysis of great Lord Hidetora Ichimonji
Retrieved 23 May 2020. Takeda Shingen was a brilliant strategist who led his clan to numerous victories. . He related: 'My music is like a garden, and I am the gardener. It is one of the noblemen, Fujimaki, who suggests that he wants to marry his daughter to Saburo, given the courageous display he made in front of his father. At the Ichimonji castle, Taro's wife, Lady The scene shifts to Taro and Kaede in their new home in the castle. This movie portray perfectly how power struggles can change people and destroy families, so yes is a tragic story about power and human´s desires.
Hidetora infers the comments to be subversive, and when his servant Tango comes to Saburo's defense, he exiles both men. Kyoami, the court Later, Hidetora and his retinue are attacked by Taro and Jiro's combined forces. Kyoami and Tango, still loyal to Hidetora, find him and stay to assist. On the contrary, this confluence of factors demands more wisdom, forethought, and sagacity if the U. The score expertly highlights the dramatic and emotional landscape of the film from the first moments. The movie starts with Hidetora Ichimonji, the elderly ruler of the Ichimonji Clan, deciding to abdicate his authority and pass on the reigns to his eldest son. That night, in front of a fire, Kyoami does a comedic dance for the subjects and Ichimonji that makes fun of the power struggle in the kingdom, particularly Taro's muted authority.