The metamorphosis summary by franz kafka. The Metamorphosis by Franz Kafka 2022-10-20
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The Metamorphosis Part 2 Summary & Analysis
He remains motionless through the night, thinking to himself all the while that he must go away to relieve them of their suffering. His family members are exhausted from working, and Gregor feels neglected. Let us return to Gregor's conflict. His boss, the Chief Clerk, arrives, and scolds him for his tardiness and strange behavior, even suggesting that his job might be in danger. How bad the situation is, and how to deal with the economic situation and so forth! Point of View and Poetic Techniques in The Metamorphosis Narrative Point of View As a modernist novel, there are several techniques that will likely be familiar with in The Metamorphosis. The theme of imprisonment is woven throughout the story.
At some point, Gregor drags a bedsheet to cover himself under the couch, a move that seems to give her relief. So the effect of this opening paragraph is to play down, as soon as it has been introduced, the shocking revelation that a man has been turned into a beetle or similar creature. But, Grete drifts away from Gregor and goes back to focus on her own life and prospects. Today, Kafka is considered one of the most influential 20th century writers. The novella is divided into three parts, and it has its fair share of opening and slamming bedroom doors — as do many a situation comedy. In the meantime, he also finds out that his mother wants to visit him, but his sister and father prevent that from happening. At the end of the story, Grete's parents realize that she has become beautiful and full-figured and decide to consider finding her a husband.
Grete tells her parents that they must get rid of Gregor or they will all be ruined. Read a brief 1-Page Summary or watch video summaries curated by our expert team. By ignoring or negating his state, he can, of course, in no way eliminate it. Another one however, immediately following it, hit squarely and lodged in his back. The further away they get, the livelier they feel. As they reach their stop, Grete stands and stretches. He burnt up to 90% of everything he published, even The Trial and The Castle after he died.
They are all afraid of what has become of their son and want nothing more than for him to continue working as they have always done because they cannot afford anything else financially. Development Franz Kafka experienced his own childhood and youth as bleak and humiliating. But he soon gets a grip on himself again, driving his son back into the bedroom with the stick the chief clerk left behind. Although he briefly considers this transformation, he quickly turns his thoughts to his work and his need to provide for his parents he lives with them and his sister so that they can pay off their debts. It is most clear that Gregor responds to the music only now that he is not the traveling salesman he used to be, even though he is, in part, an insect. Interestingly enough, Kafka wrote in his diary in 1912 that "the love between brother and sister is but a re-enactment of the love between father and mother.
The father is cruel and thoughtless. But no one understands the speech, his family is shocked at his appearance, and the Chief Clerk runs away. His father returns from his new job, and misunderstanding the situation, believes Gregor has tried to attack the mother. The manager leaves in fright because of what has happened to Gregor, and Mr. But his feelings for Grete point to lingering feelings from his human life, as he still loves Grete and wants her to know it, leading him to imagine a tearful scene in which he locks Grete in his room and tells her he had intended to send her to the Conservatorium.
A Summary and Analysis of Franz Kafka’s ‘The Metamorphosis’
Of all the members of the family, Grete plays perhaps the most significant role in Gregor's life because with her "alone had he remained intimate. She even declares that once they get rid of him, the whole family will flourish. Grete and her parents leave the apartment and take a trolley ride to the countryside. Gregor resolves to help his family deal with the trouble he's causing them with his metamorphosis. When the door finally gets opened and Gregor is revealed to his family everyone is shocked.
He settles himself under a couch and listens to the quiet apartment. Gregor — after his metamorphosis — can be depicted only to the extent he can see and grasp himself — hence not at all or merely by implication. We are here to give a critical review of the situation, which Franz so perfectly devised. It has been argued that the epilogue is poor because it stands as a cheerful counterpoint to the tragic and absurd metamorphosis of Gregor. As an insect, Gregor cannot communicate with his family, but he does try "to return to the human circle.
The family takes a trolley ride out to the countryside, during which they consider their finances. Gregor resents their freedom and ability to enjoy the things he once did. The old cleaning lady finds his lifeless body and later gets rid of it without much further ado. His father, whose business failed and who has given up on helping his family entirely, has a large amount of debt that needs to be paid off. As Kafka puts it, "His parents did not understand this so well. The answer lies at the heart of Existentialism, there is no reason.
There is some evidence that his relationship with Grete has strong incestual overtones, as will be shown later. He craves love and understanding, but his prolonged inactivity gradually leads him to feel ever more indifferent about everything. And yes, Gregor has come to share her opinion that he must disappear. It is from there, separate from the family, that he listens to their lives carry on without him. They decide to move to a better apartment.
But that hope is apparently minimal, as it takes Grete very little effort to convince the father and mother that no remnant of Gregor, or any humanity at all, exists in the insect. Such lines as "he would never let her out of his room, at least not as long as he lived" and "he would then raise himself to her shoulder and kiss her on the neck" certainly appear in this light. The father gives no indication that he regards Gregor as the same, and attacks him as though he were a wild animal when he escapes his room. He tries to get out of bed, but he cannot maneuver his transformed body. Gregor, feeling terrible, scuttles back to his room. Gregor is entranced by the violin and slowly creeps out into the parlor. He also discovers that he enjoys climbing the walls and the ceiling of his bedroom.