Who makes the journey by cathy song summary. “Who Makes the Journey” Analysis, Sample of Essays 2022-10-08
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Air pollution can have a range of negative effects on human health, including respiratory problems, heart disease, and even cancer. It can also harm the environment, damaging crops, forests, and bodies of water.
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In conclusion, air pollution is a serious problem that requires the efforts of both governments and individuals to address. By taking steps to reduce emissions and make eco-friendly choices, we can work towards cleaner air and a healthier planet.
In "Who Makes the Journey," a poem by Cathy Song, the speaker reflects on the concept of journey and the various roles that different people play in it.
The poem begins with the speaker saying that the journey is made by "the one who leaves." This suggests that the journey is initiated by someone who is actively choosing to leave their current situation and embark on a new path. This person is the driving force behind the journey, and they are the ones who will ultimately determine its outcome.
However, the speaker also acknowledges that the journey is not just about the person who leaves. It is also about the people who stay behind and support the traveler, whether it be through love, encouragement, or simply by being present. These people play a crucial role in the journey, as they provide the foundation and support necessary for the traveler to succeed.
The poem also touches on the idea that the journey is a collaborative effort, with both the traveler and those who stay behind contributing to its success. The speaker says that the journey is made by "the one who stays and the one who goes," suggesting that both parties play a vital role in the journey.
Overall, "Who Makes the Journey" is a thought-provoking poem that highlights the complex and multifaceted nature of journey. It suggests that the journey is not just about the person who embarks on it, but also about the people who support and contribute to it. It is a reminder that we all play a role in each other's journeys, and that we are all connected in this way.
Who Makes the Journey by Cathy Song
Water and wind weave a continuum, uniting generations. Some of her poems show a psychic and social range that, if much wider, would require a larger form than modern poetry with its inherited limitations can provide. When they look at the map of the world, they see their home, which is only a black dot on the map. Perhaps for the offsprings of early laborer immigrants, this "universal rebellion" took on more meaning as they strived to escape the menial life of the first generation Korean-Americans and aspired for greater and better things in life. I am reminded as I read these touching poems of two quite disparate writers, Maxine Hong Kingston and Robert Lowell. In their treatment of the life stories of their matriarchal forebears, the early picture brides, next generation women writers rarely betray bitterness or scorn towards what is unequivocally an example of the inequality of women inherent in the traditional Korean culture.
She states that literature is very hard to define and that although each reader must find his or her. Love makes us do funny things, makes us feel warm and fuzzy, hurts us, brings people together, and transforms lives. But "singing shapes" in "Hotel Genève" celebrate the acquisition of poetic language and vision, whereas in "Blue Lantern" they pay tribute to the place where this acquisition was nurtured. Picture Bride conjoins disparate traditions and celebrates those creations. Very few primary sources have been left behind by those who passed through Angel Island.
At moments her attempts to evoke this plasticity of time can disorient the reader. Song's "Black Iris" poems, like O'Keeffe's "Black Iris" painting, are about beginnings. On the other hand, Song's relation to O'Keeffe's paintings is allied to those poems in which Song speaks for and creates herself "Waialua," "Blue Lantern," "For My Brother," "The White Porch". What is learned is related to how the various human and natural resources of this environment interact. Her hands would assume a certain confidence then, as she rubbed and patted butter all over a turkey as though she were soaping and scrubbing up a baby. Since this process is continuous, the paradigmatic sense of "third world" also destabilizes our socioeconomic sense of "third world.
I have at the moment beneath my hands. Cite this page as follows: "Cathy Song - Jessica Greenbaum review date 1988 " Poetry Criticism Ed. . The process of becoming a conscious receiver, such that the meaning of an Easter egg hunt is enlarged, is further illuminated when "Easter" is paired with another poem picturing the same household, plantation setting, and weather as entrapment. Immediately following the description of the mother helping the daughter, Cathy song describes deeply the things she is doing to help her mother. The rebel finds herself in the new land, But in another wilderness, the possibilities, the loneliness, can strangulate like jungle vines.
Gale Cengage 1998 eNotes. Not only were the readers able to get a look into Chinese society but also into typical Chinese families. These characteristics are connected because her ethnic background is also the people that are in her family and the imagery she uses to convey these values highlights important details that she wants to Illustrate to the reader. The eternal fund of creative energy represented by a "white place" is also the bountifulness of pregnancy or parental love and, more generally, the bountifulness of a generosity towards people and nature. Gale Cengage 1998 eNotes. Since they are poor and have "nothing to spare," the couple refuses "the stray cat" admittance. Tacked to the walls is the sound of the clock which keeps the house from floating away.
“Who Makes the Journey” Analysis, Sample of Essays
She presents as decades ago Ezra Pound wisely advised poets to do. Her hands are active; the speaker's hands resemble the efficiently managed turkey. The second date is today's date — the date you are citing the material. This can be true of poems containing fine passages—in fact, it is true of some of those I have quoted. This is not poetry of ideas but of gestures and voices.
The vapor condensed onto the mirror like the humid windows of the flower shops we had passed, like the kitchen window, now blurred with rain. In the poem "Stray Animals," a young couple tries to "trick nature" as the poem puts it. The poem begins with a young woman enjoying a leisurely morning. Likewise, a section title like "Black Iris" suggests the theme of origins shared by all the poems included under it. Cathy Song was born and raised in Hawaii making her an American by birth right.
Cathy was born in Honolulu, Hawaii, on August 20, 1955, the middle of three children Sato. The last date is today's date — the date you are citing the material. Utamaro absorbed these women of Edo in their moments of melancholy as well as of beauty. The cryptic eyes watching the old woman refer to the people, ultimately the readers of the poem, and the mirror they are looking out of symbolizes the truth. She sees their backyard with its beautiful mountain vista and blue sky as heaven itself. There is, for example, the bride of the title poem, arriving in Hawaii from Korea to meet a stranger, 13 years older than she, who is her husband.
The Land of Bliss Song divided her fourth collection of poetry, The Land of Bliss, into four parts, each part taking its title from its last poem. Often speaking in the second person, Song projects her sensibility onto her family members' history and tries to weave a lyric from the two. Gale Cengage 1998 eNotes. In the same way, but through words rather than paint, Song synthesizes two previously unrelated objects and illuminates through this new product the nature of creativity as a fluid shaping and re-shaping of energy. In "Lost Sister," she pays tribute to one who rebelled against China's systematic repression of women by immigrating. Despite the difference of these novels, these two stories share a common theme: strong women on a journey. If her language and subjects arise from an Asian-American context, why are the five sections of Picture Bride named after paintings of flowers by O'Keeffe—"Black Iris," "Sunflowers," "Orchids," "Red Poppy," "The White Trumpet Flower"—which also title the sections of the centrally positioned poem, "Blue and White Lines After O'Keeffe"? Song, too, wants "ancestral help," to have a grandmother's life "branching into" hers Kingston.