Doctrine of affections. The Theory Of The Doctrine Of Affections 2022-10-29
Doctrine of affections
The doctrine of affections, also known as the doctrine of affectus or the affective theory of music, is a concept that has its roots in the Baroque period of Western classical music. It is a theory that suggests that music has the ability to affect the emotions and feelings of the listener, and that the composer has the ability to manipulate these emotions through the use of specific musical techniques and devices.
One of the key proponents of the doctrine of affections was the German composer Johann Sebastian Bach, who believed that music had the power to express a wide range of emotions and that the composer had the ability to communicate these emotions through the use of specific musical techniques. Bach believed that the key to achieving this emotional expression was through the use of specific musical devices such as melody, harmony, and rhythm, which he referred to as the "affections."
According to the doctrine of affections, the composer has the ability to manipulate the affections of the listener through the use of specific musical techniques. For example, a slow, mournful melody may be used to convey sadness, while a fast, energetic melody may be used to convey excitement or joy. Similarly, the use of dissonance in harmony may create a sense of tension or dissonance, while the use of consonance may create a sense of resolution or peace.
One of the key principles of the doctrine of affections is that music has the ability to evoke specific emotions in the listener. This idea is based on the belief that music is a universal language that can be understood and appreciated by people of all cultures and backgrounds. As such, the doctrine of affections suggests that music has the power to transcend cultural and linguistic barriers and connect with listeners on an emotional level.
While the doctrine of affections has its roots in the Baroque period, it has continued to be an important concept in the development of Western classical music. Many composers, including Ludwig van Beethoven and Wolfgang Amadeus Mozart, have drawn on the principles of the doctrine of affections in their compositions, using specific musical techniques and devices to evoke specific emotions in their listeners.
Overall, the doctrine of affections is a key concept in the world of classical music, highlighting the powerful emotional impact that music can have on the listener. It is a testament to the universal power of music to connect with people on an emotional level, regardless of cultural or linguistic differences.
doctrine of the affections
In Musiktheorie im Kontext, edited by Jan Philipp Sprick, Reinhard Bahr, and Michael von Troschke, 357—72. Wittenberg: Johannes Richter vol. What is an example of an oratorio? His influence over composing was singular. These musico-rhetorical theories dawned when a new way of addressing the world of the passions and affections was devised later in the 18th century. H: Řada hudebněvědná, 50—51 36—37. It derived from ancient theories of rhetoric and oratory Buelow 2001 , and was widely accepted by late-Baroque theorists and composers. For example, the breath might accelerate and the heart beat may quicken.
2.40: Doctrine of the Affections
Baroque era The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre after the German Affekt; plural Affekte was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era 1600—1750 Harnoncourt … What does the word movement refer to in music? My low strains but faintly show, How much to Heav'n and thee I owe. New York: Fordham University Press. Note that those two texts are not exactly the same. The term has however entered scholarly parlance and is commonly used to refer to a cluster of theorizations and compositional strategies that shared a common aim: emphasizing the affective dimension of music in order to move the listener. But they serve to illustrate the impact of the Doctrine of Affections on music composition in the Baroque.
Doctrine of Affections
Some pieces or movements of music express one Affekt throughout; however, a skillful composer like Johann Sebastian Bach could express different affects within a movement. The doctrines of the Doctrine of Affections can once more be seen in the aria O Sleep, why dost 1000 go forth me? O sleep, O sleep, why dost thou leave me? The Doctrine of Affections was a widespread understanding of music and musicality during the Baroque era. While a full knowledge and understanding of music cannot be discovered from a purely auditory approach, simply listening to music has the ability to subconsciously entice emotions within an audience. All of these factors contribute to accelerating the pulse of the hearer, supplying them with an emotional relation and apprehension of Giulio Cesare, merely as if they, themselves were the ramping party. In À Fresco: Mélanges offerts au professeur Étienne Darbellay, edited by Georges Starobinski and Brenno Boccadoro, 433—52.
What is called the doctrine of the affections?
Had I Jubal's lyre from the Oratorio Joshua by Handel implements these doctrines within the vocal line and orchestral concomitant. Long story short, Joshua and Caleb, of the younger generation maintain their faith within God and are thus allowed to enter the Promise land, while the disbelievers perished in the desert. It is interesting, then, that music is such a popular art form, for it depends heavily, and almost solely upon listening. On sadness Mattheson provinces: Sadness is a contraction of the elusive parts of our body it is easy to see that the little and smallest intervals are most suited for this passion. Among the passions was besides the emotion of joy.
Doctrine of the Affections
What was the doctrine of the affections in Baroque music? Harmonik und Affektgestaltung in den Lautenkompositionen von Silvius Leopold Weiss. It drew largely on elements with a long previous history, but first came to general prominence in the mid-seventeenth century amongst the French scholar-critics associated with the Court of Versailles, helping to place it at the center of artistic activity for all of Europe. One of the most celebrated of Baroque composers was Handel. Mattheson shows this: Love is in fact basically a diffusion of the liquors. Descartes believed that it was possible to foretell the external emotions that would ensue from the assorted passions the music intended to elicit. It drew largely on elements with a long previous history, but first came to general prominence in the mid-seventeenth century amongst the French scholar-critics associated with the Court of Versailles, helping to place it at the centre of artistic activity for all of Europe Rogerson 1953, p. The secret plan line of the opera is basically therefore: Semele is in love with Jupiter, but is about to Marry a adult male called Cadmus at the temple of Juno.
The Theory Of The Doctrine Of Affections English Literature Essay
In Storia dei concetti musicali. The Baroque inherited from the Renaissance an impressive technique of text painting, in which the music vividly mirrored the words. Geburtstag, edited by Peter Macek, 17—22. He thus has the opportunity to use all sorts of majestic musical figures which require a special seriousness and grandiloquent motion; but he must never permit a musical line that is fleeting and falling, but always ascending" "Anger, ardor, vengeance, rage, fury, and all other such violent affections, are actually far better at making available all sorts of musical inventions than the gentle and pleasant passions which are handled with much more refinement. The Doctrine of Affections is a theory created in the Baroque era that seeks to explain the effect that music has on the body. Aesthetics in Music 4. This is one of Handel 's later works, and it is based upon the scriptural narratives of Joshua.
The Doctrine of Affections
Within opera, a common theme of unrequited or lost love is prevalent. Another of the passions outlined by Descartes included love. The apprehension of the text along with the utmost musical line and concomitant creates an even more graphic image of Cesare 's intense choler and fury and pulls the hearer even further into the emotion, raising the blood force per unit area further and therefore, physiologically doing the raging and uneasy emotion within the hearer. It seeks to personify music, and prove that music itself has the ability to produce a particular feeling, independent of the listener. These publications were two of many of the age, but were the first to give instrumentalists touchable and practical waies for appropriate and affectional usage of intervals, for illustration, happy emotions tended to be represented with broad intervals, while unhappiness was represented with narrower intervals.
The Theory Of The Doctrine Of Affections
From the gap of the piece, big and heavy intervals and chords are heard and a feeling of easiness and felicity is evident. Jahrhundert", Germanistische Texte und Studien in German , Hildesheim and New York: G. Descartes also proposed that the affections were reliant upon humors. Before the ceremonial, nevertheless, Semele is snatched from the temple and taken to the celestial spheres where Jupiter builds her a expansive castle. Basically, Moses and the Israelites, after being freed from Egypt are told by God that they must keep their religion to him for 40 old ages in the wilderness before being allowed into the promise land, they do non obey him and direct in undercover agents to look into out the land after two old ages. Some pieces or movements of music express one Affekt throughout; however, a skillful composer like Johann Sebastian Bach could express different affects within a movement Boetticher 2010. As such, by utilizing scientific inquiry to understanding the biological workings of the organic structure it was possible to achieve truth and specific truth upon these systems which could so be used within music to bestir human emotions, and therefore could increase the potency of the humanistic disciplines.