Coleridge frost at midnight. Sibylline Leaves (Coleridge)/Frost at Midnight 2022-10-21
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"Frost at Midnight" is a poem written by Samuel Taylor Coleridge in 1798. It is a contemplative poem in which the speaker reflects on the quiet and peaceful nature of a frosty winter night.
The poem begins with the speaker sitting alone in his cottage, surrounded by the stillness of the night. He looks out at the frost-covered landscape and marvels at the beauty of the ice crystals that sparkle in the moonlight. He is struck by the peacefulness of the scene, and he feels a sense of calm and solitude as he contemplates the world around him.
As the poem progresses, the speaker reflects on the passage of time and the fleeting nature of life. He thinks about his own childhood and the memories that he has of his own father reading to him by the fireside. He wonders about the future and what his own children will be like.
In the final stanza, the speaker turns his thoughts to nature and the way in which it reflects the state of the human soul. He observes that the frost, like the human heart, can be both beautiful and destructive, and he reflects on the way in which the natural world can bring both joy and sorrow.
Overall, "Frost at Midnight" is a thoughtful and meditative poem that explores the beauty and solitude of a winter night. It invites the reader to consider the passage of time and the changing nature of life, and it encourages us to take a moment to appreciate the peacefulness and beauty of the world around us.
Frost At Midnight Quotes by Samuel Taylor Coleridge
He producing other important works, such as Aids to Reflection 1825 , and became known as the "sage of Highgate" for the power and influence of his conversation. Sea, and hill, and wood, With all the numberless goings-on of life, Inaudible as dreams! It was also a very conservative area, and Coleridge and the Wordsworths soon fell under suspicion for their radical views, especially after they entertained a visitor from London in July 1797, John Thelwall, who had been one of the acquitted defendants in the Treason Trials of 1794. How oft, at school. Sea, hill, wood, this populous village, with all their innumerable activities are as silent as dreams. Wordsworth frankly disliked it after the reviews came in, but Lamb led the way in appreciating its odd mix of romance and realism.
Coleridge was delighted by his birth, and observed his growth carefully. Coleridge's nature has a Christian presence and nature is a physical presence of God's word. There is no wind and the frost is settling unseen. It was an uncomfortable homecoming on several counts. Hence its tangled condition.
Dear Babe, that sleepest cradled by my side, Whose gentle breathings, heard in this deep calm, Fill up the intersperséd vacancies And momentary pauses of the thought! Despite the difficulties, this was a time of rare promise for the young writer. At the beginning of the poem, the speaker, Coleridge himself, is sitting inside his cottage beside his sleeping child on a cold winter night. Coleridge says that people should be able to find evidence of God in all things. Methinks, its motion in this hush of nature Gives it dim Making it a companionable form, Whose puny flaps and freaks the idling Spirit By its own Echo or mirror seeking of itself, And makes a toy of Thought. He moved to Greta Hall at Keswick the following year, while making regular visits to London and working as a writer for the Morning Post.
One specific episode formed the conclusion of the first version of the poem, removed from later editions. Its influence rings clear in Look, Stranger! But, of course, general also means universal—spiritual wisdom and poetic language fuse different forms and reveal their commonality. In the summer of 1798 the agent of Alfoxton refused to renew the lease, one factor that prompted Coleridge and the Wordsworths to make their visit to Germany. Its roots lie in a long meditation on language, not in a philosophically derived faculty of imagination. He was confined all the time in dim cloisters and could not see any beautiful sights of nature except the sky and the stars. Each issue examines the relationship of theory and research to classroom practice, and reviews current materials of interest to English teachers, including books and electronic media. His child is sleeping peacefully in a cradle by his side.
Frost at Midnight by Samuel Taylor Coleridge: Summary & Analysis
Mysteriously tumultuous, the silence invites the poet into a world of mimetic possibilities in which forms are not confined to their own limits. His move with Sara to Clevedon, Somersetshire, along the Bristol Channel, in October 1795 was a change of air though not of social context. There is nothing to disturb the harmony of his mind. So gazed I, till the soothing things, I dreamt, Lulled me to sleep, and sleep prolonged my dreams! The speaker thinks about his own youth before turning to his hopes for his young child's future. The flicker of the ash film reminds the reader of the delicate nature of memory and how the past is like a shadow only barely hanging on. He notices the Divine Spirit permeating through all the objects of Nature. Community after the collapse of Pantisocracy meant a wife and family, impassioned friendships based on shared concerns, and the company of kindred spirits.
Samuel Taylor Coleridge: â€œFrost at Midnightâ€ byâ€¦
His idea of poetry remains the standard by which others in the English sphere are tried. Coleridge did so on 2 December 1793 under an assumed name, fleeing debts and discouragement at college. In the earlier poems of the kind these are indicated only indirectly. Her critical interests include the influence of mythology and bardic poetry on contemporary. In the course of a solitary walk in the combes near the Bristol Channel in the fall of 1797, Coleridge took two grains of opium for the dysentery which had been bothering him for some time. He was haunted by a feeling of solitude throughout his life at school.
It is below the Quantock Hills. This meditation on language occupied Coleridge occasionally during the years between his return from Germany in 1799 and the composition of the Biographia Literaria. Poetry was his means, not his vocation. Full of the rhetorical machinery of the middling verse of the period, and often cloying in sentiment, these early poems have little in common with the work of 1795 and after, on which his reputation would be founded. As a political thinker, and as a Christian apologist, Coleridge proved an inspiration to the important generation after his own. He read Friedrich Gottlieb Klopstock and Gotthold Ephraim Lessing rather than Sturm und Drang—was the object lesson.
Sea, hill, and wood, This populous village! Active in the wake of the French Revolution as a dissenting pamphleteer and lay preacher, he inspired a brilliant generation of writers and attracted the patronage of progressive men of the rising middle class. Mary, a small town in Devon, England. Coleridge was provided, quite unexpectedly, a life annuity of 150 pounds sterling by Josiah and Thomas Wedgwood, heirs to the pottery and friends of reliable standing. An old English word for frost, rime, survived in rural northern English dialects, and in the late 18th century, around the time Coleridge was writing, it came into use once again—mostly among poets. In the exemplary setting of the new life he was undertaking, the claims of enlightenment thinking succumbed to faith.
The result has been general misapprehension about his orientation and commitments. The word extreme derives from a Latin adjective meaning far away or foreign—outside the boundaries of a given territory. At the end, the imagined future and the physical present merge. This conjunction was where Coleridge staked his claim. Princeton: Princeton University Press, 2001. In the first stanza, the "secret ministry of frost" was used as a point of anxiety and tension.
Goodson, "Kubla's Construct," Studies in Romanticism,18 Fall 1979 : 405-425. Coleridge envisions that his son will … see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters, who from eternity doth teach Himself in all, and all things in himself. What sort of reader was he, then? Wonders Map Library, University of Alberta. Richard Holmes declares that the poem "is one of the most intricately structured of all the Conversation Poems, performing a characteristic 'outward and return' movement through time and space. He will love to see the rain-drops fall from the caves and their sound is heard only when the storm stops for short-periods and silence prevails.