Langston hughes the negro artist and the racial mountain. The Negro Artist and the Racial Mountain by… 2022-10-05
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Deterrence and diplomacy are two important concepts in the field of social studies that are often used in the context of international relations and conflict resolution. These strategies are used to prevent or resolve conflicts between nations, organizations, or individuals, and they play a crucial role in maintaining peace and stability in the world.
Deterrence is a strategy that is used to prevent conflicts from occurring by making it clear to potential adversaries that the costs of engaging in aggression or other hostile actions will be too high. This can be achieved through a variety of means, including military readiness, economic sanctions, or diplomatic pressure. The goal of deterrence is to convince potential adversaries that the costs of aggression outweigh any potential benefits, thus deterring them from taking any hostile actions.
Diplomacy, on the other hand, is a strategy that involves the use of negotiations, mediation, and other peaceful means to resolve conflicts and disputes between nations or other actors. Diplomacy is often used in conjunction with deterrence, as it allows for the peaceful resolution of conflicts and helps to prevent the escalation of tensions.
Both deterrence and diplomacy are important tools in the maintenance of international peace and security. Deterrence can help to prevent conflicts from occurring in the first place, while diplomacy can be used to resolve conflicts that do arise in a peaceful and mutually beneficial manner. Together, these strategies can help to maintain stability and prevent the outbreak of violence or war.
However, it is important to note that both deterrence and diplomacy have their limitations. Deterrence can be less effective against certain types of adversaries, such as those who are willing to accept high costs in order to achieve their goals. Diplomacy can also be difficult to achieve in situations where there is a significant power imbalance between the parties involved, or where there is a lack of trust or willingness to compromise.
Despite these limitations, deterrence and diplomacy remain important strategies in the field of social studies and international relations. By understanding and effectively utilizing these tools, nations and other actors can work towards the resolution of conflicts and the maintenance of peace and stability in the world.
"THE NEGRO ARTIST AND THE RACIAL MOUNTAIN": HARLEM RENAISSANCE Flashcards
But in spite of the Nordicized Negro intelligentsia and the desires of some white editors we have an honest American Negro literature already with us. If this is so, it means that the young Negro poet understands the prevalent issue of racism in the United States at that time. But she told me a few weeks before she would not think of going to hear "that woman. In the home they read white papers and magazines. Now I await the rise of the Negro theater.
A very high mountain indeed for the would-be racial artist to climb in order to discover himself and his people. Until recently he received almost no encouragement for his work from either white or colored people. But let us look again at the mountain. They furnish a wealth of colorful, distinctive material for any artist because they still hold their own individuality in the face of American standardizations. And they themselves draw a color line. I am a Negro--and beautiful"? Now I await the rise of the Negro theater.
Analysis of Langston Hughes's Messages in His Poems: [Essay Example], 952 words GradesFixer
Hughes writes that the Black "lower classes" had the correct perspective; instead of trying to conform to white culture, members of the lower class wholeheartedly embraced their difference and allowed it to define their appreciation for art as well. But then there are the low-down folks, the so-called common element, and they are the majority---may the Lord be praised! Why do you write about black people? I understand that Charles Gilpin acted for years in Negro theaters without any special acclaim from his own, but when Broadway gave him eight curtain calls, Negroes, too, began to beat a tin pan in his honor. It holds for the children beauty, morality, and money. She wants the artist to flatter her, to make the white world believe that all negroes are as smug and as near white in soul as she wants to be. They were not sure she would have an evening gown. And many an upper -class Negro church, even now, would not dream of employing a spiritual in its services. What makes you do so many jazz poems? And they accept what beauty is their own without question.
GradeSaver, 27 October 2022 Web. We know we are beautiful. And the mother often says "Don't be like niggers" when the children are bad. The white people did not buy it. Let the blare of Negro jazz bands and the bellowing voice of Bessie Smith singing the Blues penetrate the closed ears of the colored near-intellectuals until they listen and perhaps understand. And they accept what beauty is their own without question.
The Negro Artist and the Racial Mountain by Langston Hughes
How do you find any thing interesting in a place like a cabaret? A prominent Negro clubwoman in Philadelphia paid eleven dollars to hear Raquel Meller sing Andalusian popular songs. But let us look at the immediate background of this young poet. Let the blare of Negro jazz bands and the bellowing voice of Bessie Smith singing the Blues penetrate the closed ears of the colored near intellectuals until they listen and perhaps understand. The quaint charm and humor of Dunbar's' dialect verse brought to him, in his day, largely the same kind of encouragement one would give a sideshow freak A colored man writing poetry! The fine novels of Chesnutt go out of print with neither race noticing their passing. And I doubted then that, with his desire to run away spiritually from his race, this boy would ever be a great poet. An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he must choose. They are afraid of it.
But let us look again at the mountain. If the people who engage with their art enjoy it, then the artist is glad. But let us look at the immediate background of this young poet. So I am ashamed for the black poet who says, "I want to be a poet, not a Negro poet," as though his own racial world were not as interesting as any other world. The drab melodies in white folks' hymnbooks are much to be preferred. If colored people are pleased we are glad. The father is perhaps a doctor, lawyer, landowner, or politician.
“The Negro Artist and the Racial Mountain” by Langston Hughes
Our folk music, having achieved world-wide fame, offers itself to the genius of the great individual American composer who is to come. The father is perhaps a doctor, lawyer, landowner, or politician. In the North they go to white theaters and white movies. The road for the serious black artist, then, who would produce a racial art is most certainly rocky and the mountain is high. Hughes says that the poet's statement reflects his upbringing, which has been one that encourages assimilation into dominant white society rather than a celebration of Blackness and Black culture.
And now she turns up her nose at jazz and all its manifestations--likewise almost everything else distinctly racial. To these the Negro artist can give his racial individuality, his heritage of rhythm and warmth, and his incongruous humor that so often, as in the Blues, becomes ironic laughter mixed with tears. Jazz Hughes uses jazz as a symbol of Black culture and its vitality. Buy Study Guide The Mountain Hughes uses the "racial mountain" as a symbol for the difficulties a serious Black artist must overcome in order to achieve their goal of impactful art. These common people are not afraid of spirituals, as for a long time their more intellectual brethren were, and jazz is their child. Let Paul Robeson singing "Water Boy," and Rudolph Fisher writing about the streets of Harlem, and Jean Toomer holding the heart of Georgia in his hands, and Aaron Douglas's drawing strange black fantasies cause the smug Negro middle class to turn from their white, respectable, ordinary books and papers to catch a glimmer of their own beauty. A frequent phrase from the father is, "Look how well a white man does things.
Langston Hughes, The Negro Artist and the Racial Mountain, 1926
Hughes was aware of the social limitations placed upon his people, and his poetry became his outlet to have the voice of an activist. A small donation would help us keep this available to all. NOTES 1 Hughes is likely referring to Countee Cullen 1903-1962 , a classically trained African American writer whose poems largely adhered to European traditions of form and meter. Also Hughes response regarding poets in general was that the racial world of black people are just as interesting as any other world. I am as sincere as I know how to be in these poems and yet after every reading I answer questions like these from my own people: Do you think Negroes should always write about Negroes? GradeSaver, 26 September 2022 Web. While being in fashion has brought newfound and much-deserved attention to Black artists, however, Hughes insists it has become a double-edged sword in which greater pressure is placed on Black artists to assimilate to white cultural standards.
