Levana and our ladies of sorrow. Internet History Sourcebooks 2022-10-03
Levana and our ladies of sorrow Rating:
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1863
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Levana and Our Ladies of Sorrow are two intriguing and complex figures that have captured the imagination of many readers and writers over the years. Both are associated with the concept of sorrow and grief, and both are depicted as mysterious and enigmatic figures that hold a certain power and influence over those who encounter them.
Levana is a character from the popular science fiction series The Lunar Chronicles, written by Marissa Meyer. She is the ruler of the moon colony of Luna and is known for her ability to manipulate the emotions of others through her "glamour" powers. Levana is depicted as a cruel and manipulative character who will stop at nothing to achieve her goals, even if it means causing harm to others. She is driven by a deep resentment of Earth and its inhabitants, and she seeks to destroy the planet and enslave its people.
Our Ladies of Sorrow, on the other hand, are a group of female personifications of grief and sorrow that have been depicted in literature and art throughout history. These figures are often depicted as wearing black clothing and veils, and they are associated with the concept of death and loss. They are often depicted as mourners who are grieving the loss of a loved one, or as figures who are themselves experiencing sorrow and grief.
While Levana and Our Ladies of Sorrow may seem like very different figures at first glance, they share some important similarities. Both are associated with grief and sorrow, and both are depicted as mysterious and enigmatic figures that hold a certain power and influence over those who encounter them. Additionally, both Levana and Our Ladies of Sorrow are seen as symbols of the dark and difficult times that we all must face in life, and they serve as reminders of the importance of resilience and perseverance in the face of adversity.
Ultimately, Levana and Our Ladies of Sorrow are complex and fascinating figures that have captured the imagination of many readers and writers over the years. They remind us of the power of grief and sorrow, and they serve as powerful symbols of the resilience and perseverance that we all must exhibit in the face of adversity. So, these figures are not only interesting characters but also holds a significant moral lesson for us.
Levana and Our Ladies of Sorrow. Thomas De Quincey. 1909
Yet in the very highest walks of man she finds chapels of her own; and even in glorious England there are some that, to the world, carry their heads as proudly as the reindeer, who yet secretly have received her mark upon their foreheads. She, that would not suffer at his birth even a prefigurative or mimic degradation for her awful ward, far less could be supposed to suffer the real degradation attaching to the non-development of his powers. But the third sister, who is also the youngest! Theirs were the symbols; mine are the words. His most famous work, "The Confessions of an English Opium Eater" 1821 was based on his own experiences, and it has long held its place as a classic. Children torn away from mothers and sisters at that age not unfrequently die.
And her eyes, if they were ever seen, would be neither sweet nor subtle; no man could read their story; they would be found filled with perishing dreams, and with wrecks of forgotten delirium. And her eyes, if they were ever seen, would be neither sweet nor subtle; no man could read their story; they would be found filled with perishing dreams, and with wrecks of forgotten delirium. . She it is that night and day raves and moans, calling for vanished faces. She stood in Rama, where a voice was heard of lamentation,—Rachel weeping for her children, and refusing to be comforted.
Levana and Our Ladies of Sorrow by Thomas de Quincey
She therefore watches over human education. They spoke not, as they talked with Levana; they whispered not; they sang not; though oftentimes methought they might have sung, for I upon earth had heard their mysteries oftentimes deciphered by harp and timbrel, by dulcimer and organ. And that mysterious lady, who never revealed her face except to me in dreams , but always acted by delegation, had her name from the Latin verb as still it is the Italian verb levare, to raise aloft. These were the Semnai Theai, or Sublime Goddesses, these were the Eumenides, or Gracious Ladies so called by antiquity in shuddering propitiation , of my Oxford dreams. In what he called the "department of impassioned prose," of which the following piece is one of the most magnificent examples, he has a field in which he is unsurpassed.
This is he that once I made my darling. And her eyes, if they were ever seen, would be neither sweet nor subtle; no man could read their story; they would be found filled with perishing dreams, and with wrecks of forgotten delirium. Murmur she may, but it is in her sleep. And her eyes, if they were ever seen, would be neither sweet nor subtle; no man could read their story; they would be found filled with perishing dreams, and with wrecks of forgotten delirium. Her kingdom is not large, or else no flesh should live; but within that kingdom all power is hers. I speak of what I know.
Like God, whose servants they are, they utter their pleasure not by sounds that perish, or by words that go astray, but by signs in heaven, by changes on earth, by pulses in secret rivers, heraldries painted on darkness, and hieroglyphics written on the tablets of the brain. He then envisions a triumvirate of women, the Sorrows, who curse humanity with depression, grief and despair. These statements tended to one of two results: either they unsanctified the characters of those who founded and nursed the Christian church; or they sanctified suicide. Mutter she does at times, but it is in solitary places that are desolate as she is desolate, in ruined cities, and when the sun has gone down to his rest. She also carries a key; but she needs it little.
"Levana and our ladies of sorrow" by Thomas De Quincey
Hers is the meekness that belongs to the hopeless. Through me did he become idolatrous; and through me it was, by languishing desires, that he worshipped the worm, and prayed to the wormy grave. Do thou take him now to thy heart, and season him for our dreadful sister. Every slave that at noonday looks up to the tropical sun with timid reproach, as he points with one hand to the earth, our general mother, but for him a stepmother,—as he points with the other hand to the Bible, our general teacher, but against him sealed and sequestered;—every woman sitting in darkness, without love to shelter her head, or hope to illumine her solitude, because the heaven-born instincts kindling in her nature germs of holy affections which God implanted in her womanly bosom, having been stifled by social necessities, now burn sullenly to waste, like sepulchral lamps amongst the ancients; every nun defrauded of her unreturning May-time by wicked kinsman, whom God will judge; every captive in every dungeon; all that are betrayed and all that are rejected outcasts by traditionary law, and children of hereditary disgrace,—all these walk with Our Lady of Sighs. Hush, whisper whilst we talk of her! Banish the frailties of hope; wither the relenting of love; scorch the fountains of tears; curse him as only thou canst curse.
Yet in the very highest walks of man she finds chapels of her own; and even in glorious England there are some that, to the world, carry their heads as proudly as the reindeer, who yet secretly have received her mark upon their foreheads. Madonna moves with uncertain steps, fast or slow, but still with tragic grace. They telegraphed from afar; I read the signals. I know them thoroughly, and have walked in all their kingdoms. So shall he rise again before he dies, and so shall our commission be accomplished which from God we had, - to plague his heart until we had unfolded the capacities of his spirit. Him I led astray, him I beguiled, and from heaven I stole away his young heart to mine.
They conspired together; and on the mirrors of darkness my eye traced the plots. And her eyes, if they were ever seen, would be neither sweet nor subtle; no man could read their story; they would be found filled with perishing dreams, and with wrecks of forgotten delirium. The eldest of the three is named Mater Lachrymarum, Our Lady of Tears. See that thy sceptre lie heavy on his head. Yet in the very highest walks of man she finds chapels of her own; and even in glorious England there are some that, to the world, carry their heads as proudly as the reindeer, who yet secretly have received her mark upon their foreheads. Madonna moves with uncertain steps, fast or slow, but still with tragic grace. They conspired together; and on the mirrors of darkness my eye traced the plots.
